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click image above to view
On August 5th, 2008 I made the first version of this mashup, East Meets West and with the newly created contraflow bicycle lane on 15th Street NWDC, I decided to make the second version, North Meets South.
The two videos were taken from one continuous video recording that I conducted while riding on my bicycle from U Street & 15th Street to Massachusetts Ave & 15th Street and back. At home I split the videos into North & South and used the crosswalks as the starting & ending points. The object of this video mashup is to find the exact time when the two recordings pass each other on opposite sides of the street.
A few notes:
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Due to unfortunate weather conditions we’ve decided to postpone today’s art exhibition until next Spring. Thank you for your interest & we look forward to seeing you at our next exhibition!
Sincerely,
Chuck, George, and Nikolas
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Westminster Playground Art Exhibition
Sunday, October 18th, 2009, Noon until Sundown
913 Westminster Street NW, Washington, DC
You are invited to a special outdoor art exhibition at the Westminster Street playground. Neighborhood artists Chuck Baxter, George Smith-Shomari, and Nikolas Schiller, who all live on Westminster Street, will have their artwork display throughout the afternoon.
Crowned by the vibrantly-colored, 3 story mural titled “Community” by local artist Anne Marchand, the Westminster Playground is urban oasis that brings neighbors together and helps foster the mural’s namesake, community. The playground exhibition is free and open to everyone, is wheelchair accessible, and only two blocks from the U Street Metro station (10 Street exit). Since this exhibition is weather sensitive, please check Nikolas’s website, http://www.nikolasschiller.com/blog/ before noon o n October 18th if the weather looks bad. We hope to see you!
The Westminster Playground is located on the Northeast side of Westminster Street, a one block street between 9th & 10th and S & T Streets, NW, Washington, DC, 20001.
About The Artists:
Chuck Baxter creates found object art from materials tossed in DC’ s gutters and alleys. For the past decade Chuck has built a reputation, in his own mind, as the D.C. area’s foremost collector of gutter gifts. He’s a U.S. Department of Veterans Affairs bureaucrat, a DC artist, and minimal director of his own life. Few of Chuck’s pieces hang in DC business and government offices, and in the homes of art collectors and friends around the world. “I have always felt the pull of throw-aways, and sought to invoke the world of junk as the natural medium for the urban artist.” His fascination with the flotsam of city life and the details of trash, such as broken glass, smashed plastic, crumpled paper, and lost toys, is the starting point for most of his pieces. The underlying compositional theme of his work draw from the common shapes and forms found in the gutter. Chuck currently resides in the Shaw where he simmers in his own private studio.
Member of MidCity Artists visit: http://www.MidCityArtists.com
George Smith-Shomari is an artist, professor and artistic consultant who’s artwork focuses on the Universal African Diaspora. A native of Brooklyn, New York, Professor Smith received his Bachelor of Fine Arts degree from Howard University and his Master’s with a specialization in printmaking and art education from Pratt Institute. In addition to teaching at the University of the District of Columbia, George Smith has taught in the DC Public School System and several museums in New York City. The artistic works of George H. Smith, have appeared in numerous one man and group exhibitions in museums, galleries, schools, colleges and universities throughout the United States and abroad.
For more information visit: http://www.shomariarts.com
Nikolas Schiller is a digital artist who maps the territory between art & science. After studying geography & computer science at the George Washington University, in 2004 he began developing abstract geographic designs based on kaleidoscopic aerial photography and satellite imagery. In the years since, he has mapped nearly every major city in the United States, including each ward of Washington, DC. His unique maps have been featured on book covers, album covers, and are in the permanent map collections of the Library of Congress, British Library, New York Public Library, and the University of California, Santa Barbara. He is the two-time recipient of the DC Commission on the Arts and Humanities Young Artist Program Grant (2006 & 2008) and most recently had his artwork on display at Artomatic 2009 in Washington, DC and “Photocartopgrahies: the Tattered Fragments of the Map” in Los Angeles.
For more information visit: http://www.NikolasSchiller.com
We hope to see you!
(…and the weather is nice!)
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On Sunday afternoon I filmed this timelapse video of the crowd of people at FiestaDC walking down Mount Pleasant Street in Northwest, Washington, DC. My good friend has an apartment right above the street which made for some awesome people watching (I think I called it “people watching caviar”). This elevated perspective allowed me to capture this unique footage of the festival participants. The audio in the video is from a separate recording of the same location played at normal speed. I did this to capture the sound of the festival without having to resort to some cheesy music playing over the timelapse video. As for the opening title sequence, I decided to play around with the fonts of the title for 15 frames each. I don’t really know why I did that except to add some random flair to the footage.
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Last year I published Then & Now Birds-Eye Views of the Westminster Neighborhood in Washington, DC [1884 & 2005] and earlier today I came across some new maps of the street I’ve lived on for the last 5 years. This map comes from the 1921 edition of Baist’s real estate atlas of surveys of Washington, District of Columbia. It shows the neighborhood pretty much as it is today except for the neighborhood playground that currently sits where houses 193-196 used to be and some of the stables & garages people had constructed in their backyards have been removed.
Below is the citation from the Library of Congress entry:
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Following up yesterday’s entry about having my name in Greek, I came across this photo I took a couple weeks ago in the Mount Pleasant neighborhood of Washington, DC. I took it because, well, umm, I like the way the sign looks chiseled, old, and how the creator used the Greek letter DELTA instead of ALPHA (err, Alfa) in their spelling. Thus the sign should read, Delta & Omega Tax Services— I guess they are not about the beginning and ending of fiscal matters, but the change thereof.
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Earlier this evening I had the opportunity to attend the Pink Line Project-sponsored closing party for the exhibition “Metropolis Now!” at the Meridian International Center. I was on hand to help my friend Robin setup for his special VJ set and had an overall great time.
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I like it when business owners use their businesses to advance their beliefs. You don’t agree with the owner? You can just take your business elsewhere.
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Last night I had just finished playing movies at Restaurant Marvin and was heading home on my bicycle. I decided to get a snack before I arrived home and the only place open at that time was the nearby 7-11. As I arrived at the corner of 12th & U street, I saw the two men struggling on the ground, with one man in a headlock, and the 7-11 employee had just rushed back into the store. Right after I dismounted my bicycle, I could hear the police sirens approaching, so I pulled out my camera and began filming the moment they arrived. While I was recording, I was also trying to lock my bicycle to the pole, so there are a few times when I accidentally placed my finger over the microphone and/or the camera hits the pole itself. After I lock my bike up, and it looked as though the police had the area under control, I made my way inside and stopped recording. When I left the store I started recording again and made my way back over to where my bicycle was locked. This time I placed the camera on the ground below the pole while I unlocked my bicycle, and a few moments later I picked up the camera and rode home.
Being that I arrived at the scene after the two men had already begun struggling, I cannot remark on the nature of what happened before I got there. I’m am happy that no one was shot or killed and the police did not appear to use excessive force when detaining the man. I will update this entry if & when I find the police report.
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Back in July of 2007 I found that Google was censoring the imagery of downtown Washington, DC. This discovery lead to an article that was featured on the front page of the Metro section of the Washington Post. In the time since, Google has not updated the imagery, even after the release of Street View for Washington, DC.
The other day they finally decided to update the imagery of Washington, DC. I believe they did this because there were millions of people coming to Washington for the inauguration and they would have been showing them outdated imagery on their maps. Now that the imagery has been updated, you can almost see the message on my rooftop that I installed in the summer of 2006. Since the imagery has a somewhat low spatial resolution, its slightly difficult to make out the words “No War,” and it kinda looks like “No W@R.” Below is the photograph that appeared on the front page of the Style Section of the Washington Post in March of 2007 which shows me standing next to the now-visible rooftop sign.
“The mapmaker on his Washington roof with a message that he hopes will someday be reflected in both government aerial photography and the art he creates from that imagery.” (Photo by Michael Williamson — The Washington Post)
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6 second time-lapse photograph of Mercury (left), Jupiter (right), and an airplane taking off (top)
This evening marks the first time I’ve seen the planet Mercury in night sky. What makes this extra beautiful is Mercury, the smallest planet in the solar system, was next to Jupiter, the largest planet in the solar system. I have now have seen all of wandering stars known to the ancients.
Below I decided to digitally zoom in as far as I could and see what the time-lapse photograph would look like:
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: saved at 15,000 X 10,000 :
This is the first time I’ve made a tessellation using hexagon as the basis for the pattern. Normally, I simply use a square because its the easiest to tessellate. The last map I made using Photoshop was Clayton Quilt #3, which was constructed using one square tile six times and did not exhibit radial symmetry like most of my other Qulit projection maps.
This time around I used center portion of the source tile that I used for Meridian Hill Park Quilt #4 and to switch things up a bit, I cut out a perfect hexagon from the the tile instead of using the tile’s square shape as basis for the tessellation. With one hexagon cut out, I merely duplicated it and moved it around to create the irregular tiling above. The difficulty was that I had to adjust the hexagon tiles so that they were not overlapping. It wasn’t that difficult per se, but it took awhile to get them all lined up perfectly. I am quite pleased with the result and figure that I will use this process again sometime in the not-so-distance future.
View the Google Map of Meridian Hill Park in Washington, DC.
: detail :
View the rest of the map’s close-up details:
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A couple months ago I posted the astrophotography of Anthony Ayiomamitis and went into some cursory detail in explaining what an Analemma was. Last night I was perusing the on-line collection of maps in the Library of Congress‘ Geography & Mapping Division and came across Bowles’s new and accurate map of the world, or Terrestrial globe : laid down from the best observations and newest discoveries particularly those lately made in the south seas by Anson, Byron, Wallis, Bouganville, Cook, and other celebrated circumnavigators, illustrated with a variety of useful projections and representations of the heavenly bodies the most approved astronomical and geographical definitions tables, and problems with an easy and familiar explanation of the most curious and interesting phoenomena in the universal system. (yeah thats the official name of the map!)
It was published around 1780 in London for the proprietor Carington Bowles and it features quite a few ancillary maps, including a map of the solar system- both northern & southern hemisphere, astronomical latitude and longitude analemma (below), a chart of the world drawn according to Mercator’s projection, a map of the moon (a selenograph), and a diagram of seasons (which I absolutely love). I expect to reuse portions of this map for upcoming entries because its so laden with unique information. For example, there are drawings on how the planets looked like through the telescope and even the oldest drawings of sunspots that I’ve ever seen.
As for this entry, on the right side of the map are two spheres that were designed to teach the viewer how to understand the Analemma and use it to estimate the location of the Sun, planet, or any fixed star anytime in the past, present, or future. While I still haven’t fully wrapped my mind around the instructions, I have transcribed the text from the map below. There are a few errors and typos but I tried my best to keep the text as close to the original as possible.
By clicking on either of the images you can view a larger version and investigate the text yourself. As a decorative element, I used a portion of the tessellation I used to construct Meridian Hill Park Quilt #4 as the background.
The Use of the Analemma
The Analemma is a very useful (tho’ not commonly used) Projection of the Sphere on a plane. In this Projection the Eye is supposed to view the Sphere or Globe with all its Lines both real and imaginary from a Place so far distant that Mathematicians usually term this Distance in definite, and sometimes infinite.
In this Projection the Meridians and Circles of Declination as they are farther removed from the Centre of the Projection, appear nearer to each other and therefore more confused and on this Account Maps of the Earth and Heavens are generally delineated according to other Principles. Nevertheless there are several Properties belonging to this orthographic Projection, which are superior to all other Projections namely. 1st. In this Projection, the Circles of Latitude on the Earth’s Globe, from the Equator to the Pole, are all of them strait Lines, as are also all those Circles of equal Distance from London or any other Place on the Earth’s Globe all around London or any other Place. 2nd. The Distances of Places in the same Latitude are also measured by strait Lines in this Projection 3rd. The Meridians are Ellipses in this Projection and the Degrees of terrestrial Latitude are here measured on those Ellipses.
In like Manner for the Heavens 1st. The Parallels of the Sun’s and Stars Declination from the Equator, are in this Projection measured by strait Lines, which affords a very easy and elegant Construction of Properties of the celestial Sphere on a Plane. 2nd. The Parallels of Altitude for Sun or Stars at any Place on the Earth’s Globe are here also Strait Lines, Like the Parallels of Declination. 3rd. The Celestial Meridians, and the great Circles extending from the Zenith to the Nadir, in this Projection are Ellipses. 4th The Sun’s Declination North or South being but 23 1/2 degrees and the Degrees being in this Projection so near to an Equality from the Centre to the Tropic of Cancer and the Tropic of Capricorn, several of the most entertaining and useful Particulars relating to the Doctrine of the Sphere & Astronomy are more easily & elegantly solved by this Construction than any other.
From all which it follows that the Analemma or orthographical projection of the Sphere on a Plane is what everyone should understand who would not be at the expense of those expensive Instruments, Spheres, Globes etc., nor be at Pains and Attention enough to learn Mathematics and the necessary calculation.
On these Accounts we have given on the opposite side of this Map a Delineation which will be abundantly useful in the Application of the Analemma. And for a further Illustration of the Projection, Read what follows.
At the upper Part of this Map we have given a Table of the Sun’s Declination for the Beginning, Middle, and End of every Month throughout the Year, and which will be true till the Year 1808, by which Table and a single Proportion of Allowance for the Increase or Decrease of Declination, the true Declination for any Day may be easily found, also above we have given Geographical & Astronomical Definitions from which the Names of the several and respective Lines of the Earth and Heavens may be known.
Now supposing you would know the Hour of Sun Rising or Sun Setting or the Hours and Minutes of Time any Star, Planet, or the Moon is above the Horizon from the Rising to the Setting by the Analemma you first know the Latitude of that Place of the Earth where the Answer is required for. Secondly you must know the Declination of the Phenomenon whether it be Sun, Moon, or Star, and by these you may find the Time of Duration above the Horizon thus Count the Degrees of Latitude from the Equator of the Analemma downwards towards its Pole and a Strait piece of Paper of Line laid from thence to the Centre will cut the Line of Declination and the elliptical Meridians Equal to the Length of the Half Day more than Six Hours when the Place and Declination are both alike that is both North or both South but less than Six Hours, when the Place of Declination are both unlike that is one North and the Other South and this assensional Difference being either added to or subtracted from Six Hours gives the Length of the Half Day, and consequently the Time of Rising or Setting of the Sun.
The like is also to be understood of the Rising and setting of the Moon, Planets, or Fixed Stars, with this Difference, that in these you mist know if the Moon, Planet, or Stars rise sooner or Later than the Sun, which you may known whither such Star as you enquire about doth by the above Hemispheres, but for the Moon and Planets you may have Recourse to an Ephemeris Another very curious and useful Problem in the Doctrine of the Sphere is solveable after the most easy and elegant Manner by the Analemma relative to the Crepusculum or Twilight its Beginning & Ending in any Place of the Earth & at any Time of the Year it is as follows Viz.Count as before mentioned from the Equator of the Analemma to the Latitude & draw a real or imaginary Line thro’ the Centre to the opposite Side of the Analemma, then in the Circumference of y3 Analemma count 18 Degrees on each side downward & where the Parallel of the Sun or Stars Declination cuts this Strait Line the Number of elliptic Meridians from the Centre shews the Ascensional Difference.
N.B. The Equator of the Analemma is the Line 180 to 180 thro’ the Centre.
In this Analemma the Place in the Ecliptic or Distance from the next Equinoctial Point being known (which the adjacent Table will shew) the Declination and Right Ascension of the Sun are known by Inspection and for the Moon or Planets which have Latitude if such Latitude be reckoned from the Ecliptic towards the Ecliptic’s Pole the Declination & Right Ascension answering to such Latitude will be known by Inspection in the Analemma the Use of which will appear to such as know a little of the Sphere.
As the Fixed Stars are carried forward according to the Order of the Signs 50 Seconds per Year this Analemma will readily shew the Place of any Fixed Star for any Time past present or to come if its present Place be known & Contra.
Related Antique Entries:
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|| 7/26/2008 || 4:08 pm ||
Meridian Hill Park Quilt #4
: rendered at 18,000 X 12,000 :
I’ve been doing some research on an old sculpture that used to be in Meridian Hill Park that will be featured in an upcoming posting. In preparation, I decided to make a quilt projection map of the park using the newest available imagery. Unlike the previous three, which were some of the first to use my recursive tessellation technique, the newer imagery captures less of the area surrounding the park and more detail of the park itself. This is simply due to the fact that the newer imagery has a high spatial resolution than the older imagery, which correlates to more detail, but less geographic coverage. Since the aerial photography was taken in the early spring, the fountains were still in their winter slumber and I imagine that if it were taken in the summer the coloration would be vastly different.
When constructing this map, I used my new technique hypothesized in May and first rendered a hexagon tile and then took a portion of that tessellation and used it here. The result, which I am seeing for the first time, is that you can see the hexagon shape around the center of this square quilt projection map quite easily. From my understanding, depending on the location of the recursive sampling within the first map, I’ll be able to see it’s respective geometry embedded in the second map. However, I think it’s nearly impossible to fully gage the geometry of the original map after two recursions because each subsequent sampling makes it more difficult to see the geometry present in the previous map.
View the Google Map of Meridian Hill Park in Washington, DC.
: detail :
View the rest of the map’s close-up details:
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Detail the bicycle track before Westminster Street was created
from Adolph Sachse’s birds-eye view of the nation’s capital, 1884
Due to file format issues, only recently have I been able to open most of the maps available in the Library of Congress’ American Memory Collection. Last night I found an interesting birds-eye view map of Washington, DC by Adolph Sachse that was published in 1884. Its a massive map that appears to be composed of six separate sheets and contains a listing of many of the businesses in Washington City as well as locations of various public & government buildings. In many ways the map acts like a geovisual address book (the phone had not been invented yet) because, at a glance, one can easily find services offered by local merchants. Judging by the branding in the upper right hand corner of the original map, it appears that the map was sponsored by the Baltimore & Ohio Railroad Company, a major railroad company of the day.
According to my neighborhood’s official history, Westminster Street did not exist in 1884 and the birds-eye view above supports this claim. While not labeled in the image above, Parcel 362, as it was known on the original DC maps, was called also called “the old circus ground” and Athletic Park. It had a 150-foot long grand stand along T Street, which was built in 1883 (building permit number 1047) in preparation for the fifth national convention of the League of American Wheelmen, a national organization of bicyclists. The first American bicyclist to ever ride 100 miles on an outdoor track did it on that track in 1884. As someone who uses a bicycle as their primary means of urban transportation, I can only smile knowing that 121 years ago my residence was an outdoor bicycle race track. However, I laugh because I traveled with an exgirlfriend’s family circus when I was younger!
Below is a birds-eye view of the Westminster Neighborhood published by Microsoft, with imagery of Pictometry International. It features imagery that was taken in 2005 and when compared, you can see how much the area has changed in the last 121 years. The Athetic Park is gone and in it’s place are dozens of rowhouses that were built shortly after the map above was published. A unique and historically aware addition to the neighborhood is something you can see below in the playground on Westminster Street. No, it’s not because that is where I had my exhibit “North, South, East, Westminster“. Rather, if you look closely, you can see a small race track! A scaled reminder of what once was.
Related Bicycle Entries:
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Below are the months of the calendar featuring places around the Washington, DC metropolitan area and links to their respective entries so that you can see the map’s full size. Read more about the other calendars here.
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|| 7/7/2007 || 7:09 am ||
Adams Morgan Quilt 2005 #8
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|| 7/6/2007 || 8:08 am ||
Adams Morgan Quilt 2005 #7
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|| 7/5/2007 || 9:07 am ||
Adams Morgan Quilt 2005 #6
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A Digital Scrapbook for the Past, Present, and Future.
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