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The 1910 Publication Calendar of the Palestine Daily Herald from the Chronicling America Newspaper Collection [100 Year Old News]
|| 1/9/2010 || 1:39 pm || + Render A Comment || ||

Scan of the newspaper masthead

Text & content from the Chronicling America newspaper collection website

William M. and H.V. Hamilton Jr. had lived their lives in newspapers prior to establishing the Palestine Daily Herald in 1902. Their father, H.V. Hamilton, Sr., wrote for and edited The Tyler Reporter . Soon after the Civil War, he helped establish The Tyler Democrat and later went on to publish and edit the newly merged Tyler Democrat and Reporter. Consequently, the Hamilton brothers grew up around printing offices, thoroughly learning the newspaper trade. They first attempted newspaper publishing on their own in 1898, leaving Tyler but remaining in East Texas to publish The Palestine Daily Press . They soon sold this paper, and ventured south to Monterrey, Mexico, with plans to establish a newspaper there.

By 1902, however, the Hamiltons had returned to Texas where they inaugurated the Palestine Daily Herald and set to work creating the city’s leading paper. The Daily Herald was a Democratic paper, issued every afternoon except Sunday. Each edition featured eight pages measuring 15 x 22 inches; a weekly subscription cost ten cents, while an annual subscription cost five dollars. The Daily Herald had 900 subscribers in 1903 and 1,200 in 1910, when the population of Palestine stood at 9,773. The paper also covered news in the nearby communities of Nacogdoches and Tyler.

The editorial masthead attributed the paper to “The Hamilton Boys, You Know,” and the front-page nameplate invariably employed, just beneath the dateline, an eye-catching phrase meant to woo citizens and advertisers alike to its pages. Primarily, this line carried circulation boasts, quoting numbers and nicknaming itself “The Growing Paper.” In 1903, such boasts led to a public dispute with the editors of The Daily Visitor, in which the Hamiltons, in a series of editorials, chided The Visitor as a little child and invited their rivals to prove claims that the Herald perpetrated boastful lies about its circulation. The line at the bottom of the Herald’s nameplate not only promoted the paper’s prowess, but also announced community events, such as the 1903 East Texas Carnival and Fruit Show. The Palestine Daily Herald fashioned itself as a serious news outlet, mixing local stories and information (reported by the Herald staff) with national and international items from the wire.

Many local stories ran under various column names and featured headlines such as “Personal Notes,” “Personal Mention” (later re-cast as a “Society” column by Mrs. Caddie Winston Herrington), “Court House Notes,” “Heard at Random,” and “Dissolution Notices.” “Special Correspondents” from throughout Anderson County (and signing off with such monikers as Boll Weevil, Ripples, Pickle, Sweet Roxy, Goo-Goo, and P.P. Funderburk) would report rural happenings in the editorial section. In addition, the paper never neglected to report the results in the new Texas League baseball circuit.

Beside the Palestine Daily Herald, the Hamilton brothers concurrently published the weekly Anderson County Herald. After H.V. Hamilton, Jr., retired in 1935, the sons of William Hamilton kept the Palestine Daily Herald operational until 1949.


1910 Newspapers

Published Everyday Except Sundays, The Month Of April, And A Few Random Days

January, 1910
S M T W T F S
            1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
30 31          
February, 1910
S M T W T F S
    1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28          
             
March, 1910
S M T W T F S
    1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31    
             
April, 1910
S M T W T F S
          1 2
3 4 5 6 7 8 9
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
             
May, 1910
S M T W T F S
1 2 3 4 5 6 7
8 9 10 11 12 13 14
15 16 17 18 19 20 21
22 23 24 25 26 27 28
29 30 31        
             
June, 1910
S M T W T F S
      1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30    
             
July, 1910
S M T W T F S
          1 2
3 4 5 6 7 8 9
10 11 12 13 14 15 16
17 18 19 20 21 22 23
24 25 26 27 28 29 30
31            
August, 1910
S M T W T F S
  1 2 3 4 5 6
7 8 9 10 11 12 13
14 15 16 17 18 19 20
21 22 23 24 25 26 27
28 29 30 31      
             
September, 1910
S M T W T F S
        1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30  
             
October, 1910
S M T W T F S
            1
2 3 4 5 6 7 8
9 10 11 12 13 14 15
16 17 18 19 20 21 22
23 24 25 26 27 28 29
30 31          
November, 1910
S M T W T F S
    1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30      
             
December, 1910
S M T W T F S
        1 2 3
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31
             

+ 1910 Publication Calendar of the Alexandria Gazette
+ 1910 Publication Calendar of the Deseret Evening News
+ 1910 Publication Calendar of the Los Angeles Herald
+ 1910 Publication Calendar of the New York Sun
+ 1910 Publication Calendar of the New York Tribune
+ 1910 Publication Calendar of the Ogden Standard
+ 1910 Publication Calendar of the Paducah evening sun
+ 1910 Publication Calendar of the Palestine Daily Herald
+ 1910 Publication Calendar of the San Francisco Call
+ 1910 Publication Calendar of the Washington Herald
+ 1910 Publication Calendar of the Washington Times



My Brash poem from Artomatic 2009
|| 6/18/2009 || 10:34 pm || Comments Off on My Brash poem from Artomatic 2009 || ||

Inverted scan of the poem

Brash is a poet that goes around Artomatic and leaves each participating artist a poem taped on to their exhibit wall. This week I noticed that my poem had been taped up to my exhibit space, so I decided to take it home, scan it, and post it here on-line like I did with last year’s poem. However, unlike last year, where Brash wrote about my entire exhibit, this year Brash wrote specifically about my Israel / Palestine 1993 map. From my understanding, Brash will probably write a poem for EVERY artist (thats over a thousand poems!) at Artomatic 2009. Brash, if you are reading this, thank you! I sincerely enjoy your creative spirit!


Related Artomatic Entries:

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In today’s Washington Jewish Weekly newspaper
|| 2/28/2008 || 4:05 pm || Comments Off on In today’s Washington Jewish Weekly newspaper || ||

My piece at the JCC is mentioned in an article in today’s Washington Jewish Weekly:

The piece by D.C. resident Nikolas Schiller portrays the Palestinian refugees’ perspective and, he says, “dissent.” He is dissenting from the 1993 map of Israel and the Palestinian territories, upon which he based his kaleidoscope image, because he sees it as “biased” in showing the territories in stripes, he says.

He also has included an image of Handala, an iconic Palestinian cartoon that he found on the Internet, on the map. Handala, which means “bitterness” in Arabic, “represents the abused Palestinian refugees,” he says.

I don’t remember saying the word “abused” the entire time I spoke with the reporter, but I’ll let it slide.

Read the entire article:

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TONIGHT: L (A) T T I T U D E S
|| 2/21/2008 || 2:47 pm || Comments Off on TONIGHT: L (A) T T I T U D E S || ||

The Washington Post has this listing:

Time for an Arty Party Weekend
By Lavanya Ramanathan
Thursday, February 21, 2008; Page C13

The box wine is guaranteed to be flowing through the weekend, as several exhibitions open with bashes at galleries as well as unconventional spaces across the city.

Just a few you might want to drop by:

Tonight at the Washington DCJCC’s Ann Loeb Bronfman Gallery, catch the new show “L(A)ttitudes,” which features 10 contemporary artists from five countries; their work dissects the fluid and subjective nature of the idea of “borders” marking Israel and Palestine. Included are two installations, photographs of the separation wall and works re-imagining the landscape via maps. The reception is from 5 to 7 p.m. The show is up Sundays-Thursdays 10 a.m.-10 p.m. and Fridays 10 a.m.-4 p.m., through June 2. 1529 16th St. NW. 202-777-3208.

Hope to see you!



The Astro-Theological Overlays for Google Earth
|| 8/12/2007 || 12:14 pm || Comments Off on The Astro-Theological Overlays for Google Earth || ||

Click on the image below to download the .kmz file [888 Kb] for Google Earth:

Instead of just wrapping the Astrological Calendar from 1544 around the earth, today I decided to place the calendar alongside the 3 holy locations of Catholicism, Christianity, Islam, and Judaism. This geographic juxtaposition of pagan symbolism with established religion makes this series of overlays one of the more interesting cartographic creations I’ve ever made.

Continue reading:

+ MORE



Israel / Palestine 1993
|| 7/3/2006 || 3:59 pm || 1 Comment Rendered || ||

On Saturday day on I obtained a scanned map of Israel & Palestine from the “Atlas of the Middle East”, published in January 1993 by the U.S. Central Intelligence Agency. I was thinking of using the map for something quasi political, but this last week Israel blew up the only power plant in Gaza. An act identified as an international war crime where women, children, the sick, and eldery were all collectively punished through this illegal act on civilians. Israel also abducted 8 elected members of parliament. I can only imagine what it would be like if my city council members were kidnapped. Worse, my good friend was supposed to be going to Beruit next month and I don’t think she’ll be able to go now. I chose to add Naji al-Ali’s cartoon character Handala to this map as my way of showing shame.

From Wikipedia on Handala:

Handala is the most famous of Naji al-Ali’s characters. He is depicted as a ten-year old boy, and appeared for the first time in Al-Siyasa in Kuwait in 1969. The figure turned his back to the viewer from the year 1973, and clasped his hands behind his back. The artist explained that the ten-year old represented his age when forced to leave Palestine and would not grow up until he could return to his homeland; his turned back and clasped hands symbolised the character’s rejection of “outside solutions”. Handala wears ragged clothes and is barefoot, symbolising his allegiance to the poor. In later cartoons, he sometimes appears throwing stones or writing graffiti. Handala became the signature of Naji al-Ali’s cartoons and remains an iconic symbol of Palestinian identity and defiance; the artist remarked that “this being that I have invented will certainly not cease to exist after me, and perhaps it is no exaggeration to say that I will live on with him after my death”.

Yesterday I did run into a wayward and former Seeds of Peace camp counselor at the U-Haul. This did give me some hope…

View Map details:



Of interesting note, the map states clearly:
“The 1950 Israeli proclamation that Jerusalem be the national capital is not recognized by the United States Government”

I chose the placement of Handala so that his head surrounds Israel to point out focus of shame. By adding the character to the map, he becomes a cartoon cartouche. I am not aware of any contemporary maps that have iconic cartoon characters on them.

The points of the found star in the map are interesting. The confluence of the West Bank creates the tips and for some reason the C.I.A. chose to use odd stripes to show the West Bank as a country. Why not a normal whole color like every other country? Cartographic bias?

The best line from this section of the map is:
GAZA STRIP – Israeli occupied- status to be determined.

: zoom out from center :


: zoom out from center :

####
UPDATE 2/1/08

I am offering ten signed prints of ISRAEL / PALESTINE 1993 for sale at the gallery. Printed at 48″ x 32″ with archival inks on stretched canvas, the map is printed large enough so that you can read the tiny print on the original map.

If you are interested in attending the opening night reception, I have added an event invitation on Facebook where you can RSVP.





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Nikolas Schiller is a second-class American citizen living in America's last colony, Washington, DC. This blog is my on-line repository of what I have created or found on-line since May of 2004. If you have any questions or comments, please contact:

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