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10/14/2008 || 7:43 pm
Hallway view of the first edition of the New & Arabesque Map of the Hirshhorn Museum & Sculpture Garden

The other day I realized that posting maps here in digital format doesn’t show perspective well. For the image above I decided to switch it up and show the newly framed map from the perspective of looking down my hallway. Click here to read the original entry on New & Arabesque Map of the Hirshhorn Museum & Sculpture Garden

Below is the original photograph of the new map: (more…)

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9/13/2008 || 11:32 pm
Gloria Immortalis Labore Parta

Immortal glory is brought forth by labor
Undying fame is born of hard work
Labor will be rewarded by eternal glory
immortal glory is the fruit of hard work and anguish

The other day I discovered a cache of digitized rare books at the Le Service Interétablissements de Coopération Documentaire (SICD) at the Universities of Strasbourg. While skimming through Johannes Kepler’s Prodromus dissertationum cosmographicarum, continens Mysterium cosmographicum (1622 edition), I found the emblem above on the title page of the Apologia (full page below). After this work, Kepler only published the Rudolphine Tables, which was the most up to date star catalog of the time, and Somnium, which is cited as the first literary work of science fiction.

The original emblem, copied by the publishers of the book (and by me above & below), was originally created by Hadrianus Junius 57 years earlier as EMBLEMA III in his graphic arts book Emblemata (1565). Although he currently only has a Dutch wikipedia entry, I wonder how many other books copied his various emblems?

The paragraph below from Page 86 of The French Book by Henri-Jean Martin, Paul Saenger, Nadine Saenger (1996) gives instructions on how to view this emblem:

We may to try to understand how one “read” such a page by examining as an example an emblem from Emblematum libelus of the Flemish doctor Adrianus Junius, published in 1565 by Christopher Plantin at Antwerp. The title Gloria immortalis labore parta signifies that immortal glory is the fruit of hard work and anguish. The image that expresses this idea makes use of four coded symbols: the continuous coiled snake is viewed as a sign of eternity, the crown of laurel symbolizes glory, and the shovel and terrestrial globe symbolize, respectively, labor and human endeavor. If we look above the terrestrial globe (which represents our daily reality), we notice the shovel excavating it. The snake holding the shovel’s handle in his mouth is encircled by the crown of laurels. Thus, a rhetoric of image identical to the rhetoric of discourse animates the different elements of the emblem, which were placed arbitrarily against a rustic background.

Exciting the mind by their obscurity and polysemantic nature, such illustrations seem to belong to the images employed since antiquity to facilitate memorization and to encourage the creative impulse.

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9/4/2008 || 7:11 pm
A New & Somewhat Accurate Map of the Tropic of Gemini and the Tropic of Sagittarius

For the last month I’ve been working on a slightly strange map above. It’s based on Johannes van Loon’s “Scenographia systematis mvndani Ptolemaici” (1660), which includes an “Axis Zodiaci” that shows the signs of Gemini and Sagittarius being slightly more illuminated than Cancer & Capricorn (see below). This shading possibly indicates that the author was aware of natural movement of the earth since the time of Ptolemy (~125 A.D.).

A new & somewhat accurate map of the Tropic of Sagittarius and the Tropic of Gemini was created using two maps of the Tropics from Wikipedia. I added the glyphs of the Zodiac over the meridians, but unlike the antique map below, I moved the signs backwards. The word “tropic” itself comes from the Greek tropos, meaning turn, referring to the fact that the sun appears to “turn back” at the solstices. I have read that in 1989 the Tropic of Gemini moved into the constellation of Taurus, which technically means it should be the “Tropic of Taurus,” but to keep the circle of animals in exact opposition, I kept the tropic in Gemini, hence “somewhat accurate.”

Close-up detail of A New & Somewhat Accurate Map of the Tropic of Gemini and the Tropic of Sagittarius

For hundreds of years cartographers have included the Tropic of Capricorn and the Tropic of Cancer on nearly all globes and world maps. Yet with the natural movement of the earth through space & time, the solstices are not located in the constellations of Capricorn or Cancer anymore. So why do cartographers continue to label the maps & globes using this incorrect information? Does cartographic tradition trump astronomical observation? Should contemporary maps be changed to reflect the passage of time? Are there any antique maps that place the Tropics in any other constellations? Leave your comments below.

Johannes van Loon’s “Scenographia systematis mvndani Ptolemaici” (1660)



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8/13/2008 || 6:32 pm
Tabvla Festorvm - Table of important Catholic dates from Opera Mathematica

One of the chief architects of the Gregorian Calendar was Jesuit mathematician & astronomer Chrisopher Clavius. In his “Romani calendarii a Gregorio XIII restituti explicatio” (Rome, 1603) he explained the process behind the creation of the Gregorian Calendar. The table above shows the contemporary dates of the Pentecost, Septuagesima, the Paschal Full Moon as well as some other calculations that are hardly used today. Shortly after his death in 1612, this explanation was republished in volume five of Opera Mathematica.

This volume, known as the explanation of the Gregorian Calendar, literally features hundreds upon hundreds of charts like the one above that show the Roman Calendar going thousands of years into the future. Seriously, its truly amazing how far into the future his tables go! If I had some more time to dabble around with his calculations, it would be neat to see how far they are off after nearly 400 years.


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8/12/2008 || 2:27 pm
Gregorius XIII - Pont(ifex) Opt(imus) Maximus / Anno Restituto MDLXXXII

“Pope Gregory XIII / Year of Restitution 1582″
Minted in 1582 to celebrate the creation of the new Roman calendar,
which later became known as the Gregorian Calendar

The other day I was reading about the Gregorian Calendar and stumbled across this coin that was created the year of the calendar reform. It features a portrait of Pope Gregory XIII on the front, and on the back this is dragon eating it’s tail surrounding a ram’s head. The dragon is called an Ouroboros, which I named my recent time lapse video, and as I mentioned before, it represents the cyclicality of time surrounded by the Egyptian Sun God Amun, who’s name means “the one who is hidden.” I find this symbology very interesting because what we consider today to be pagan symbols were used to mark the creation of their perfect calendar— the calendar we use today.

In my opinion, the Ouroboros represents the Milky Way and the Ram represents the sun, and by creating a perfect calendar the sun & the cosmos were finally set in perfect harmony. Except one thing, and in my opinion, the most important part of it all, the perfect calendar removes the importance of natural precession. As in, as the dragon devours its tail, it slowly moves in a circle, and that circle represents the earth’s slow precession backwards through the zodiac. By keeping the months standardized, the natural movement of the Earth is not accounted for in our modern calendar because the Gregorian Calendar standardized the timing of the Paschal Full Moon so all Christians could celebrate Easter on the same day. With that sense of natural drift removed, the understanding behind the Earth’s natural movement around the sun and the origins of why ancients used the Zodiac was diminished.

A good example of this natural drift is the removal of 10 days from October in 1582. Part of this was due to the Julian calendar’s natural error, but in my opinion, a partial correction in regards to natural drift. In the last 426 years at an average drift of 1 degree every 71.6 years, the earth has precessed approximately 6 degrees since the calendar’s creation. If each sign in the Zodiac is 30 Degrees, then the earth has moved 1/5 of its way through the age since the calendar’s creaction. Interesting stuff! What’s really funny is what I posted here exactly one year ago today.


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8/7/2008 || 1:59 pm
The Vicissitude of the Seasons Explained

The other day I posted the Analemma featured on Bowles 1780 Map of the World. Today I am posting another ancillary chart from the map that I thought was interesting. It is called the Vicissitude of the Seasons and it explains the nature of the seasons in a given year. Vicissitude means “a state of being changeable or in flux; the rise and decline of a phenomenon,” and the transcribed chart below is the explains how the Earth slowly goes from Summer to Spring. I’ve been thinking a lot about the seasons lately and I have been working on a new map to address their change over time.

In this Diagram S represent the Sun, A XII BXII the Earth as moving round the Sun in the plane of the Ecliptic, according to the Order of the Signs Aries, Taurus, Gemini, etc. P is the North Pole, C the Arctic Circle, T the Tropic of Cancer, E the Equator, AXIIB the enlightened half of the Earth, where it is Day. BXIIA the darkened half where it is Night and BCA is the boundary of light & darkness. The Earth’s position with respect to the Sun is here shewn at the beginning of Ecliptic and here tis plain that the Earth moves through the Signs Libra, Scorpio, Sagittarius, Capricornus, Aquarius, and Pisces (which is from the 21st of March till the 23 of September) the North Pole P is constantly enlightened, and the Northern Places have their days longer than their Nights. But as the Earth proceeds through Aries, Taurus, Gemini, Cancer, Leo, and Virgo (which is from the 23rd of September till the 21st of March, the North Pole is constantly in the Dark and the Northern places have their Nights longer their Days.

Thus, supposing the Circle, L to be parallel of Latitude of London, we perceive that a greater part of it is in the Light than in the Dark from the 21st of March to the 23rd of September and the contrary from the 23rd of September till the 21st of March. On these two days it is just half in the light and half in the dark which shews the Days and Nights to be equally long. On the 21st of June it is most of all in the light, which shews that its days are then at the longest and on the 21st of December it is least of all in the light which shews its days are then at the shortest. The like to be understood of any other place situated in the Northern Hemisphere whilst the reverse happens to those in the Southern. But at each Pole there is only one Day and one Night in the whole Year. N.B. In whatever part of the Ecliptic the Earth is in, as seen from the Sun, the Sun is then the opposite part thereof as seen from the Earth.


I think I might use the graphic on the cover of next year’s calendars. Its very similar to the zodiac in Battista Agnese’s Portolan atlas from 1544 that I used on last year’s calendars.



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8/1/2008 || 4:54 pm
The Use of the Analemma - As explained around 1780

A couple months ago I posted the astrophotography of Anthony Ayiomamitis and went into some cursory detail in explaining what an Analemma was. Last night I was perusing the on-line collection of maps in the Library of CongressGeography & Mapping Division and came across Bowles’s new and accurate map of the world, or Terrestrial globe : laid down from the best observations and newest discoveries particularly those lately made in the south seas by Anson, Byron, Wallis, Bouganville, Cook, and other celebrated circumnavigators, illustrated with a variety of useful projections and representations of the heavenly bodies the most approved astronomical and geographical definitions tables, and problems with an easy and familiar explanation of the most curious and interesting phoenomena in the universal system. (yeah thats the official name of the map!)

It was published around 1780 in London for the proprietor Carington Bowles and it features quite a few ancillary maps, including a map of the solar system- both northern & southern hemisphere, astronomical latitude and longitude analemma (below), a chart of the world drawn according to Mercator’s projection, a map of the moon (a selenograph), and a diagram of seasons (which I absolutely love). I expect to reuse portions of this map for upcoming entries because its so laden with unique information. For example, there are drawings on how the planets looked like through the telescope and even the oldest drawings of sunspots that I’ve ever seen.

As for this entry, on the right side of the map are two spheres that were designed to teach the viewer how to understand the Analemma and use it to estimate the location of the Sun, planet, or any fixed star anytime in the past, present, or future. While I still haven’t fully wrapped my mind around the instructions, I have transcribed the text from the map below. There are a few errors and typos but I tried my best to keep the text as close to the original as possible.

By clicking on either of the images you can view a larger version and investigate the text yourself. As a decorative element, I used a portion of the tessellation I used to construct Meridian Hill Park Quilt #4 as the background.

The Use of the Analemma
The Analemma is a very useful (tho’ not commonly used) Projection of the Sphere on a plane. In this Projection the Eye is supposed to view the Sphere or Globe with all its Lines both real and imaginary from a Place so far distant that Mathematicians usually term this Distance in definite, and sometimes infinite.

In this Projection the Meridians and Circles of Declination as they are farther removed from the Centre of the Projection, appear nearer to each other and therefore more confused and on this Account Maps of the Earth and Heavens are generally delineated according to other Principles. Nevertheless there are several Properties belonging to this orthographic Projection, which are superior to all other Projections namely. 1st. In this Projection, the Circles of Latitude on the Earth’s Globe, from the Equator to the Pole, are all of them strait Lines, as are also all those Circles of equal Distance from London or any other Place on the Earth’s Globe all around London or any other Place. 2nd. The Distances of Places in the same Latitude are also measured by strait Lines in this Projection 3rd. The Meridians are Ellipses in this Projection and the Degrees of terrestrial Latitude are here measured on those Ellipses.

In like Manner for the Heavens 1st. The Parallels of the Sun’s and Stars Declination from the Equator, are in this Projection measured by strait Lines, which affords a very easy and elegant Construction of Properties of the celestial Sphere on a Plane. 2nd. The Parallels of Altitude for Sun or Stars at any Place on the Earth’s Globe are here also Strait Lines, Like the Parallels of Declination. 3rd. The Celestial Meridians, and the great Circles extending from the Zenith to the Nadir, in this Projection are Ellipses. 4th The Sun’s Declination North or South being but 23 1/2 degrees and the Degrees being in this Projection so near to an Equality from the Centre to the Tropic of Cancer and the Tropic of Capricorn, several of the most entertaining and useful Particulars relating to the Doctrine of the Sphere & Astronomy are more easily & elegantly solved by this Construction than any other.

From all which it follows that the Analemma or orthographical projection of the Sphere on a Plane is what everyone should understand who would not be at the expense of those expensive Instruments, Spheres, Globes etc., nor be at Pains and Attention enough to learn Mathematics and the necessary calculation.

On these Accounts we have given on the opposite side of this Map a Delineation which will be abundantly useful in the Application of the Analemma. And for a further Illustration of the Projection, Read what follows.

At the upper Part of this Map we have given a Table of the Sun’s Declination for the Beginning, Middle, and End of every Month throughout the Year, and which will be true till the Year 1808, by which Table and a single Proportion of Allowance for the Increase or Decrease of Declination, the true Declination for any Day may be easily found, also above we have given Geographical & Astronomical Definitions from which the Names of the several and respective Lines of the Earth and Heavens may be known.

Now supposing you would know the Hour of Sun Rising or Sun Setting or the Hours and Minutes of Time any Star, Planet, or the Moon is above the Horizon from the Rising to the Setting by the Analemma you first know the Latitude of that Place of the Earth where the Answer is required for. Secondly you must know the Declination of the Phenomenon whether it be Sun, Moon, or Star, and by these you may find the Time of Duration above the Horizon thus Count the Degrees of Latitude from the Equator of the Analemma downwards towards its Pole and a Strait piece of Paper of Line laid from thence to the Centre will cut the Line of Declination and the elliptical Meridians Equal to the Length of the Half Day more than Six Hours when the Place and Declination are both alike that is both North or both South but less than Six Hours, when the Place of Declination are both unlike that is one North and the Other South and this assensional Difference being either added to or subtracted from Six Hours gives the Length of the Half Day, and consequently the Time of Rising or Setting of the Sun.

The like is also to be understood of the Rising and setting of the Moon, Planets, or Fixed Stars, with this Difference, that in these you mist know if the Moon, Planet, or Stars rise sooner or Later than the Sun, which you may known whither such Star as you enquire about doth by the above Hemispheres, but for the Moon and Planets you may have Recourse to an Ephemeris Another very curious and useful Problem in the Doctrine of the Sphere is solveable after the most easy and elegant Manner by the Analemma relative to the Crepusculum or Twilight its Beginning & Ending in any Place of the Earth & at any Time of the Year it is as follows Viz.Count as before mentioned from the Equator of the Analemma to the Latitude & draw a real or imaginary Line thro’ the Centre to the opposite Side of the Analemma, then in the Circumference of y3 Analemma count 18 Degrees on each side downward & where the Parallel of the Sun or Stars Declination cuts this Strait Line the Number of elliptic Meridians from the Centre shews the Ascensional Difference.

N.B. The Equator of the Analemma is the Line 180 to 180 thro’ the Centre.

In this Analemma the Place in the Ecliptic or Distance from the next Equinoctial Point being known (which the adjacent Table will shew) the Declination and Right Ascension of the Sun are known by Inspection and for the Moon or Planets which have Latitude if such Latitude be reckoned from the Ecliptic towards the Ecliptic’s Pole the Declination & Right Ascension answering to such Latitude will be known by Inspection in the Analemma the Use of which will appear to such as know a little of the Sphere.

As the Fixed Stars are carried forward according to the Order of the Signs 50 Seconds per Year this Analemma will readily shew the Place of any Fixed Star for any Time past present or to come if its present Place be known & Contra.




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6/26/2008 || 4:20 pm
The Millbank Penitentiary, the Tate Britain, and the Panopticon

Detail of Smiths New Map of London (1860)
Courtesy of the Library of Congress Geography & Mapping Division


The other night I was browsing the antique maps on the in American Memory Collection map stumbled upon Smith’s New Map of London (1860). As I was looking at 19th century London, I came across the geometrically shaped building that look surprisingly like some of the mashed-up buildings in my maps (see map detail above).

The building was known as the Millbank Penitentiary and was designed by William Williams in 1812 in accordance with the utilitarian principles laid down by Jeremy Bentham’s Panopticon prison design. This radial design would allow the guards to monitor all the prisoners at all times, without any prisoner being aware of whether he/she was being monitored or not. Akin to today’s closed circuit television cameras, the Panopticon design is still used today in many prisons around the world.

Peter McRorie Higgins describes the Millbank Penitentiary extensively in The Scurvy Scandal at Millbank Penitentiary: A Reassessment:
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5/25/2008 || 12:17 am
Tabvla Temporis [Semidiurni in fignis Borealibus / Australibus]

This is the reverse side of Willem Janszoon Blaeu’s Nova totius terrarum orbis geographica ac hydrographica tabula (Amsterdam 1606) which I used in my recent creation A New & Arabesque Map of the Hirshhorn Museum. If you look closely, you can see the reverse of original map that bled through the paper after couple hundred years and some image manipulation. The table shown is similar to an Ephemeris, which is table of values that gives the positions of astronomical objects in the sky at a given time. I would love for someone to sit and explain the way one goes about reading these types of antique charts. I understand a fair amount of what is being shown, but I do not fully grasp how to apply the calculations.

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5/23/2008 || 10:43 am
A New & Arabesque Map of the Hirshhorn Museum & Sculpture Garden


:: saved at 6,480 x 5,040 ::

To celebrate the new procedure I decided to get around to editing the Library of Congress‘ copy of Willem Janszoon Blaeu’s Nova totius terrarum orbis geographica ac hydrographica tabula, which was published in Amsterdam in 1606. I removed the original map from the center and kept the decorative border similar to Nova et Accvratissima Totivs Terrarvm Orbis Tabvla, A New Map of the Terraqueous Globe : according to the the Ancient discoveries and most general Divisions of Geospatial Art, America as a Cloverleaf, and A New And Accurate Map of the World by John Speed. However, unlike the previous antique map mash-ups, which usually feature the earth laid out in two hemispheres, this map uses a rectangular space (Mercator?). The beauty of this open layout is that I can place any of my previously made maps inside of this 402-year-old template.

A common naming practice I’ve noticed in old map is the use of “New & Accurate” and since I like to play around with words, I changed Accurate to Arabesque to create a visual pun. The source map was about 6,500 pixels wide, I underlaid a rotated 9,000 x 6,000 copy of Hirshhorn Quilt to fit perfectly in the center of the new map. I think it would be fun to actually hand-color the engravings on this map to match other copies of this map which have the various figures colored in. The LOC’s copy is uncolored which means that its actually easier to add color to it than if it were already colored because pigment matching is not needed.

Below I dissect the border of the map:
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5/10/2008 || 12:25 pm
Art-O-Matic opening night

Alfonso & Farrah @ my Art-O-Matic exhibit space
Photo by Alex from There Were Ten Tigers

After working rather hard the last two weeks on getting my Art-O-Matic space ready and operational, I was pleased that the evening went by quickly & smoothly. When I left the building at around 1:00am, the doorman had clicked just under 5,000 people and I’d say I spoke to at least 50 people (about 1% of the total) while manning my little corner space. Since my spot is in an out-of-the-way location (like how this website used to be), I received less foot traffic (aka eyes/visits) than the central spaces and my neighbor wasn’t around to show up and turn on her exhibit’s lights. Neither of those issues really bothered me as much as being harped on about not having promotional materials.

The aim was to save paper and to challenge people into thinking & remembering. Specifically, if they cannot remember my name amongst a thousand other artists, would they remember my art? Well the easy answer, or at least the one that presented itself, was that people prefer to have a token of remembrance and are disappointed when one is not offered. It’s not like the Artomatic floor map in their hands says nothing, rather, it says my name quite clearly: Nikolas R. Schiller. I even own it as a domain name: www.Nikolas R Schiller.com, so the visitors had some generic token, but it clearly was not good enough; it needed to be personalized, beyond the passive note that they could have left in the RECORD book.

Today I am going to drop off some Tacky Flyers that I printed in for North, South, East, Westminster in September of 2006. They’ve been collecting dust in my basement because I got them for free when I ordered the NSEWestminster flyers, and have always thought they were unprofessional and ugly. To subvert that issue, I am going to place a sign above the flyers noting that they are, in fact, Tacky Flyers.

In some ways by identifying them as such, it calls out anyone else who chooses to use those flyers for promoting their business or event. As noted above, they were just collecting dust in my basement and I didn’t have any intended use for them except to use as scrap materials in some future art project. And in the whole “saving paper visit website” context, the use of these flyers *is* recycling. While the 27.5 year-old Nikolas would not have made the same flyer that the 25.75 year-old Nikolas made, I am able to now offer a token of my own personal remembrance– even if it’s in the form of a Tacky Flyer.

Aside from the promotional material requests, I had a really fun time meeting and chatting with people. I have not even attempted to look through the other artwork in the building, but plan on doing a floor-by-floor analysis in the not-so-distant future. It would be interesting to make an interactive map of the entire building, but I don’t think I have the time to do it.

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4/19/2008 || 3:26 pm
Of (the Tartars) manners both good and bad (around 400 years ago)

1732 Map of Great Tartary by Herman Moll
Obtained from the David Rumsey Map Collection

Today’s entry follows up my successful layout of Ovid’s Remedia Amoris / The Cure for Love and employs the same side by side Latin / English text. Below you will find Chapter 5 of Richard Hakluyt’s The Principal Navigations, Voiages, Traffiques and Discoueries of the English Nation - Volume 2 published 1598-1600 in London, England.

Richard Hakluyt was an English author, editor, translator, and personal chaplain to Sir Robert Cecil, 1st Earl of Salisbury, principal Secretary of State to Elizabeth I and James I. A great history of his life and works can be found in his Wikipedia entry. Most notably, he was one of the biggest advocates for English colonization of Virginia. Some of his other exploration-related works include the Discovery of Muscovy, Voyagers Tales, Voyages in Searth of the North-West Passage, and numerous similar volumes related to The Principal Navigations, Voiages, Traffiques and Discoueries of the English Nation (Project Gutenberg lists a total of 12 volumes altogether).

In the chapter below he describes the manners of the people of Tartary. This antiquated geographic name was used by Europeans from the Middle Ages until the twentieth century to designate the great tract of northern and central Asia stretching from the Caspian Sea and the Ural Mountains to the Pacific Ocean (see map above). Inhabited by Turkic and Mongol peoples of the Mongol Empire who were generically referred to as “Tartars”, the present day geography includes the current areas of Siberia, Turkestan (including East Turkestan), Greater Mongolia, and parts China. In many ways the book reminds me of how an antiquarian National Geographic article might have read. The aim of this book, and many of his other works, was to consolidate what others had written about different regions around the known world and in doing so help spread the diffusion of geographic & ethnographic knowledge.

Lastly, in regards to the transcription below, I did not modify the original Project Gutenberg text, so when reading please note that there are some typographic differences in the old English and contemporary English. Remember to change the lowercase V to a lowercase U and in some cases, change the I’s to J’s. I did consider updating the text to modern English, but in some ways I feel that it would be better to keep the text in it’s originally transcribed format. Unlike Ovid’s Remedia Amoris / The Cure for Love, I did not include the line numbers because they were not given in the original text. I did, however, separate the text into easy to read paragraphs. If you are reading this entry via Google Reader, the chapter can be better read by hiding the sidebar that shows your subscriptions by clicking the small arrow on the left separator or by pressing “u” on your keyboard to switch to wide screen.

I hope you enjoy reading it as much as I did:
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4/14/2008 || 12:42 pm
Then & Now Birds-Eye Views of the Westminster Neighborhood in Washington, DC [1884 & 2005]

Detail the bicycle track before Westminster Street was created
from Adolph Sachse’s birds-eye view of the nation’s capital, 1884

Due to file format issues, only recently have I been able to open most of the maps available in the Library of Congress’ American Memory Collection. Last night I found an interesting birds-eye view map of Washington, DC by Adolph Sachse that was published in 1884. Its a massive map that appears to be composed of six separate sheets and contains a listing of many of the businesses in Washington City as well as locations of various public & government buildings. In many ways the map acts like a geovisual address book (the phone had not been invented yet) because, at a glance, one can easily find services offered by local merchants. Judging by the branding in the upper right hand corner of the original map, it appears that the map was sponsored by the Baltimore & Ohio Railroad Company.

According to my neighborhood’s official history, Westminster Street did not exist in 1884 and the birds-eye view above supports this claim. While not labeled in the image above, Parcel 362 as it was known on the original DC maps, was called Athletic Park at that time. It had a 150-foot long grand stand along T Street, which was built in 1883 (building permit number 1047) in preparation for the fifth national convention of the League of American Wheelmen, a national organization of bicyclists. The first American bicyclist to ever ride 100 miles on an outdoor track did it on that track in 1884. As someone who uses a bicycle as their primary means of urban transportation, I can only smile knowing that 121 years ago my residence was an outdoor bicycle race track.

Below is a birds-eye view of the Westminster Neighborhood published by Microsoft, with imagery of Pictometry International. It features imagery that was taken in 2005 and when compared, you can see how much the area has changed in the last 121 years. The Athetic Park is gone and in it’s place are dozens of rowhouses that were built shortly after the map above was published. A unique and historically aware addition to the neighborhood is something you can see below in the playground on Westminster Street. No, it’s not because that is where I had my exhibit “North, South, East, Westminster“. Rather, if you look closely, you can see a small race track! A scaled reminder of what once was.

Detail of the Westminster Neighborhood by Microsoft, with imagery of Pictometry International



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4/11/2008 || 6:42 pm
The Yu Ji Tu map [1137] and a map of the distribution of Moslems in China [1922] via Rev. Claude L. Pickens, Jr.’s trip to northwest China [1936]

Page 6 of Rev. Claude L. Pickens, Jr. photo album featuring the photograph of the Yu Ji Tu
Image from the Harvard University Library

Last night I came across Harvard Library’s digitized photo album of Rev. Claude L. Pickens, Jr.’s trip to northwest China. Of all things to have on the inside of the album cover, there was a small map showing “Moslems in China”. After flipping through a few pages I spotted a photograph of one of China’s most famous maps: the Yu Ji Tu.
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4/8/2008 || 4:52 pm
ABSOLUT STATEHOOD

Screen grab links to .kmz file for Google Earth

A geovisual response to an LA Times blog entry showing mostly isolationist responses to an alternative history map of North America by Absolut Vodka.

This interactive map for Google Earth shows the familiar Absolut Vodka bottle labeled “Absolut Statehood” and placed inside of the original boundaries of the District of Columbia. These boundaries existed until 1847 when the residents of Virginia voted to cede back the portion of the District of Columbia that was west of the Potomac River.

Absolut Statehood represents the cartographic notion that the nation’s capital can become America’s 51st state*. Today there are over 550,000 American citizens living in the nation’s capital that are being denied the fundamental right of represenation in Congress. This ongoing human rights violation currently practiced by the government of the United States has been denounced by the United Nations, the Organization of American States, and the Organization for Security and Cooperation in Europe. The United States is the only country in the industrialized world that forbids the residents of it’s capital city the right to elect representatives to their national legislature.

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4/3/2008 || 1:28 pm
Remedia Amoris / The Cure For Love by Ovid

Remedia Amoris (Love’s Remedy or The Cure for Love) is a 814 line poem in Latin by the Roman poet Ovid written around 5 BC. The aim of the poem is to teach young men how they can avoid idealizing the women they love and to give assistance if love brings despair and misfortune.

I discovered this poem when I was researching antique stained glass sundials and I came to the initial conclusion that Ovid’s prose is visually interpreted on Blaeu’s world map from the mid-1600s (detail above). Late last night I found both the latin and translated version of the poem, so I decided to do something I wish there was more of on the internet: a side by side layout which shows the original latin on the left and the translated english on the right.

To add a unique visual element to the poem, I made the line number (which came from the Latin text) the color of the english translation. This involved quite a bit of manual coding, but I think it makes the latin / english comparison easier and slightly more visually engaging. By using red & white type face and numerical indention, the layout looks like a crève cœur or broken heart when scrolling. I bolded one section for emphasis related it’s discovery [hint: around line #185].

There are a few translation discrepancies that I’ve found thus far and there are many others which come across slightly convoluted and require more inquiry, but overall the poem is quite interesting. It includes topics like tree grafting (Genetic Engineering Version 1.0), having multiple lovers, travelling, and what to do and not to do when getting over a relationship. It’s interesting how much things have changed in the last 2,000 years, and as cliché as it may sound, how much our emotions have stayed the same. We all face the same relationship troubles and like Ovid, there will always be people telling you how to deal with them.

If you’ve got about 45 minutes to spare, here is Ovid’s Remedia Amoris / The Cure For Love:
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Render A Comment || || Posted One Year Ago: What a difference a year (and an internationally syndicated story) makes!

3/30/2008 || 1:37 pm
Hello Cherubs - A New Splash Page Graphic Added

With the addition of this graphic, my website’s splash page now contains over 18,675 different visual combinations. I’ve been working on a new lost series project called “The Grand Juxtaposition,” which uses all the images of my website. It should be ready in a week or two. This new splash page graphic was created using the letter z from the Oktober 98 font collection. I colored in the image and removed the color on the book’s page to create a transparency illusion that the book has been opened to one page somewhere on my website. Just hit reload to cycle through the different visual combinations.

Above the cherubs are showing a zoom-in detail of Washington Circle Quilt

Comments Off || || Posted One Year Ago: Home Quilt #6

3/27/2008 || 3:27 pm
Antique Stained Glass Sundials

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2 Comments Rendered || || Posted One Year Ago: OSCE Finds US Government Violates Human Rights

3/20/2008 || 3:25 pm
Happy Nowruz !!

Last night I celebrated Nowruz, the Persian New Year, with some of my close friends for the second year in a row. Like the ancient peoples written in our history books, I am a fan of all celebrations that bring people together, and Nowruz has been bringing people together for over 15,000 years– making it one of mankind’s oldest celebrations.

The previous year I was given the sabzeh, or green wheat sprouts in a small dish, which represents rebirth. This year I saw my first traditional Haft-Seen display (pictured). Each element in the display has a specific meaning for the next year.

Via Wikipedia, some of the Haft-Seen items are:


* sabzeh - wheat, barley or lentil sprouts growing in a dish - symbolizing rebirth
* samanu - a sweet pudding made from wheat germ - symbolizing affluence
* senjed - the dried fruit of the oleaster tree - symbolizing love
* sīr - garlic - symbolizing medicine
* sīb - apples - symbolizing beauty and health
* somaq - sumac berries - symbolizing (the color of) sunrise
* serkeh - vinegar - symbolizing age and patience

Other items on the table may include:

* Sonbol - Hyacinth (flower)
* Sekkeh - Coins - representative of wealth
* traditional Iranian pastries such as baghlava, toot, naan-nokhodchi
* dried nuts, berries and raisins (Aajeel)
* lit candles (enlightenment and happiness)
* a mirror (symbolizing cleanness and honesty)
* decorated eggs, sometimes one for each member of the family (fertility)
* a bowl of water with goldfish (life within life, and the sign of Pisces which the sun is leaving)
* a bowl of water with an orange in it (the earth floating in space)
* rosewater, believed to have magical cleansing powers
* the national colours, for a patriotic touch
* a holy book (e.g., the Qur’an, Avesta, Bible, Torah, or Kitáb-i-Aqdas) and/or a poetry book (almost always either the Shahnama or the Divan of Hafez)

We stayed up to 1:48am to celebrate start of year 1387 (Anno Persico) and shortly after the new day began I poured rose water on my hands, rubbed it on my face, and looked into a small mirror. I am told its a ceremonial way of putting the year behind you— and what a great year 1386 was for me! I expect 1387 to be filled with intrigue, excitement, and fun.


I’d like to take a brief moment to expound on how amazing the Persian Calendar is. Technically, it is one of the few astronomical solar calendars that are still used today. Interestingly, it is more precise than the Gregorian calendars that have been in used in Europe (and America) since 1582. Each month is not based on the arbitrary division of months as we have today, rather each month was determined by the transit of the sun into the corresponding zodiac region.

By 1079 (C.E.), the Jalali Calendar, a precursor to the modern Persian Calendar, had the solar year calculated to seven decimal places (365.2421986) and in today’s Gregorian Calendar the days in a year is calculated to only six decimal places (365.242190). Also, since the astronomical observations and predictions used in Jalali Calendar were based on a yearly review of the astronomical ephemeris, the calendar never required a leap years nor were seasons ever off by more than a day. All in all, I am very impressed with their calendar and how its changed over the years to include other cultural influences.

Last year’s research on the zodiac found in Battista Agnese’s portolan from 1544 shows that even as far back as 400+ years ago New Years was celebrated in the spring. I’ve spent quite a bit of time looking at this zodiac and found one important indicator of New Years.

There is only one point on the double concentric circle where there is a line that bisects both the astrological calendar and the Gregorian calendar. This line falls around March 10th (see below), however I have been unable to find out why that specific date was chosen for this specific calendar. I am still trying to reconcile this anomaly, but hope to have a definitive answer sometime in the not-so-distant future.

Render A Comment || || Posted One Year Ago: Interactive Inequality #3

3/10/2008 || 9:25 pm
ordered last week: New Blaeu

New Blaeu

Originally created last summer as “NOVA ET ACCVRATISSIMA TOTIVS TERRARVM ORBIS TABVLA [2007 Remix],” when this map was published in the December 14th issue of the Christian Science Monitor, the editors truncated the name and simply called it “New Blaeu.”

Last week I decided to update the map slightly by trimming the edges and doing some color correction. It’s being printed at 20″x16″ and preserved behind glass in in an ornate gold frame. I am also planning on framing some of the other antique maps I purchased recently to compliment this map. I think they’ll look really cool all hung together; the real old with the fake new.

View the other detail:
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Comments Off || || Posted One Year Ago: Lost in America's Last Colony

1/10/2008 || 10:21 pm
Carte du Télégraphe Optique [dans l’hexagone]

Undated Map of Optical Telegraph Stations in France
Courtesy of Low-Tech Magazine via Ecole Centrale de Lyon

E-mail in the 18th Century

Centuries of slow long-distance communications came to an end with the arrival of the telegraph. Most history books start this chapter with the appearance of the electrical telegraph, midway the nineteenth century. However, they skip an important intermediate step. Fifty years earlier (in 1791) the Frenchman Claude Chappe developed the optical telegraph. Thanks to this technology, messages could be transferred very quickly over long distances, without the need for postmen, horses, wires or electricity.

The optical telegraph network consisted of a chain of towers, each placed 5 to 20 kilometres apart from each other. On each of these towers a wooden semaphore and two telescopes were mounted (the telescope was invented in 1600). The semaphore had two signalling arms which each could be placed in seven positions. The wooden post itself could also be turned in 4 positions, so that 196 different positions were possible. Every one of these arrangements corresponded with a code for a letter, a number, a word or (a part of) a sentence.

The other day I found this tremendously enlightening article about optical telegraphs on Low-Tech Magazine. Prior to reading this article I had no idea about this arcane method of communication. The authors supplied a map (above) to really drive home how extensive this system was.

Something that I think few people do when surfing through Wikipedia is to check the articles in other languages. It’s really easy to do and the results tend to be very useful. For words that have equivalent spellings, all one has to do is change the URL’s prefix (fr to en). For words that have different spellings (telegraph vs télégraph) you will have to correct this spelling in order for the entry to show up.

For example, the French entry on télégraphe yields quite a bit more information related to the use of semaphores (the object used to construct the optical telegraphic code) than the English entry on telegraphs.

Below is a carte of the semaphoric number system and an engraving of Mont St. Michel with a semaphore at the top. Both images obtained from the French wikipedia.
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1/6/2008 || 2:09 pm
Oil Wells in Los Angeles 103 years ago [One Slick Overlay]

Links to 2.5mb KMZ file for Google Earth
Were the fingerprints dipped in oil too?

The other day I was hunting for maps of Baltimore and stumbled on to the map above (published in Baltimore). It was last prominently featured in the Library of Congress’ “Los Angeles Mapped” on-line exhibition. The map shows downtown Los Angeles with little black dots showing the locations of all the oil wells that existed in 1905.

I wonder how many of the old oil derricks still exist today? I also wonder if people living where the oil wells were constructed own the mineral rights for their property? A few years back I remember looking into purchasing cheap land in Wyoming and one of the stipulations on the land was that the owner would not own the mineral rights below the surface of the earth. Does this exist in present day Los Angeles? Could someone living in Los Angeles today dig a little deeper and find a new source of oil in their backyard?

For more information visit the Library of Congress website. Below is a secondary screen grab showing the area around Dodgers Stadium. It should be noted that the overlay does line up 100% on Google Earth, but close enough to show a change in the built environment.
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12/14/2007 || 12:42 pm
The art of Map Fest by Teresa Méndez - The Christian Science Monitor

Exactly 9 months to the day after David Montgomery’s article in the Washington Post was published, Teresa Méndez writes a great piece about maps and she includes section about me:

__snippet__[with links added]

They are artists such as Ms. Contro and the 11 others featured in “The Legend Altered: Maps as Method and Medium,” the Carrie Secrist Gallery exhibition. And they are artists such as Nikolas Schiller.

Except Mr. Schiller hesitates when asked to define what he does. Is the young D.C. resident, profiled earlier this year on the cover of The Washington Post Style section, an artist? Is he a mapmaker?

“I make pretty maps or artistic maps,” he says, searching for the right description, “or boutique maps.” He finally settles on “conceptual cartographer.”

Schiller takes US Geological Survey aerial photographs and plays with them.

The Quilt Projection” – which his website (www.nikolasschiller.com) calls “A Journey Through Geometric Geography” – is his most prolific series. It consists of 350 images that look less like maps and more like something you might see peering through a kaleidoscope.

There are the “quilted” neighborhoods of Mount Vernon in Baltimore, Md., and Stuyvesant Town in Manhattan. There is George Washington University in D.C., which Schiller attended for a time, and the University of Texas at Austin. Look close enough and you can identify familiar landmarks: streets, parks, a monument. But step back and the tessellation makes for a wonderfully abstract mosaic.

Schiller’s work is a way to see the world anew, to be an explorer when nearly every corner of the earth has previously been combed.

“With the world already charted and mapped,” he says, “geospatial art allows you to discover it all over again.”

Schiller is something of a curator of maps. He can point one to websites of antique maps, industry maps, and calendars detailing map exhibits around the world. The Internet, it would seem, abounds with cartograms. Twice, he mentions the Waldseemüller Map.

Also included on the Christian Science Monitor’s website is a 90 second audio report filed by the author. She talks about my Lenz Projection and how it was developed.
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12/9/2007 || 2:30 am
Within Sight of the White House [Overlay of Hooker’s Division]

[image links to .kmz file]
Google Earth Screen Shot of the Antique Overlay

One of the maps I recently downloaded was from a newspaper clipping showing the area near the White House. With 50 Saloons and 109 Bawdy-Houses the map was drawn to highlight business owners who were paying Federal taxes but not DC taxes. Of importance is how nearly all but four of the business owners were female. Were they not paying taxes because they were disenfranchised? Women’s suffrage didn’t come for another 30 years with the passage of the 19th Amendment. By taking the map and importing it into Google Earth, I was able to arrange it so that the buildings line up with minimal distortion. It’s not a perfect map, but it is truly an interesting glimpse into downtown Washington, DC in the 1890’s.

Today most of the buildings are all gone. There are some exceptions, like City Hall (Central Powerhouse) and the Old Post Office, which is written as the “New Post Office” on the map. In the place of the 109 Bawdy-Houses and 50 Saloons was the creation of Federal Triangle. Ohio Ave- gone, DC’s entertainment center, gone as well. Later built, on the year of my birth, was Freedom Plaza which was designed to look like L’Enfant’s map no less. By adjusting the antique map’s transparency you can see a approximately 117 years of development. From brothel to federal, what a strange entity time is.

Transcription:
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1 Comment Rendered || || Posted One Year Ago: Park La Brea Quilt #2

12/5/2007 || 11:57 am
The Dissected Map …continued

I mentioned before that I had scanned the postcard I obtained from the Special Collections Department at the University of South Florida. What I liked best was learning more about Columbia and what she represents. The Columbia wikipedia article does not fully explain her syncretic nature. But what I like best is the contemporary use of the phygian cap. It looks almost exactly like the prevasive Santa caps people wear during the holiday season. It makes historical sense too. Lastly, I have not read or heard any political commentary comparing Columbia to, of all people, Hillary Clinton. I won’t be voting for her (or any democrat or republican for that matter), but the allegorical parallel is there to be exploited.

Comments Off || || Posted One Year Ago: Third of representation a start, but not enough

11/30/2007 || 7:43 am
Découvre Carte Est Mort!

“Crédit Est Mort - Les mauvais payeurs l’ont tué.”
“Credit Is Dead - The Ill Payers have killed”
Unknown Artist - Paris, early 1800’s
obtained from the Baker Library of the Harvard Business School

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Comments Off || || Posted One Year Ago: Temporal Diptych of Schiller Park, Illinois - 2005, The #2 Political Party in Washington, DC

10/8/2007 || 2:41 pm
Tycho Brahe’s Armillary Spheres

So following up on yesterday’s entry about the armillary sphere on the Vatican News Services website. Today I read about the armillary spheres used by Tycho Brahe and was honestly quite stunned. He had 4 different armillary spheres! Above is my favorite, the Great Equatorial Armillary Sphere, which looks quite a bit like the hexagon quilt projection.

Check out the others:
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Comments Off || || Posted One Year Ago: Blogged about...

10/7/2007 || 1:00 pm
Holy See an Armillary Sphere?

Looks like there is an Armillary Sphere in the background. I find this interesting simply because an Armillary Sphere most likely has a pagan Zodiac on it. Two months ago I made those Astro-theological overlays (which included the Vatican) and today I stumbled on to a slightly hidden one on the Holy See’s News Services webpage.

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Comments Off || || Posted One Year Ago: On Page Two of the Washington Examiner

10/3/2007 || 12:50 pm
Found Celestial Cartography

As I mentioned before, lately I’ve been dabbling in the confluence of astrology & astromony. Last night when I was playing with the Interactive Astrological Calendar from 1544 for Google Earth, I discovered that when I switched to sky mode I am presented with an interactive star atlas that juxtaposes the antique Zodiac with the constellations it’s named after. Granted the constellations *do not* line up correctly on the Zodiac, its a really interesting experience that deserves more work. Can the zodiac wrap around the envrionment if done correctly? If you have Google Earth installed on your computer, click on the image above to check it out! Please remix.

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Comments Off || || Posted One Year Ago: Dennis Hastert's Office 3 Years ago... yesterday

9/30/2007 || 8:43 pm
The Brandeis Brief

Sometimes I find juicy bits of historic text that I like. The other day I found “Right to Privacy” by Samuel D. Warren and