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Teki Latex dans un QR Code tee-shirt
|| 8/11/2009 || 12:06 pm || + Render A Comment || ||

Screen grab of Teki Latex in a QR-Code T-Shirt

Teki Latex in a QR Code Shirt

I came home very early Sunday morning from a long night out with friends and before I passed out I checked Facebook one last time. It’s a good thing I checked too. It just so happened that Parisian Rapper / Producer / Record Label Owner / DJ Teki Latex had just posted that he was doing a live DJ mix via webcam. I had recently signed up for a competing streaming video website and was curious about what were some of the pros & cons of the service he was using. So before nodding off, I decided to watch/listen to his mix. What I saw, however, was that he was wearing a t-shirt with a big QR Code on it. Over the last few years I’ve tried to document QR Codes that I randomly find, so I futilely tried to take a few screen grabs of the t-shirt, but was unable to get the full image that is needed to decode the message. It would have been the first time I’ve been able to decode a QR Code that was displayed over streaming video.

The next day I left a message on his Facebook page asking what it decoded to and he responded that it was “probably Grenoble.” I guess I’ll have to find a photo of him wearing the shirt again to find out for sure….


Screen grab of Teki Latex in a QR-Code T-Shirt

Below are a couple YouTube videos featuring Teki Latex:

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[FOUND MAP] Isola d’Elba aka the Island of Elba
|| 7/10/2009 || 5:49 pm || + Render A Comment || ||

Click the map above to view the larger version

The other night I was over at my friend’s house in the Adams Morgan neighborhood of Washington, DC for her going away party and saw this map hanging on the wall.

Isola d’Elba aka the Island of Elba is an island in Tuscany, Italy, 20 kilometres (12 mi) from the coastal town of Piombino. It is the largest island of the Tuscan Archipelago, located between the Tyrrhenian Sea and Ligurian Sea, and the third largest island in Italy after Sicily and Sardinia. This map shows the island with various cities, embellishments of fruit, flowers, & fish, important mountains on the island, and at the top of the map there is an iconic graphic of Napoleon Bonaparte riding a horse.

I first read about the Island of Elba when I was learning about French emperor Napoleon I in high school. Following the Treaty of Fontainebleau, Napoleon was exiled to Elba after his forced abdication in 1814 and arrived at Portoferraio (near the steamboat on the map) on May 3, 1814. He stayed on Elba for only 300 days and returned to France only to be exiled again to the far more distant Island of Saint Helena.

Below is a Library of Congress copy of a British engraving depicting Napoleon’s banishment to Elba in 1814:

It’s titled “The journey of a modern hero, to the island of Elba” and says at the bottom:

Farewell my brave soldiers, my eagles adieu;
Stung with my ambition, o’er the world ye flew:
But deeds of disaster so sad to rehearse
I have lived–fatal truth for to know the reverse.
From Moscow to Lipsic; the case it is clear
I was sent back to France with a flea in my ear.

A lesson to mortals regarding my fall:
He grasps at a shadow, by grasping at all.
My course it is finish’d my race it is run,
My career it is ended just where it begun.
The Empire of France no more it is mine.
Because I can’t keep it I freely resign.

Coming from the butt of the donkey is the text: “The greatest events in human life is turn’d to a puff.” Coming from the broken sword is the text: “A throne is only made of wood and cover’d with velvet.” Written on the saddle are two phrases: “The budget of Mathematical books for my study at ELBA.” & “Materials for the history of my life and exploits.”


Related Found Maps:

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YouTube videos of the “Do-Re-Me” dance in Antwerp’s Central Station
|| 3/26/2009 || 2:50 pm || 1 Comment Rendered || ||

Last month I created a Facebook group called Washington Metropolitan Area Residents For A 24 Hour Metro. Each week or so I’ve been sending members of the group different subway related YouTube videos- ranging from Improv Everywhere’s Subway Art Gallery Opening to Toronto’s subway dance party. Last night I came across another iteration of the faux-flash-mob-that-decides-to-dance-in-a-train-station-meme and decided to share it with the group. It features 200 well-choreographed dancers getting down to a remix of Julie Andrews singing Do-Re-Me from the musical The Sound of Music in Antwerp’s Central Station. Similar to the efforts behind the T-Mobile video, I believe the motivation behind this video is related to the promotion of the Belgian theatrical version of “Looking for Maria” or “Op zoek naar Maria,” which is based on the Sound of Music.


Below is the behind the scenes video and two different perspectives of the dance:

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Photograph of the ceiling inside of the Alhambra obtained from the Casselman Archive of Islamic and Mudejar Architecture in Spain
|| 12/11/2008 || 3:14 pm || Comments Off on Photograph of the ceiling inside of the Alhambra obtained from the Casselman Archive of Islamic and Mudejar Architecture in Spain || ||

Title: Alhambra
Date: 1354-1391
Place: Andalusia–Granada–Granada
Time: Islamic (Nasrid)
Description: Interior: Sala de la Barca (Hall of the Boat), Detail of Wood Ceiling
Subjects: Palace / Ceiling / Artesonado / Lacería / Granada
Type: StillImage
Is Part Of: Casselman Archive of Islamic and Mudejar Architecture in Spain
The Arts Collection
Rights: Copyright Board of Regents of the University of Wisconsin System
Posted here for educational & promotional purposes
Ownership: University of Wisconsin Art History Department
Submitter: Thomas E. A. Dale, Art History, University of Wisconsin–Madison
Local Identifier: Arts.csls8503.bib


Yesterday I read that the University of Wisconsin’s Art History Department has made available over 4,000 images from its slide library. The Casselman Archive contains images of medieval and early modern Spain taken by the late Eugene Casselman (1912-1996) during his thirty years of travel throughout the Iberian peninsula. The images span over one thousand years of architectural history, from the seventh to the seventeenth century. While I never studied architecture or Islamic art, I can’t help but be reminded of the stylistic similarities between what I produce and what was being produced over 600 years ago.



New videos are up on the Huffington Post – Foreign Correspondents Edition
|| 11/3/2008 || 4:39 pm || Comments Off on New videos are up on the Huffington Post – Foreign Correspondents Edition || ||

As I noted before, Jason Linkins, Liz Glover, and I recorded some man-on-the-street interviews on Friday. I had suggested going to the White House to interview tourists and it turns out that we found quite a few foreigners to interview when we arrived. Of the five or so interviews that I recorded, I had the most fun recording with the dual interview (above) between Liz Glover & Polish television correspondent Paulina Drapala. I am told that Paulina’s interview aired last night on Polish television. If I’m able to get a copy of that version, I’ll post it here :-)



Marginally related: After the Washington Post article was published last year, I found that a Polish website started linking to my website. To this day, I still get about a visitor a month through that link.


Polish text from the website:

Poniżej prezentujemy linki do różnorodnych map. Znajdziecie tu mapy polskie i z całego świata. Większość map jest w języku angielskim, ale są również mapy w języku polskim.

Nikolas Schiller – strona artysty, który ze zdjęć satelitarnych tworzy dzieÅ‚a – strona w jÄ™zyku angielskim

Translated text:

Here we present links to a variety of maps. Here you will find maps of Poland and all over the world. Most are maps are in English, but some are in Polish.

Nikolas Schiller – an artist who creates the work of satellite photos – page in English

[note: I rarely use satellite imagery due to copyright restrictions. Most of the imagery on this website is derived from aerial photographs that were placed into the public domain.]



She’s got the sole of the city with SWIMS galoshes
|| 10/31/2008 || 11:51 am || Comments Off on She’s got the sole of the city with SWIMS galoshes || ||

Map of Paris featured on SWIMS City Slipper high heel

I read about these stylish galoshes a little while ago, and saw the map on sole of the shoe, but I couldn’t find a high resolution version that showed the actual map. Yesterday I found it. SWIMS, a Scandinavian company known for making stylish galoshes, incorporates lots of great details both for practical and aesthetic reasons such as:

• Extra traction for slippery surfaces.
• The sole of each CitySlipper has the map of either New York, Paris, or Tokyo.
• Pull on/off grip and the soft siliconpad on the sides makes it very convenient.
• Flexible design to fit almost any heel height and thickness due to flexible material and construction.
• Protection for the delicate leather/suede sole of your shoe and the tip of the shoe against the elements.
• Low-Cut style is for shoes with bows and buckles.



The maps themselves definitely fall into the realm of aesthetics not cartographics, but ya know, I am a big fan of those kind of maps.



Related Fashion Entries:

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The Use of the Analemma – As explained around 1780
|| 8/1/2008 || 4:54 pm || Comments Off on The Use of the Analemma – As explained around 1780 || ||

A couple months ago I posted the astrophotography of Anthony Ayiomamitis and went into some cursory detail in explaining what an Analemma was. Last night I was perusing the on-line collection of maps in the Library of CongressGeography & Mapping Division and came across Bowles’s new and accurate map of the world, or Terrestrial globe : laid down from the best observations and newest discoveries particularly those lately made in the south seas by Anson, Byron, Wallis, Bouganville, Cook, and other celebrated circumnavigators, illustrated with a variety of useful projections and representations of the heavenly bodies the most approved astronomical and geographical definitions tables, and problems with an easy and familiar explanation of the most curious and interesting phoenomena in the universal system. (yeah thats the official name of the map!)

It was published around 1780 in London for the proprietor Carington Bowles and it features quite a few ancillary maps, including a map of the solar system- both northern & southern hemisphere, astronomical latitude and longitude analemma (below), a chart of the world drawn according to Mercator’s projection, a map of the moon (a selenograph), and a diagram of seasons (which I absolutely love). I expect to reuse portions of this map for upcoming entries because its so laden with unique information. For example, there are drawings on how the planets looked like through the telescope and even the oldest drawings of sunspots that I’ve ever seen.

As for this entry, on the right side of the map are two spheres that were designed to teach the viewer how to understand the Analemma and use it to estimate the location of the Sun, planet, or any fixed star anytime in the past, present, or future. While I still haven’t fully wrapped my mind around the instructions, I have transcribed the text from the map below. There are a few errors and typos but I tried my best to keep the text as close to the original as possible.

By clicking on either of the images you can view a larger version and investigate the text yourself. As a decorative element, I used a portion of the tessellation I used to construct Meridian Hill Park Quilt #4 as the background.

The Use of the Analemma
The Analemma is a very useful (tho’ not commonly used) Projection of the Sphere on a plane. In this Projection the Eye is supposed to view the Sphere or Globe with all its Lines both real and imaginary from a Place so far distant that Mathematicians usually term this Distance in definite, and sometimes infinite.

In this Projection the Meridians and Circles of Declination as they are farther removed from the Centre of the Projection, appear nearer to each other and therefore more confused and on this Account Maps of the Earth and Heavens are generally delineated according to other Principles. Nevertheless there are several Properties belonging to this orthographic Projection, which are superior to all other Projections namely. 1st. In this Projection, the Circles of Latitude on the Earth’s Globe, from the Equator to the Pole, are all of them strait Lines, as are also all those Circles of equal Distance from London or any other Place on the Earth’s Globe all around London or any other Place. 2nd. The Distances of Places in the same Latitude are also measured by strait Lines in this Projection 3rd. The Meridians are Ellipses in this Projection and the Degrees of terrestrial Latitude are here measured on those Ellipses.

In like Manner for the Heavens 1st. The Parallels of the Sun’s and Stars Declination from the Equator, are in this Projection measured by strait Lines, which affords a very easy and elegant Construction of Properties of the celestial Sphere on a Plane. 2nd. The Parallels of Altitude for Sun or Stars at any Place on the Earth’s Globe are here also Strait Lines, Like the Parallels of Declination. 3rd. The Celestial Meridians, and the great Circles extending from the Zenith to the Nadir, in this Projection are Ellipses. 4th The Sun’s Declination North or South being but 23 1/2 degrees and the Degrees being in this Projection so near to an Equality from the Centre to the Tropic of Cancer and the Tropic of Capricorn, several of the most entertaining and useful Particulars relating to the Doctrine of the Sphere & Astronomy are more easily & elegantly solved by this Construction than any other.

From all which it follows that the Analemma or orthographical projection of the Sphere on a Plane is what everyone should understand who would not be at the expense of those expensive Instruments, Spheres, Globes etc., nor be at Pains and Attention enough to learn Mathematics and the necessary calculation.

On these Accounts we have given on the opposite side of this Map a Delineation which will be abundantly useful in the Application of the Analemma. And for a further Illustration of the Projection, Read what follows.

At the upper Part of this Map we have given a Table of the Sun’s Declination for the Beginning, Middle, and End of every Month throughout the Year, and which will be true till the Year 1808, by which Table and a single Proportion of Allowance for the Increase or Decrease of Declination, the true Declination for any Day may be easily found, also above we have given Geographical & Astronomical Definitions from which the Names of the several and respective Lines of the Earth and Heavens may be known.

Now supposing you would know the Hour of Sun Rising or Sun Setting or the Hours and Minutes of Time any Star, Planet, or the Moon is above the Horizon from the Rising to the Setting by the Analemma you first know the Latitude of that Place of the Earth where the Answer is required for. Secondly you must know the Declination of the Phenomenon whether it be Sun, Moon, or Star, and by these you may find the Time of Duration above the Horizon thus Count the Degrees of Latitude from the Equator of the Analemma downwards towards its Pole and a Strait piece of Paper of Line laid from thence to the Centre will cut the Line of Declination and the elliptical Meridians Equal to the Length of the Half Day more than Six Hours when the Place and Declination are both alike that is both North or both South but less than Six Hours, when the Place of Declination are both unlike that is one North and the Other South and this assensional Difference being either added to or subtracted from Six Hours gives the Length of the Half Day, and consequently the Time of Rising or Setting of the Sun.

The like is also to be understood of the Rising and setting of the Moon, Planets, or Fixed Stars, with this Difference, that in these you mist know if the Moon, Planet, or Stars rise sooner or Later than the Sun, which you may known whither such Star as you enquire about doth by the above Hemispheres, but for the Moon and Planets you may have Recourse to an Ephemeris Another very curious and useful Problem in the Doctrine of the Sphere is solveable after the most easy and elegant Manner by the Analemma relative to the Crepusculum or Twilight its Beginning & Ending in any Place of the Earth & at any Time of the Year it is as follows Viz.Count as before mentioned from the Equator of the Analemma to the Latitude & draw a real or imaginary Line thro’ the Centre to the opposite Side of the Analemma, then in the Circumference of y3 Analemma count 18 Degrees on each side downward & where the Parallel of the Sun or Stars Declination cuts this Strait Line the Number of elliptic Meridians from the Centre shews the Ascensional Difference.

N.B. The Equator of the Analemma is the Line 180 to 180 thro’ the Centre.

In this Analemma the Place in the Ecliptic or Distance from the next Equinoctial Point being known (which the adjacent Table will shew) the Declination and Right Ascension of the Sun are known by Inspection and for the Moon or Planets which have Latitude if such Latitude be reckoned from the Ecliptic towards the Ecliptic’s Pole the Declination & Right Ascension answering to such Latitude will be known by Inspection in the Analemma the Use of which will appear to such as know a little of the Sphere.

As the Fixed Stars are carried forward according to the Order of the Signs 50 Seconds per Year this Analemma will readily shew the Place of any Fixed Star for any Time past present or to come if its present Place be known & Contra.




Related Antique Entries:

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An interview on a bicycle conducted while riding through Amsterdam
|| 7/31/2008 || 5:56 pm || 3 Comments Rendered || ||


Amsterdamize Bicycle TV : Riding With Marie from Amsterdamize on Vimeo.

Yesterday I watched the video above and smiled. It was the first time I’d seen an interview conducted whilst riding down the street. Have you ever seen one conducted in this fashion?

The 9 minute video above features the author of the Dutch bicycle advocacy blog Amsterdamize as he rides side-by-side & interviews the co-author of Copenhagen’s bicycle advocacy blog Copenhagenzine. They discuss the differences in bicycle riding in their respective cities while showing the beautiful scenery of Amsterdam. It truly made me want to go back to Amsterdam just to ride around the city and take in the city’s car-free culture & rich history.

Anyways, this year I’ve added bicycle advocacy to the disparate topics this website covers. It makes sense as well because my main transportation method is a bicycle and the 120-year-old house I live in is on the site of a former bicycle racetrack.

Since I recently purchased a digital camera I’ve been running through a bunch of ideas as to how I can creatively use this simple technology to make new content for this blog. Expect some more bicycle related entries in the coming days….

In case the video above didn’t satiate your appetite for urban bicycling, here are few of my favorite bicycling videos from Amsterdamize, Copenhagenzine and it’s sister site Copenhagen Cycle Chic for you to enjoy:

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The Millbank Penitentiary, the Tate Britain, and the Panopticon
|| 6/26/2008 || 4:20 pm || Comments Off on The Millbank Penitentiary, the Tate Britain, and the Panopticon || ||

Detail of Smiths New Map of London (1860)
Courtesy of the Library of Congress Geography & Mapping Division


The other night I was browsing the antique maps on the in American Memory Collection map stumbled upon Smith’s New Map of London (1860). As I was looking at 19th century London, I came across the geometrically shaped building that look surprisingly like some of the mashed-up buildings in my maps (see map detail above).

The building was known as the Millbank Penitentiary and was designed by William Williams in 1812 in accordance with the utilitarian principles laid down by Jeremy Bentham‘s Panopticon prison design. This radial design would allow the guards to monitor all the prisoners at all times, without any prisoner being aware of whether he/she was being monitored or not. Akin to today’s closed circuit television cameras, the Panopticon design is still used today in many prisons around the world.

Peter McRorie Higgins describes the Millbank Penitentiary extensively in The Scurvy Scandal at Millbank Penitentiary: A Reassessment:

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In Praise of a Contented Mind / My Mind to me a Kingdom is
|| 6/12/2008 || 12:19 am || Comments Off on In Praise of a Contented Mind / My Mind to me a Kingdom is || ||

Edward de Vere – 17th Earl of Oxford
from an engraving by J. Brown after G.P. Harding 1575
via Wikipedia


In Praise of a Contented Mind
My mind to me a kingdom is;
Such perfect joy therein I find
That it excels all other bliss
That world affords or grows by kind.
Though much I want which most men have,
Yet still my mind forbids to crave.

No princely pomp, no wealthy store,
No force to win the victory,
No wily wit to salve a sore,
No shape to feed each gazing eye;
To none of these I yield as thrall.
For why my mind doth serve for all.

I see how plenty suffers oft,
How hasty climbers soon do fall;
I see that those that are aloft
Mishap doth threaten most of all;
They get with toil, they keep with fear.
Such cares my mind could never bear.

Content I live, this is my stay;
I seek no more than may suffice;
I press to bear no haughty sway;
Look what I lack my mind supplies;
Lo, thus I triumph like a king,
Content with that my mind doth bring.

Some have too much, yet still do crave;
I little have, and seek no more.
They are but poor, though much they have,
And I am rich with little store.
They poor, I rich; they beg, I give;
They lack, I leave; they pine, I live.

I laugh not at another’s loss;
I grudge not at another’s gain;
No worldly waves my mind can toss;
My state at one doth still remain.
I fear no foe, nor fawning friend;
I loathe not life, nor dread my end.

Some weigh their pleasure by their lust,
Their wisdom by their rage of will,
Their treasure is their only trust;
And cloaked craft their store of skill.
But all the pleasure that I find
Is to maintain a quiet mind.

My wealth is health and perfect ease;
My conscience clear my chief defense;
I neither seek by bribes to please,
Nor by deceit to breed offense.
Thus do I live, thus will I die.
Would all did so as well as I!



Last night I was adding some new books to my shelves and decided to look at my old copy of the Norton Anthology of English Literature. I opened it up, turned a few pages and stumbled on to In Praise of a Contented Mind. It’s anonymous poem most commonly attributed to Edward Dyer but according to Norton, it was possibly written by Edward de Vere, Earl of Oxford (painting above). According to the Oxfordian Theory, some believe that Edward de Vere was the poet who’s pseudonym was Shakespeare. I hold the opinion that Shakespeare was most likely a group of nobles who collaborated together to write under the pseudonym of Shakespeare because their status as nobles prevented their official authorship.

In 1588 William Byrd set the poem to music in Psalms, Sonnets, and Songs of Sadness and Piety, as “My Mind to me a Kingdom is.” This version (below) is attributed to Sir Edward Dyer and includes some modification to the original prose.



My Mind to me a Kingdom is
My minde to me a kingdome is,
such perfect joy therin I find,
That it excells all other blisse,
which God or Nature hath assign’d.
Though much I want, that most would have,
yet still my mind forbids to crave.

No princely port nor welthie store,
no force to winne a victorie,
no wyly wit to salve a sore,
no shape to winne a loving eye:
to none of these I yeld as thrall,
for why my minde despise them all.

I see that plentie surfeits oft,
and hastie clymbers soonest fall:
I see that such as are a loft,
mishap doth threaten most of all:
these get with toyle and keepe with feare,
such cares my minde can never beare.

I presse to beare no haughtie sway,
I wish no more then may suffice:
I doe no more than well I may,
look what I want my minde supplies,
loe thus I triumph like a King,
my minde content with any thing.

I laugh not at anothers losse,
nor grudge not at anothers gaine:
no worldly waves my minde can tosse,
I brooke that is anothers bane:
I feare no foe nor fawne on friend,
I loth not lyfe nor dread mine end.

My wealth is health and perfect ease,
and conscience cleere my chiefe defence,
I never seeke by brybes to please,
nor by desert to give offence:
thus doe I live, thus will I dye,
would all did so as well as I.



The score was mass produced as a broadside where it remained popular for over 100 more years. According to google, this posting is between the 15th and 30th mention of this poem on the internets.


click below to download a PDF of the score:


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  • thank you,
    come again!