Horace Greeley founded the New York Tribune as a Whig party, penny paper on April 10, 1841, and would continue as its editor for the next thirty years. During Greeley’s tenure the Tribune became one of the more significant newspapers in the United States, and Greeley was known as the outstanding newspaper editor of his time. In 1924 the Tribune merged with the New York Herald to form the New York Herald Tribune, a publication which would remain a major United States daily until its demise.
Distinguishing features of the early penny press were their inexpensiveness, their appeal to the average reader, their coverage of more and different types of news, and, in some instances, a marked political independence. Penny papers such as the New York Sun and the New York Herald were known for their emphasis on lurid crime reporting and humorous, human interest stories from the police court. The Tribune offered a strong moralistic flavor, however, playing down crime reports and scandals, providing political news, special articles, lectures, book reviews, book excerpts and poetry. As with other penny papers, the Tribune was not averse to building circulation by carrying accounts involving sex and crime, but it was careful to present this material under the guise of cautionary tales.
Greeley gathered an impressive array of editors and feature writers, among them Henry J. Raymond, Charles A. Dana, Bayard Taylor, George Ripley, Margaret Fuller, and, for a while, Karl Marx served as his London correspondent. Reflecting his puritanical upbringing, Greeley opposed liquor, tobacco, gambling, prostitution, and capital punishment, while actively promoting the anti-slavery cause. His editorial columns urged a variety of educational reforms and favored producer’s cooperatives, but opposed women’s suffrage. He popularized the phrase “Go west, young man; go west!” The Tribune supported Abraham Lincoln during the Civil War, but opposed his renomination in 1864.
While the Tribune’s circulation always trailed its rivals the Sun and the Herald, neither could match the immense success of its weekly edition. First published on September 2, 1841, the Tribune weekly enjoyed a wide popularity in small cities and towns, and by 1860 had registered a record-breaking circulation of 200,000.
Greeley died in 1872. Under Whitelaw Reid’s control (1873-1912), the Tribune became one of the nation’s leading Republican dailies. Reid’s son, Ogden, succeeded him and purchased the New York Herald in 1924, merging the two newspapers to form the New York Herald Tribune. Noted for its typographical excellence, the high quality of its writing, its Washington and foreign reporting, and its political columnists, the Herald Tribune would reign as the voice of moderate Republicanism and competent journalism for the next four decades. It featured some of the best reporters in the business-Joseph Barnes, Homer Bigart, Russell Hill, Joseph Driscoll, Joseph Mitchell, Tom Wolfe-and top drawer political columnists such as Walter Lippman, David Lawrence, Joseph Alsop, and Roscoe Drummond. Following Ogden Reid’s death in 1947, the paper began a steady decline, undergoing numerous financial setbacks. In 1961 media entrepreneur John Hay (“Jock”) Whitney became majority shareholder, publisher and editor-in-chief, investing $40 million in a vain attempt to save the paper. The newspaper’s last issue as the Herald Tribune was published April 24, 1966. It merged with two other struggling New York papers, the Journal American and the World Telegram and the Sun to form the World Journal Tribune, which began publishing September 12, 1966 after a lengthy strike. It ceased publication May 5, 1967.
See also: New York Tribune, April 10, 1841-April 12, 1842; New York Daily Tribune, April 22, 1842-May 1, 1850 and May 13, 1850-April 9 1866; New York Tribune, April 10, 1866-March 18, 1924; New York Herald, New York Tribune, March 19, 1924-May 30, 1926; New York Herald Tribune, May 31, 1926-April 24, 1966.
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1910 Publication Calendar of the Alexandria Gazette
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1910 Publication Calendar of the Deseret Evening News
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1910 Publication Calendar of the Los Angeles Herald
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1910 Publication Calendar of the New York Sun
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1910 Publication Calendar of the New York Tribune
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1910 Publication Calendar of the Ogden Standard
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1910 Publication Calendar of the Paducah evening sun
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1910 Publication Calendar of the Palestine Daily Herald
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1910 Publication Calendar of the San Francisco Call
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1910 Publication Calendar of the Washington Herald
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1910 Publication Calendar of the Washington Times
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The New York Sun debuted on September 3, 1833, becoming the first successful penny daily, popular with the city’s less affluent, working classes. Its publisher, Benjamin H. Day, emphasized local events, police court reports, and sports in his four-page morning newspaper. Advertisements, notably help-wanted ads, were plentiful. By 1834, the Sun had the largest circulation in the United States. Its rising popularity was attributed to its readers’ passion for the Sun’s sensational and sometimes fabricated stories and the paper’s exaggerated coverage of sundry scandals. Its success was also the result of the efforts of the city’s ubiquitous newsboys, who the innovative Day had hired to hawk the paper. The Sun added a Saturday edition in 1836.
The paper’s true glory days began in 1868 when Charles A. Dana, former managing editor of the New York Tribune, became part owner and editor. Dana endeavored to apply the art of literary craftsmanship to the news. Under him, the Sun became known as “the newspaperman’s newspaper,” featuring editorials, society news, and human-interest stories. A Sunday edition was added in 1875 and, later, a Saturday supplement appeared, offering book notices, essays, and fictional sketches by Bret Harte, Henry James, and other well-known writers. In the 1880s, the paper’s size increased to eight pages and in 1887 the Evening Sun hit the streets in two editions: Wall Street and Night
On September 21, 1897, in response to a letter from eight-year-old reader Virginia O’Hanlon (“Papa says ‘If you see it in The Sun it’s so.’ Please tell me the truth, is there a Santa Claus?”), the paper published “Yes, Virginia, there is a Santa Claus.” This opinion piece by veteran newspaperman Francis P. Church, insisting that Santa Claus “exists as certainly as love and generosity and devotion exist,” caused an immediate sensation. It became one of the most famous editorials in newspaper publishing history; the Sun would reprint this editorial annually until 1949.
By 1910 the paper averaged some 15 pages, with Sunday editions triple that length. In 1916 entrepreneur Frank A. Munsey, owner of multiple other newspapers, purchased the Sun, and a series of mergers followed. The Sun folded into the New York Herald in 1920. The Evening Sun, renamed the Sun, continued until January 5, 1950, when it merged with the New York World-Telegram and became the New York World-Telegram and The Sun. In 1966 that title became part of the World Journal Tribune; the latter folded the following year.
The Sun morgue of clipped newspaper articles is held by the Humanities and Social Sciences Library of the New York Public Library. The Library of Congress Prints and Photograph Division holds an estimated one million photographs, which were assembled by the Sun and subsequent papers between the 1890s and 1967, in the New York World-Telegram and the Sun Newspaper Photograph Collection.
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1910 Publication Calendar of the Alexandria Gazette
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1910 Publication Calendar of the Deseret Evening News
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1910 Publication Calendar of the Los Angeles Herald
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1910 Publication Calendar of the New York Sun
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1910 Publication Calendar of the New York Tribune
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1910 Publication Calendar of the Ogden Standard
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1910 Publication Calendar of the Paducah evening sun
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1910 Publication Calendar of the Palestine Daily Herald
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1910 Publication Calendar of the San Francisco Call
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1910 Publication Calendar of the Washington Herald
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1910 Publication Calendar of the Washington Times
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Talk about a scary Halloween! This graphic features a new American warship, the Delaware, bombing New York City. The transcription is as follows:
The New York Tribune, Sunday, October 31st, 1909
TWELVE-MILE RANGE OVER WHICH OUR NEW DREADNOUGHT COULD SCATTER DEATH AND DESTRUCTION
Besides demonstrating last week, by attaining a speed 21.98 knots, that she is the fastest first class battleship ever made, the Delaware has the most powerful battery in the service. From each of her ten 12-inch guns of the largest type she can throw a shell weighing 870 pounds to a distance of twelve miles, or from below the Narrows, down the Bay, into City Hall Park, and a little beyond. After traversing 9,000 yards these shells can still penetrate eleven inches of solid steel.
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This groundbreaking, trans-genre work—part detective story, part literary memoir, part imagined past—is intensely autobiographical and confessional. Proceeding sentence by sentence, city by city, and backwards in time, poet and essayist Kazim Ali details the struggle of coming of age between cultures, overcoming personal and family strictures to talk about private affairs and secrets long held. The text is comprised of sentences that alternate in time, ranging from discursive essay to memoir to prose poetry. Art, history, politics, geography, love, sexuality, writing, and religion, and the role silence plays in each, are its interwoven themes.
Bright Felon is literally “autobiography” because the text itself becomes a form of writing the life, revealing secrets, and then, amid the shards and fragments of experience, dealing with the aftermath of such revelations. Bright Felon offers a new and active form of autobiography alongside such texts as Theresa Hak Kyung Cha’s Dictee, Lyn Hejinian’s My Life, and Etel Adnan’s In the Heart of the Heart of Another Country.
From the Book:
You wouldn’t think I would have wanted a beacon. Rather to find myself in the wilderness on my own.
But I did, I always did.
Could there have been someone else like me, not one thing not another, barely able to choose.
A poet, a Muslim, and of a particular persuasion.
When I knew someone like me I barely knew him and we couldn’t bring ourselves to speak of the one thing we needed to speak to each other about.
Silence stretched between us taut as sin.
In 2004 I moved with Marco down the river to Beacon, NY.
Named for the signal fires placed on top of each mountain in chain running from New York City to Albany.
So if either city fell to the British the insurgents at the other end would know about it.
I placed signal fires up and down each street, so anxious I was to belong somewhere.
—From the chapter “Beacon”
Endorsements:
“Bright Felon will steal your heart and outrage your poetics. Part memoir, part trip book, part literary discourse, there is in it an urgent sense of a life lived in words. The tale is one of both innocence and experience. Rigorous, romantic, experimental, true, and yet mysterious, it is a book for the ages.” —Laura Moriarty, author of A Semblance: Selected and New Poems, 1975–2007
“Kazim Ali writes in Bright Felon a prose shaped by the various cities he has lived and loved in. This is a book that is so much more than memoir or autobiography. It is embodied and questioning and it carries through its politics a grace and generosity. —Juliana Spahr, author of Fuck You, Aloha, I Love You
KAZIM ALI is the author of two books of poetry,
The Far Mosque (2004) and
The Fortieth Day (2008). He is an assistant professor of
creative writing at Oberlin College and teaches in the low-residency MFA program of the
University of Southern Maine. He is one of the founding editors of
Nightboat Books.
The text above was copied from the website of book distributor, University Press of New England
Below is a detail from my map
Manhattan & Brooklyn Bridge Quilt, which is featured on the
cover of the book:
Related New York City Entries:
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A couple weeks ago, after seeing the fabulous Gigapan of the 2009 Inauguration by David Bergman, I decided to try out Gigapan for myself.
In the past I’ve used Zoomify to do roughly the same type of zooms, but over the years I’ve found that it has some important limitations. Most notably, I’ve found that Zoomify freezes up after I’ve been using it for a couple of minutes, which would always force me to reload the page. I believe this has to do with the Flash buffer or cache filling up with data and slowing down the viewing experience. Maybe the software engineers have changed this flaw, but I haven’t been too keen on adding all my maps as Zoomifiable entries because it takes too much time and I’m aware of a means to reverse engineer the tiles into the original map.
What is unique about this Gigapan, unlike all of my previous Zoomify maps, is that I went through the extra steps of saving the original map at its full size in .jpg format. In the past when I’d use Zoomify, I’d use a map that was saved at 9,000 x 6,000 pixels, which is half the original size of 18,000 x 12,000 pixels. The reason I shrunk the map was because I was unable to save the full-sized map in .jpg format using my photo manipulation software. Since the free Zoomify converter only took .jpgs, instead of the native tiff file format, I would have to resave the file at its largest size in .jpg format, which was around 9,000 x 6,000 pixels.
In order to bypass this current limitation, I chose to use Graphic Converter to open the original 18,000 x 12,000 tiff file and save it as a .jpg. The inherent problem here is that even with a somewhat new computer, it takes about 15 minutes to open the 216 megapixel file and another 10 minutes to save the file. In the end, the final .jpg saved to about 65 megabytes, which is considerably smaller than the original file size of about 500 megabytes. With this newly compressed map being so much smaller in size, I was able to upload it and share it here.
As regular readers know, a printed 60″ x 40″ copy of this map was donated to the Map Division at the New York Public Library back in October when I gave my presentation to the New York Map Society. If you are in New York City and curious about what it looks like printed out, head over to the library and ask to see it.
If you are subscribed to my RSS feed and are reading this on through your RSS reader, please click here to view it on my website or click here to view it on the Gigapan website.
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I have rallied for years about having DC become the 51st state in America. Even last week I redesigned the American flag to address my feelings toward this subject. However today I came across this map above that mentions the 51st state and predates the organization of the DC Statehood Movement.
In 1969 author Norman Mailer ran for mayor of New York City and one aspect of his campaign was New York City secession through urban statehood. This lovely map shows all the neighborhoods in each of the boroughs and subtly pokes fun at the current “state” of New York City.
I can’t help but wonder, what if this political option was pursued again? Would New York City residents be interested in having federal funds being directed to the city instead of the rest of the state? Political climate aside, would Americans be more receptive if DC statehood was concurrently offered so that the number states is not an odd number? Or is America just stuck at 50 because its a nice number?
When president-elect Barack Obama assumes office, he’ll be the first black president to live in the same federal district that has a majority black population who can never duplicate the steps in his American Dream. His path to presidency included a path no resident of the nation’s capital can follow- he was a United States senator. Without two senators like every other state, the residents of the nation’s capital, unlike the residents of New York City, are still second-class citizens denied the same equality every other American enjoys. Will Obama be a real leader and address this fundamental flaw in our government?
While the map above proposes the concept of urban statehood, there is also the notion of urban / island balancing worth mentioning. The boroughs themselves are drawn as distinct counties and in some respects their natural geographies create urban islands, like Manhattan & Staten, within the unified state of New York City. President-elect Barack Obama comes from a former island territory, now state, Hawaii, which was brought into the union at nearly the same time as Alaska for balancing purposes. Could urban statehood, like that of Washington, DC or New York City, be balanced with statehood for other American islands, like Guam, Puerto Rico, or the Virgin Islands? Or with the islands having a majority population of non-white people, like their urban counterparts, be a lurking reminder that racism still present in America? Should congressional representation be denied to American citizens simply based upon how their geography happens to be located or politically aligned? Sadly, I think thats what we have today and, to me, its veiled racism defended as normal partisan politics.
Click here to read more about the map and view numerous close-up details.
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: rendered at 9,000 X 6,000 :
At the beginning of the week I received an inquiry about making this map. It’s intended to be a gift for the client’s friend who’s a big Yankees fan. I was unsure if I’d be able to obtain the newest imagery featuring the new Yankee stadium, but since the client felt the friend had spent more time in the old stadium, the newest of the imagery was not an issue. I went with .5 meters per pixel imagery from April, 2006. There was a second set of imagery of the area at lower spatial resolution, but I liked the coloring on this imagery better and went with it. This is my first map of the Bronx borough of New York City and for 2009 I am planning on mapping the rest of the boroughs.
Like my previous commission I was able to modify the source aerial photography so that the nearby outdoor track has been converted into a heart. I debated on modifing the coloration so that the pinkness of the heart (below) would be more pronounced, but I opted to follow my current style of non-modification. Yet this inclusion of the heart motif is something that I find to be an unique addition to my current map design. I am adjusting the imagery to not only create a geometrically perfect design, but literally adding a bit of love to it. An aerial landscape design of love, so to speak.
There is also a sense of transition in this map. By the varying degree of translational symmetry placed upon the the actual stadium, there appears to be an architectural metamorphosis taking place. Where the old stadium is becoming a new stadium. And some day in the future, when it’s time that I make the next map of Yankee Stadium, with newer contemporary imagery, it will be a new stadium. But will the heart (track) still be there in the future? Will development change the love of the geography? I don’t think so. Yet in making this map for the client, I’ve captured the love between two people (and probably thousands of others) that will never change.
Unlike my previous commissioned map, which was printed at 32″x48″ on stretched canvas, this Hexagon Quilt Project map will be printed a bit smaller at 10″x16″ on Hahnemuhle Fine Art Pearl paper. If you are interested in obtaining a custom map, please don’t hesitate to contact me.
View the Google Map of Yankee Stadium in the Bronx
: detail :
View the rest of the details:
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This week I am posting photos from New York City that took last weekend.
The photograph above features some high rise buildings (which I don’t know the name of) and was taken from the rooftop of my friend’s apartment in Midtown Manhattan using a 15 second timelapse.
Related New York City Entries:
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This week I am posting photos from New York City that took last weekend.
The photograph above features One Worldwide Plaza and was taken from the rooftop of my friend’s apartment in Midtown Manhattan using a 15 second timelapse.
Related New York City Entries:
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This week I am posting photos from New York City that took last weekend.
The photograph above was taken from the 6th floor window of Hotel Rivington in the Lower East Side looking down Rivington street.
Related New York City Entries:
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This week I am posting photos from New York City that took last weekend.
The photograph above was taken from the 6th floor window of Hotel Rivington in the Lower East Side using a 15 second timelapse.
Related New York City Entries:
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This week I am posting photos from New York City that took last weekend.
The photograph above was taken from the 6th floor window of Hotel Rivington in the Lower East Side.
For temporal comparison here are the advertisements as seen from Google’s Streetview:
Related New York City Entries:
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This week I am posting photos from New York City that took last weekend.
The photograph above was taken from the 6th floor window of Hotel Rivington in the Lower East Side.
Related Manhattan Entries:
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Photograph by TaxiGang
The photograph above was taken yesterday by one of my friends in the audience.
The map on the projector screen is St. Paul Quilt.
A big thank you goes out to my friends who came to see the presentation!
You know who you are ;-)
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Below are the “slides” used in my presentation for the New York Map Society. Culled from the last four years of entries on this website, the selected maps show the range of my cartographic endeavors. What is missing, however, is my explanation of why I chose each slide.
The presentation was was supposed to go for about 45 minutes and have about 15 minutes of Q&A, instead it went for about 75 minutes and had about 15 minutes of Q&A. In all, I felt it was a very successful presentation and I deeply grateful for the New York Map Society for inviting me and the wonderful staff at the New York Public Library for their assistance.
Sensor Spatial Analysis
Park Circle Quilt – Quicktime Virtual Reality
North, South, East, Westminster – Outdoor Installation
View the entire presentation:
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In conjunction with my upcoming presentation at next month’s meeting of the New York Map Society, I decided to order a copy of the map and will be donating it to the Lionel Pincus & Princess Firyal Map Division at the New York Public Library. It will printed out quite large at 60″ x 40″ on Hahnemühle Fine Art Pearl 285gsm paper and should be a splendid addition to their permanent collection.
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: rendered at 18,000 X 12,000 :
This fractal octagon quilt projection map was recursively rendered four times before the final result above. It took approximately two hours for each rendering to complete and then each tessellation was sampled while maintaining the source spatial integrity. Altogether this map took about 12 hours of rendering time and post-processing time to complete. I intend on printing this out for the upcoming lecture.
View the Google Map of the area around the New York Public Library in New York City.
: detail :
View the rest of the details:
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|| 6/10/2008 || 6:17 pm ||
Madison Square Garden Quilt
: rendered at 18,000 X 12,000 :
Using my new procedure, I pre-rendered 2 tiles to create this third derivative map of Madison Square Garden in Midtown Manhattan. It looks very similar to Hirshhorn Quilt (they are both circular buildings) but they are composed of aerial photographs taken at different spatial scales. The NYC imagery has been downsampled to 2ft per pixel compared to DC’s imagery which is at 6 inches per pixel or a difference of about 16 times less detail (I think). Up next will probably be the New York Public Library, which was actually in the first tessellation, but dropped from the second.
View the Google Map of Madison Square Garden in New York City.
: detail :
View the rest of the details:
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|| 6/8/2008 || 2:45 pm ||
Mark Your Calendars!
A few months ago I was contacted about giving a lecture at the October meeting of the New York Map Society. At first I was slightly bashful about the offer because most map societies deal primarily with antique maps, but after talking with the organizer I realized that it would be a great opportunity to present my work to a larger audience.
Originally the presentation was scheduled for October 11th (the day after my birthday) but due to potential scheduling conflicts with the New York Public Library (Columbus Day weekend), the date was pushed a week earlier. I haven’t given an extensive presentation related to my maps in a couple years, but with four months to prepare, I have ample time to collect my thoughts. However, since I’ve generated so much new content since my last presentation I think the hardest part will be finding a way to distill everything into 90 minutes!
As I mentioned yesterday, I’m going to be making some new maps of New York City. On the docket are some maps of Midtown Manhattan, which is where the Humanities & Social Science Library of the New York Public Libraries is located. It’s also where I’ll be giving my presentation.
I hope to donate one of these upcoming maps to the library in conjunction with my presentation. I figure that there is no better way say thanks than through a donation. Its also a great way to give the audience a chance to visually inspect what I think will be one aspect of my presentation.
WHO: Nikolas Schiller & the New York Map Society
WHAT: A presentation & discussion about my maps
WHERE: The New York Public Library, Fifth Avenue and 42nd Street, New York, NY 10018
WHEN: October 4th, 2008 at 2:30pm
WHY: The questions related to where you are from, where you are at, and where you are going are timeless!
COST: ABSOLUTELY FREE!
Mark your calendars!
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Yesterday I went through all my 2008 entries and began to compile this year’s maps like I’ve done for previous years. However, this year I decided to expand the listing to include designs & animations that I’ve made.
The rationale for this expansion was rather simple: if these yearly listings are to be aggregates of my creative work, they might as well include everything. I’m a bit tepid about going through the previous years to find creations that I might have missed, but I imagine that I’ll get around to doing it. Also, since this website has gone public, I’ve found myself sharing content that I did not create and this makes it more difficult to decipher what I’ve created and what I have found on-line & decided to share here.
Today’s creation is the start of a new series of New York City maps that I expect to make in the coming days. This morning I discovered that the USGS has released newer imagery of New York City that was taken in March of 2006.
However, as with other imagery, I’ve found that the older imagery is of better quality. Its not that this new imagery is fuzzy or not as sharp, but rather I found the coloration to be more subdued. The 2004 imagery, which I used to produce all of my previous New York City maps, is more vivid and the colors just look nicer. With that issue aside, I’ve made a few different tessellations that I’m going to be using for the next set of maps of New York City.
This map shows the Manhattan Bridge and the Brooklyn Bridge, as well as a tiny portion of Brooklyn and a larger portion of Manhattan’s Lower East Side. I tried a few different Quilt projection shapes and finally settled on using the Diamond Quilt Projection because I like the way the bridges create a square box within the diamond layout. I have made a derivative tessellation of this map, but I think I’m going to use some of the other imagery first.
View the Google Map of the Manhattan & Brooklyn Bridges.
: detail :
View the rest of the map’s close-up details:
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^^^^^^^ the advertisement above is not an endorsement ^^^^^^^
A Digital Scrapbook for the Past, Present, and Future.
^^^^^^^ the advertisement above is not an endorsement ^^^^^^^
