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A Navy Yard Perspective
|| 5/30/2009 || 1:43 pm || 1 Comment Rendered || ||

: rendered at 9,000 X 6,000 :
A Navy Yard Perspective by Nikolas R. Schiller

While on blogging hiatus, I made this map on May 12th, but didn’t post it. I don’t really have any rationale for not posting it except that I wanted to take a month off from blogging to see where my daily visitor threshold was; as in finding how many people visited my website without daily blogging. So in order to ascertain the data, I purposely withheld this entry.

Following up last year’s Artomatic maps, which also featured the area prior to development, I decided to try something a little different. When making this map I spent a lot of time working with the field of view parameters to create the depth of perspective. In the foreground (the lower half) you have a somewhat close-up view of the area around the Navy Yard Metro station in Southeast, Washington, DC and in the upper half you have a larger field of view that appears to stretch out to infinite. The aerial photography was taken in the spring of 2005 before the stadium and subsequent nearby development had been completed. Even if you look at the current Google Maps of the area, the construction of this year’s Artomatic venue had not even began.


View the Google Map of the Navy Yard in Washington, DC, which features newer imagery

: detail of the Navy Yard Metro prior to construction :

View the rest of the map details:

+ MORE



My maps on display at Artomatic 2009
|| 5/29/2009 || 3:10 pm || + Render A Comment || ||

Click on the maps to view their respective blog entries


A New & Arabesque Map of the Hirshhorn Museum and Sculpture Garden

This antique map mashup is over 400 years in the making. It features the Library of Congress‘ copy of Willem Janszoon Blaeu’s Nova totius terrarum orbis geographica ac hydrographica tabula, which was published in Amsterdam in 1606. I removed the original Mercator-inspired map from the center and kept the highly decorative border similar to my other antique map mashups. The border contains allegorical drawings of the seven known planets, the four elements, the four seasons, and the seven wonders of the ancient world (copied from Dutch painter Maarten van Heemskerck [1498-1574]). This border was used on hundreds of subsequent maps for the next 50+ years by Blaeu and his son on a variety of maps. Interestingly, Washington, DC has a few modern replicas of the seven ancient wonders, but I’ll let you figure out which ones they are! (Anyone want to guess which two I can see from my rooftop?!?) The name of the map is a play on words based on the 18th century naming convention “A New and Accurate Map..” The central portion of the map features modified aerial photography (an arabesque) from the USGS (taken in the spring of 2005) of the circularly-shaped Hirshhorn Museum and Sculpture Garden on the National Mall in Washington, DC.


Israel / Palestine 1993

This map is derived from a scanned map of Israel & Palestine from the “Atlas of the Middle East,” which was published in January 1993 by the U.S. Central Intelligence Agency and obtained from the Perry-Castañeda Library Map Collection at the University of Texas at Austin. At the time of it’s creation I was working at Georgetown University’s Center for Contemporary Arab studies and my coworker’s vacation to Lebanon had to be cancelled due to an Israeli military incursion. I chose the map because of the way the occupied Palestinian territories were shaded on the map. The CIA chose to use rather ugly black diagonal lines to say “status still undetermined” and when I modified the map something interesting happened. The stripes became the points on a hexagram or Star of David, a recognized symbol of the Jewish state of Israel. To further express my feelings toward the continued occupation & military incursion, I added the iconic image of Palestinian defiance, a cartoon character by Naji Al-Ali named Handala to the lower corner of the map. Until his assassination in 1987, Ali used this character throughout his body of work as means to convey his displeasure toward the way the issue has been handled. The aim of this map is spark dialog so that peace may prevail.


Superdome Quilt – 1st Derivative #2

The day after Hurricane Katrina devastated New Orleans, the National Oceanic & Atmospheric Administration (NOAA) sent airplanes equipped with cameras to the gulf region to assess the damage. A few days later they released these high-resolution aerial photographs of New Orleans to the public and I downloaded the two tracts that contained the flooded area around the severely damaged Superdome. Shortly thereafter I made a couple maps based on this imagery and then tried out my new procedure of recursive sampling (a quasi-fractal) to make a highly detailed tessellation of the area. As you can see in the map, the blue hues are due to flooding of the streets and the little yellow blips around the map are what is left of the roof of the Superdome. A genuine question can be asked, if I were to obtain the imagery of the Superdome today, what would it look like? This map captured a moment in time that affected the lives of millions and I can only wonder what will happen when the next category 5 hurricane hits the next urban area. Sadly, the question is not if, but when….


I am located on the 8th floor of Artomatic 2009. Hope to see you!





The Daily Render By
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Nikolas Schiller is a second-class American citizen living in America's last colony, Washington, DC. This blog is my on-line repository of what I have created or found on-line since May of 2004. If you have any questions or comments, please contact:

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  • thank you,
    come again!