I’m looking forward to finding out where my “tree” will be “planted” in downtown DC. I should know sometime next month!

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From the AIGA DC Website: AIGA DC would like to thank the Washington DC community for contributing over 400 submissions to be judged for The Urban Forest Project Washington DC. We are excited to share with you the 100 artists whose artwork was selected to be exhibited this spring on street banners. In addition to the professional artists, the work of AIGA DC’s mentoring teams and the Corcoran College of Art and Designs students* will be included.

Please look for additional information regarding the exhibition date, online gallery and reception in a couple of months. In the meantime visit ufp-dc.com to see where the banners will be exhibited.

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ABOUT THIS PROJECT
This spring, The Urban Forest Project, a global public arts and environmental initiative, will plant 100 street banners designed by local designers and students in the downtown Washington DC. Each banner will use the form of, or metaphor for, a tree to make powerful visual statements about the environment. Together they’ll create a forest of thoughtful images in the heart of the nation’s capitol. Once the banners come down from the light poles, the artwork will be repurposed into tote bags for purchase. Proceeds from the sales of the tote bags will go to non-profit environmental efforts that will aid Washington DC in being a cleaner, greener and more sustainable city.

This project, conceived by Worldstudio, is being presented in Washington, DC by the District Department of Transportation (DDOT), in collaboration with the Corcoran College of Art and Design, AIGA DC and Downtown DC Business Improvement District. Seed funding for the project was provided through a grant from the USDA Forest Service with corporate sponsorship being sought to support implementation.

+Visit the DC Urban Forest Project Website

About a week ago I designed, ordered, and printed this t-shirt from www.SpreadShirt.com. The shirt features the text “SECOND CLASS CITIZEN” printed upside-down in metallic gold. The idea behind this design is that the wearer must bow their head down in shame in order to properly read the upside-down text. Residents of the District of Columbia, like myself, the intended wearer, are denied representation in Congress and are thus second-class citizens. That is pretty screwed up.

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After creating the shirt, I realized that it reminded me of a similar design a friend of mine made that uses the flag of the District of Columbia: Upset The Setup.

From the District of Columbia Commission on the Arts & Humanities website:

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This spring, The Urban Forest Project will plant 100 street banners by local designers and students in downtown Washington, DC. Each banner will use the form of, or metaphor for a tree, to make a powerful visual statement about the environment. Together they’ll create a forest of thoughtful images in the heart of the nation’s capitol. This project is being brought to Washington, DC as a platform to engage the public in the City’s environmental efforts.

A model of sustainability: The banners will be hung on city light poles in downtown Washington, DC during the spring of 2010 in celebration of Arbor and Earth Days. They will then be recycled into unique one-of-a-kind totebags designed exclusively for the project. Proceeds from the sales of the totebags will go to non-profit environmental efforts that help make Washington, DC a clean, green and sustainable city.

The brief is simple: Begin with the form, idea or a characteristic of a tree and use it to interpret and explore an issue around the environment that you feel is pressing, or an idea you find entertaining or intriguing. The only constraint is that the banner should not advertise a brand or product, nor endorse a particular political party. That’s it.

A short history: The Urban Forest Project was first executed in New York City’s Times Square in the fall of 2006. To learn more visit The Urban Forest Project website: http://www.ufp-global.com

Brought to you by: This project, conceived by Worldstudio, is being presented in Washington, DC in collaboration with: the District Department of Transportation (DDOT), DC Commission on the Arts and Humanities, AIGA DC and Corcoran College of Art and Design.

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Programs Used: Bryce 5.5 to render the tree and Photoshop 7.0 for the layout
Font Used: Monaco

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My Urban Forest Project Statement:
Citizens are like trees. The longer we live in a location the deeper our roots within the community grow. Unless, of course, you happen live in the District of Columbia. Here roots of civic pride are prevented from growing deep into the soil of democracy through the denial of representation in Congress. The lone tree at the center of this design is the State Tree of the District of Columbia, the Scarlet Oak, Quercus coccinea Inaequalis. Extending behind this solitary tree of liberty is a reminder that Reforestation, the act of replanting, or repopulating a terrain, is needed for Representation in this urban environment. 535 species is far too few species for the health & sustainability of America’s magnificent forests.

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I had a Lorax submit my design last week and hopefully I’ll find out in the next few months if my tree was selected for this project.

On Christmas night I got a random Facebook message from a Peruvian friend of mine who recently moved to Israel. After we were done chatting, I asked the same request I’ve asked a few other times to friends in distant lands, “Can you translate my name into ____Hebrew____?” A few moments later I was sent the basis for these six new banners. Now my name is now randomly displayed in English, Hebrew, Arabic, Greek, Chinese, and Russian.

Below are the rest of the new banner graphics hyperlinked to their original blog entries:

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Related Entries:

• 51 Random Banners Now Greet Visitors
• 5 More Random Banners Now 'Greek' Visitors
• 40 Random Banners Now Greet You
• Random Banners Now Greet You - continued
• random banners now greet you

Today I received the two calendars I ordered last week. I decided to make this short video to show prospective buyers what the calendar looks like when printed out. In the video above I simply hang the calendar on the wall and flipped through each month of the Color Edition of my 2010 Cartographic Calendar. Its a somewhat simple method of showing the maps in the calendar, but I think it helps to visualize what a 17″ x 11″ calendar would look like on your wall.

This unique wall calendar contains 12 maps of the Washington originally published in the newspapers of the District of Columbia between 1887 and 1909. There are two editions of the calendar available: one with the original black & white scans and the other with colorized maps (below). Each calendar is on sale for $25 + shipping until January 31st, 2009.

Below are the pages from each month of the Color Edition of the 2010 Cartographic Calendar:

This unique wall calendar contains 12 maps of the Washington originally published in the newspapers of the District of Columbia between 1887 and 1909. There are two editions of the calendar available: one with the original black & white scans (below) and the other with colorized maps. Each calendar is on sale for $25 + shipping until January 31st, 2009.

Below are the pages from each month of the Black & White Edition of the 2010 Cartographic Calendar:

The evening after Maine’s election results came in I was asked to help coordinate the sound system for an impromptu rally at Dupont Circle. During one of the speeches, I remember hearing someone mention that the ballot should never be used to let the majority of population impose it’s will on a minority population. Being that there are far fewer gay couples in Maine (or most states for that matter) than heterosexual couples; the point stood out in my mind.

Its an example of the “tyranny of the majority,” at the ballot box. The fundamental inalienable principles of equality, all men being created equal, and the pursuit of happiness are the foundation of American democracy and when those words were written the largest city in America was Philadelphia, with 28,000 citizens and the rest of the American population was mostly rural. Yet in the 200+ years since, the rural / urban divide has only grown more stark as some states contain few large centers of population. Paradoxically, its in these cities where the most social interaction & social education takes place. It’s in cities where people are more likely to see same-sex couples in their daily lives and possibly have same sex-couples as their friends, and thereby be more apt to see same-sex couples from a different perspective that is not based on prejudice towards The Other.

The modified map [pdf] above was originally found on the Bangor Daily News website. It shows how the state of Maine voted on the question of same-sex marriage. Voters were given the opportunity to Vote Yes and repeal the recently-passed same-sex marriage law or Vote No to keep it in place.

To remix this map, I first inverted the color scheme, which surprisingly yielded a pink color for the counties which voted 65% or greater to repeal the law. Ironically, its a color I personally associate with those who voted No. I then added my own typographical critique to the map. I created a pink square and placed in an unpopulated rural location and added the words “whereyouare,” in large font and in the southern portion of the map, in smaller font size, I added the words “whereiam@” above Maine’s largest city, Portland.

The justification for this subtle addition was to highlight the nature of the urban / rural divide. Portland, for example, voted 73.5% to not repeal the same-sex marriage law, so I placed “whereiam@” nearby to show where my vote would have been. Most rural areas overwhelmingly supported the removal of equal rights for their fellow citizens, so I placed the pink square in an area that doesn’t even an election precinct.

About a month ago I had a random friend request on Facebook from a woman named Athina who lives in Greece. Opting to inflate my friend count over potential security fears, I added her without question. A couple weeks later I visited her Facebook page and noticed that she has a blog that was written completely in the Greek language. I had just posted my latest batch of banners using the Cyrillic alphabet, so I sent her an e-mail asking if she’d be interested in translating my name into Greek. She obliged and today I made 5 more banners to be randomly displayed.

Greek is one of the languages I’ve always wanted to learn. I spent some time in high school taking Latin, which I have since found to be an invaluable contribution to my continued exploration of history. But Koine Greek, the lingua franca of the Eastern Mediterranean around the time of the birth of Christ, has always fascinated me. The Septuagint, a 3rd century B.C. Greek translation of the Hebrew Bible, used this dialect of the language. And while modern Greek is considerably different in many aspects from it’s thousand+ year-old counterpart, I would still like to learn both or at least start getting my mind around the alphabet.

Now I would be remiss if I didn’t return the cultural exchange for my friend Athina who did the translation for me. She owns a yacht charter company called Stamatis Yachting, which offers a wide variety of yachts that can take you & your friends around the various Greek islands. They also have skippers that can be contracted so you don’t have to know how to sail in order to experience the joys of sailing on the Mediterranean. If you are planning on a trip to Greece in the near future, please do not hesitate to contact her about chartering one of their yachts.

Below are the rest of the new banner graphics hyperlinked to their original blog entries:

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This groundbreaking, trans-genre work—part detective story, part literary memoir, part imagined past—is intensely autobiographical and confessional. Proceeding sentence by sentence, city by city, and backwards in time, poet and essayist Kazim Ali details the struggle of coming of age between cultures, overcoming personal and family strictures to talk about private affairs and secrets long held. The text is comprised of sentences that alternate in time, ranging from discursive essay to memoir to prose poetry. Art, history, politics, geography, love, sexuality, writing, and religion, and the role silence plays in each, are its interwoven themes. Bright Felon is literally “autobiography” because the text itself becomes a form of writing the life, revealing secrets, and then, amid the shards and fragments of experience, dealing with the aftermath of such revelations. Bright Felon offers a new and active form of autobiography alongside such texts as Theresa Hak Kyung Cha’s Dictee, Lyn Hejinian’s My Life, and Etel Adnan’s In the Heart of the Heart of Another Country.

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From the Book:

You wouldn’t think I would have wanted a beacon. Rather to find myself in the wilderness on my own.

But I did, I always did.

Could there have been someone else like me, not one thing not another, barely able to choose.

A poet, a Muslim, and of a particular persuasion.

When I knew someone like me I barely knew him and we couldn’t bring ourselves to speak of the one thing we needed to speak to each other about.

Silence stretched between us taut as sin.

In 2004 I moved with Marco down the river to Beacon, NY.

Named for the signal fires placed on top of each mountain in chain running from New York City to Albany.

So if either city fell to the British the insurgents at the other end would know about it.

I placed signal fires up and down each street, so anxious I was to belong somewhere.

—From the chapter “Beacon”

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Endorsements:

“Bright Felon will steal your heart and outrage your poetics. Part memoir, part trip book, part literary discourse, there is in it an urgent sense of a life lived in words. The tale is one of both innocence and experience. Rigorous, romantic, experimental, true, and yet mysterious, it is a book for the ages.” —Laura Moriarty, author of A Semblance: Selected and New Poems, 1975–2007

“Kazim Ali writes in Bright Felon a prose shaped by the various cities he has lived and loved in. This is a book that is so much more than memoir or autobiography. It is embodied and questioning and it carries through its politics a grace and generosity. —Juliana Spahr, author of Fuck You, Aloha, I Love You

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KAZIM ALI is the author of two books of poetry, The Far Mosque (2004) and The Fortieth Day (2008). He is an assistant professor of creative writing at Oberlin College and teaches in the low-residency MFA program of the University of Southern Maine. He is one of the founding editors of Nightboat Books.

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The text above was copied from the website of book distributor, University Press of New England

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Below is a detail from my map Manhattan & Brooklyn Bridge Quilt, which is featured on the cover of the book:

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Related New York City Entries:

Last night I was going through one of my external hard drives and rediscovered a cache of “old” satellite imagery. I rarely publish any entries that use satellite imagery due to copyright issues because, generally speaking, the company that owns the satellite also owns all the pixels and this prevents me from legally creating derivative works. Today, however, I decided to test the boundaries with this legacy satellite imagery of the Pentagon and feel that this creation is protected under the fair use doctrine of US copyright law. You can always contact GeoEye if you are interested in purchasing satellite imagery from the IKONOS satellite.

The Animated GIF below features 9 frames consisting of 7 satellite images from the IKONOS Satellite (2001-2002) and two public domain aerial photographs from the USGS (2002 & 2005). It begins with satellite imagery taken four days before 9/11/01 and ends with a USGS aerial photograph taken in September 2005. The frames in between show the aftermath and the subsequent rebuilding of the Pentagon. I did my best to line up the building in my image editing program, but it’s not 100% perfect due to the angle in which some of the imagery was taken.

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I have chosen to place the The Pentagon Timelapse Animated GIF “below the fold” so that visitors to the front page of this website are not downloading the somewhat large file. Please be patient while it downloads……

The last time I added new banner graphics to this website was back in July of 2007 and since I’ve been updating the layout of this website lately, I decided to add some new banners into the mix. Earlier today a friend of mine who specializes in the Russian language responded to an e-mail I sent her about Google’s translation of my name. Her response indicated that the translation was infact an incorrect spelling and she offered a substitute spelling. I was then able to cut & paste the text and make six new banners that feature my name using the Cyrillic alphabet over the top of previously made maps on this website. In conjunction with the first batch of banner graphics that I made, there are now 40 different banner graphics that are randomly displayed each time a page on this blog is loaded.

Below are the rest of the new banner graphics hyperlinked to their original blog entries:

Starting earlier this month those who are subscribed to my listserv were given the opportunity to purchase a map at the reasonable price of $100. I felt this was a great way to cheaply obtain the different maps I have created over the years. Since I have hundreds of maps to choose from, this monthly opportunity will last for years and ultimately become a great way to collect my maps.

Previously I used to point people to my ImageKind Store, but I wasn’t pleased with some of the cheap papers the maps were printed on, and have chosen to remove the middle man, so to speak, and have all the map purchases go directly through me. This way I can control the materials the maps are printed on, personally sign each map, and ensure the quality for each map that is produced.

For the month of August, the first Monthly Map, I chose was Washington Monument Quilt (above), which I first rendered on January 31st, 2006. Since the area around the Washington Monument was redacted in the 2005 USGS aerial photography, I felt it was a worthwhile piece to start with.

After sending out my initial e-mail about the offering, I had a friend contact me about purchasing the map and decided to document some of the steps involved in the process of ordering the maps through me….

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Step One – Payment

You can either contact me about sending cash or a check or you can quickly & easily pay the $100 by credit card on my PayPal merchant account page. After I receive the payment, I will need your mailing address if you want the map mailed to you. If you live in Washington, DC, I can either mail it to you or meet you in person and hand-deliver the map. I’ve found it easiest to go through PayPal because it’s quick and safe.

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Step Two – Printing

After I receive payment, I send the map to the printer. For the time being, my Monthly Map Sale is featuring 30″ x 20″ prints on Kodak PerfectTouch Paper. Throughout the last 5 years I’ve had the best results on this medium, both in quality of colors and durability of the paper. It’s also the same medium I used when I donated 8 maps to the Library of Congress in 2006. In about 3 days or less, I receive confirmation that the map has been printed and is in transit to me or you.

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Step Three – Shipping

I can have the map shipped directly to you as well (without signature, date, or label) for faster turnaround or I can have it shipped to my house. After the map arrives, I remove it from the shipping tube (above), carefully flip it over, label the name of the map, label the date it was originally rendered, label the date it was printed, and sign the map (below).

After this, I roll the map back up into the tube, add a little extra padding to ensure the map will not be damaged, then I bring it to the post office. Three days later it should be delivered to your mailbox. Or if the map is purchased locally, we can meet up and exchange the map in person.

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THATS IT! I think the whole process is pretty simple. In all this process takes about one or two weeks depending on the speed at which the payment is received and how long it takes for the map to be printed and shipped.

I think the hardest part of it all will be choosing which map to offer each month! Please contact me if you are interested in purchasing this month’s map or have suggestions for future Monthly Map offerings.

Saturday night I was on my way over to a friend’s 1990’s-themed house party and when I got to the house I realized that I had left my bicycle lock at my home. Perturbed, I hopped back on my bicycle, pedaled home as fast as I could, and when I arrived at my house, I received a text message from a different friend asking me to bring over his laser that he’d left at my house the previous night. I weighed my options and decided to bring the laser to my friend’s apartment in Adams Morgan. After I arrived, we decided the best place to shoot the laser in the apartment was down the length of his long hallway. I noticed that there was a tripod in the kitchen, so I decided to get out my small camera and take some photographs of this major laser in the hallway.

The following photographs were taken using my Canon SD750 and the aforementioned tripod and laser using long exposure settings to capture the geometric designs the laser created:

This morning I woke up to find that Régine Debatty used a screen grab from my “You Are Probably Not Here” project for her book review of “Experimental Geography.” Take a moment to read the review and/or purchase the book.

As you may or may not know, my map Pentagon Quilt #3 is featured on page 149 of the book and is also on display in the traveling exhibition that is touring North America for the next year or so. The exhibit is currently on display at The Albuquerque Museum in Albuquerque, New Mexico until September, 20, 2009.

You’ve probably seen a map sometime in your lifetime that proclaims YOU ARE HERE. Well what if you are looking at a random location? You could actually be there, but you are probably not. I first came up with this postmodern cartographic concept back in December of 2007 when I made the first graphic. Yesterday I decided to expand the concept by adding new graphics and making a webpage dedicated to the concept. It currently features only 8 different foreground graphics that are randomly displayed over two folders of map ‘zoom-ins’ (146 close up & 136 far away) originally used in “American Stereography #3.” I hope to add more foreground graphics over time and I would also like to update the background image folders with newer imagery because the page currently shows only maps that I made in 2006.

Total number of visual combinations: 2256 = (146 X 8) + (136 X 8)

Just click click click to cycle through the images

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Related Lost Series Entries:

Today I received my copy of Experimental Geography: Radical Approaches to Landscape, Cartography, and Urbanism by Nato Thompson and Independent Curators International. As I mentioned before, my Pentagon Quilt #3 was included in Daniel Tucker’s WE ARE HERE Map Archive that is featured in Independent Curators International traveling exhibition. The catalog for the exhibition and goes on sale next month when the exhibit starts its two year international tour. My map is on page 149 next to Lize Mogel & Dario Azzellini’s The Privatization of War: Colombia as Laboratory and Iraq as Large-Scale Application.

Back in August before I went to Denver to help cover the Democratic National Convention, Liz Glover asked me to design microphone flags for the Huffington Post, Radar Magazine, and Blackbook Magazine. The idea behind making these microphone flags was that she’d be able to change the flags on her microphone before interviewing people for the different news organizations. It adds an extra sense of legitimacy to any reporter in the field and it genuinely looks more professional.

On Monday she went up to New York City to cover the opening of Steve Lewis’ new club Aspen Social for Blackbook Magazine. In the video above I spotted the Blackbook microphone flag that I designed for the first time. Judging by the success of the interview, I hope to see that flag more often.

By the way, did you see what happened to that same microphone in Minnesota? I’m still laughing at that dog named Sarah.

The other day I realized that posting maps here in digital format doesn’t show perspective well. For the image above I decided to switch it up and show the newly framed map from the perspective of looking down my hallway. Click here to read the original entry on New & Arabesque Map of the Hirshhorn Museum & Sculpture Garden

Below is the original photograph of the new map:

Was reading about Transits of Venus and came across this graphic on Wikipedia. What a beautiful celestial design.

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Related Space Entries: