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Gregorius XIII – Pont(ifex) Opt(imus) Maximus / Anno Restituto MDLXXXII
|| 8/12/2008 || 2:27 pm || Comments Off on Gregorius XIII – Pont(ifex) Opt(imus) Maximus / Anno Restituto MDLXXXII || ||

“Pope Gregory XIII / Year of Restitution 1582”
Minted in 1582 to celebrate the creation of the new Roman calendar,
which later became known as the Gregorian Calendar

The other day I was reading about the Gregorian Calendar and stumbled across this coin that was created the year of the calendar reform. It features a portrait of Pope Gregory XIII on the front, and on the back this is dragon eating it’s tail surrounding a ram’s head. The dragon is called an Ouroboros, which I named my recent time lapse video, and as I mentioned before, it represents the cyclicality of time surrounded by the Egyptian Sun God Amun, who’s name means “the one who is hidden.” I find this symbology very interesting because what we consider today to be pagan symbols were used to mark the creation of their perfect calendar— the calendar we use today.

In my opinion, the Ouroboros represents the Milky Way and the Ram represents the sun, and by creating a perfect calendar the sun & the cosmos were finally set in perfect harmony. Except one thing, and in my opinion, the most important part of it all, the perfect calendar removes the importance of natural precession. As in, as the dragon devours its tail, it slowly moves in a circle, and that circle represents the earth’s slow precession backwards through the zodiac. By keeping the months standardized, the natural movement of the Earth is not accounted for in our modern calendar because the Gregorian Calendar standardized the timing of the Paschal Full Moon so all Christians could celebrate Easter on the same day. With that sense of natural drift removed, the understanding behind the Earth’s natural movement around the sun and the origins of why ancients used the Zodiac was diminished.

A good example of this natural drift is the removal of 10 days from October in 1582. Part of this was due to the Julian calendar‘s natural error, but in my opinion, a partial correction in regards to natural drift. In the last 426 years at an average drift of 1 degree every 71.6 years, the earth has precessed approximately 6 degrees since the calendar’s creation. If each sign in the Zodiac is 30 Degrees, then the earth has moved 1/5 of its way through the age since the calendar’s creaction. Interesting stuff! What’s really funny is what I posted here exactly one year ago today.


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The Vicissitude of the Seasons Explained
|| 8/7/2008 || 1:59 pm || Comments Off on The Vicissitude of the Seasons Explained || ||

The other day I posted the Analemma featured on Bowles 1780 Map of the World. Today I am posting another ancillary chart from the map that I thought was interesting. It is called the Vicissitude of the Seasons and it explains the nature of the seasons in a given year. Vicissitude means “a state of being changeable or in flux; the rise and decline of a phenomenon,” and the transcribed chart below is the explains how the Earth slowly goes from Summer to Spring. I’ve been thinking a lot about the seasons lately and I have been working on a new map to address their change over time.

In this Diagram S represent the Sun, A XII BXII the Earth as moving round the Sun in the plane of the Ecliptic, according to the Order of the Signs Aries, Taurus, Gemini, etc. P is the North Pole, C the Arctic Circle, T the Tropic of Cancer, E the Equator, AXIIB the enlightened half of the Earth, where it is Day. BXIIA the darkened half where it is Night and BCA is the boundary of light & darkness. The Earth’s position with respect to the Sun is here shewn at the beginning of Ecliptic and here tis plain that the Earth moves through the Signs Libra, Scorpio, Sagittarius, Capricornus, Aquarius, and Pisces (which is from the 21st of March till the 23 of September) the North Pole P is constantly enlightened, and the Northern Places have their days longer than their Nights. But as the Earth proceeds through Aries, Taurus, Gemini, Cancer, Leo, and Virgo (which is from the 23rd of September till the 21st of March, the North Pole is constantly in the Dark and the Northern places have their Nights longer their Days.

Thus, supposing the Circle, L to be parallel of Latitude of London, we perceive that a greater part of it is in the Light than in the Dark from the 21st of March to the 23rd of September and the contrary from the 23rd of September till the 21st of March. On these two days it is just half in the light and half in the dark which shews the Days and Nights to be equally long. On the 21st of June it is most of all in the light, which shews that its days are then at the longest and on the 21st of December it is least of all in the light which shews its days are then at the shortest. The like to be understood of any other place situated in the Northern Hemisphere whilst the reverse happens to those in the Southern. But at each Pole there is only one Day and one Night in the whole Year. N.B. In whatever part of the Ecliptic the Earth is in, as seen from the Sun, the Sun is then the opposite part thereof as seen from the Earth.


I think I might use the graphic on the cover of next year’s calendars. Its very similar to the zodiac in Battista Agnese‘s Portolan atlas from 1544 that I used on last year’s calendars.



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Jupiter traveling through the night sky of Washington, DC
|| 8/3/2008 || 7:53 pm || Comments Off on Jupiter traveling through the night sky of Washington, DC || ||


Jupiter traveling through the night sky of Washington, DC from Nikolas Schiller on Vimeo.

Due to light pollution it’s very hard to observe the planets and stars at night in Washington, DC. However, Jupiter has been visible on the southern horizon this entire summer.

The video clip was taken on my back deck using a tripod and Canon SD750 digital camera set to time-lapse mode. A photograph of Jupiter was taken every two seconds for over two hours.

If you look closely, you’ll see a tiny ball in the lower portion of the screen. It goes invisible for a few seconds, which I believe was from a distant cloud, but for most of the video clip you can see Jupiter slowly transit the night sky.

I’ll have to check Stellarium to see when Mars is visible again because I’d like to try recording that planet as well. Maybe someday I’ll have a camera with better zoom controls so the planet doesn’t look like a spec of dust on the screen!

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The Use of the Analemma – As explained around 1780
|| 8/1/2008 || 4:54 pm || Comments Off on The Use of the Analemma – As explained around 1780 || ||

A couple months ago I posted the astrophotography of Anthony Ayiomamitis and went into some cursory detail in explaining what an Analemma was. Last night I was perusing the on-line collection of maps in the Library of CongressGeography & Mapping Division and came across Bowles’s new and accurate map of the world, or Terrestrial globe : laid down from the best observations and newest discoveries particularly those lately made in the south seas by Anson, Byron, Wallis, Bouganville, Cook, and other celebrated circumnavigators, illustrated with a variety of useful projections and representations of the heavenly bodies the most approved astronomical and geographical definitions tables, and problems with an easy and familiar explanation of the most curious and interesting phoenomena in the universal system. (yeah thats the official name of the map!)

It was published around 1780 in London for the proprietor Carington Bowles and it features quite a few ancillary maps, including a map of the solar system- both northern & southern hemisphere, astronomical latitude and longitude analemma (below), a chart of the world drawn according to Mercator’s projection, a map of the moon (a selenograph), and a diagram of seasons (which I absolutely love). I expect to reuse portions of this map for upcoming entries because its so laden with unique information. For example, there are drawings on how the planets looked like through the telescope and even the oldest drawings of sunspots that I’ve ever seen.

As for this entry, on the right side of the map are two spheres that were designed to teach the viewer how to understand the Analemma and use it to estimate the location of the Sun, planet, or any fixed star anytime in the past, present, or future. While I still haven’t fully wrapped my mind around the instructions, I have transcribed the text from the map below. There are a few errors and typos but I tried my best to keep the text as close to the original as possible.

By clicking on either of the images you can view a larger version and investigate the text yourself. As a decorative element, I used a portion of the tessellation I used to construct Meridian Hill Park Quilt #4 as the background.

The Use of the Analemma
The Analemma is a very useful (tho’ not commonly used) Projection of the Sphere on a plane. In this Projection the Eye is supposed to view the Sphere or Globe with all its Lines both real and imaginary from a Place so far distant that Mathematicians usually term this Distance in definite, and sometimes infinite.

In this Projection the Meridians and Circles of Declination as they are farther removed from the Centre of the Projection, appear nearer to each other and therefore more confused and on this Account Maps of the Earth and Heavens are generally delineated according to other Principles. Nevertheless there are several Properties belonging to this orthographic Projection, which are superior to all other Projections namely. 1st. In this Projection, the Circles of Latitude on the Earth’s Globe, from the Equator to the Pole, are all of them strait Lines, as are also all those Circles of equal Distance from London or any other Place on the Earth’s Globe all around London or any other Place. 2nd. The Distances of Places in the same Latitude are also measured by strait Lines in this Projection 3rd. The Meridians are Ellipses in this Projection and the Degrees of terrestrial Latitude are here measured on those Ellipses.

In like Manner for the Heavens 1st. The Parallels of the Sun’s and Stars Declination from the Equator, are in this Projection measured by strait Lines, which affords a very easy and elegant Construction of Properties of the celestial Sphere on a Plane. 2nd. The Parallels of Altitude for Sun or Stars at any Place on the Earth’s Globe are here also Strait Lines, Like the Parallels of Declination. 3rd. The Celestial Meridians, and the great Circles extending from the Zenith to the Nadir, in this Projection are Ellipses. 4th The Sun’s Declination North or South being but 23 1/2 degrees and the Degrees being in this Projection so near to an Equality from the Centre to the Tropic of Cancer and the Tropic of Capricorn, several of the most entertaining and useful Particulars relating to the Doctrine of the Sphere & Astronomy are more easily & elegantly solved by this Construction than any other.

From all which it follows that the Analemma or orthographical projection of the Sphere on a Plane is what everyone should understand who would not be at the expense of those expensive Instruments, Spheres, Globes etc., nor be at Pains and Attention enough to learn Mathematics and the necessary calculation.

On these Accounts we have given on the opposite side of this Map a Delineation which will be abundantly useful in the Application of the Analemma. And for a further Illustration of the Projection, Read what follows.

At the upper Part of this Map we have given a Table of the Sun’s Declination for the Beginning, Middle, and End of every Month throughout the Year, and which will be true till the Year 1808, by which Table and a single Proportion of Allowance for the Increase or Decrease of Declination, the true Declination for any Day may be easily found, also above we have given Geographical & Astronomical Definitions from which the Names of the several and respective Lines of the Earth and Heavens may be known.

Now supposing you would know the Hour of Sun Rising or Sun Setting or the Hours and Minutes of Time any Star, Planet, or the Moon is above the Horizon from the Rising to the Setting by the Analemma you first know the Latitude of that Place of the Earth where the Answer is required for. Secondly you must know the Declination of the Phenomenon whether it be Sun, Moon, or Star, and by these you may find the Time of Duration above the Horizon thus Count the Degrees of Latitude from the Equator of the Analemma downwards towards its Pole and a Strait piece of Paper of Line laid from thence to the Centre will cut the Line of Declination and the elliptical Meridians Equal to the Length of the Half Day more than Six Hours when the Place and Declination are both alike that is both North or both South but less than Six Hours, when the Place of Declination are both unlike that is one North and the Other South and this assensional Difference being either added to or subtracted from Six Hours gives the Length of the Half Day, and consequently the Time of Rising or Setting of the Sun.

The like is also to be understood of the Rising and setting of the Moon, Planets, or Fixed Stars, with this Difference, that in these you mist know if the Moon, Planet, or Stars rise sooner or Later than the Sun, which you may known whither such Star as you enquire about doth by the above Hemispheres, but for the Moon and Planets you may have Recourse to an Ephemeris Another very curious and useful Problem in the Doctrine of the Sphere is solveable after the most easy and elegant Manner by the Analemma relative to the Crepusculum or Twilight its Beginning & Ending in any Place of the Earth & at any Time of the Year it is as follows Viz.Count as before mentioned from the Equator of the Analemma to the Latitude & draw a real or imaginary Line thro’ the Centre to the opposite Side of the Analemma, then in the Circumference of y3 Analemma count 18 Degrees on each side downward & where the Parallel of the Sun or Stars Declination cuts this Strait Line the Number of elliptic Meridians from the Centre shews the Ascensional Difference.

N.B. The Equator of the Analemma is the Line 180 to 180 thro’ the Centre.

In this Analemma the Place in the Ecliptic or Distance from the next Equinoctial Point being known (which the adjacent Table will shew) the Declination and Right Ascension of the Sun are known by Inspection and for the Moon or Planets which have Latitude if such Latitude be reckoned from the Ecliptic towards the Ecliptic’s Pole the Declination & Right Ascension answering to such Latitude will be known by Inspection in the Analemma the Use of which will appear to such as know a little of the Sphere.

As the Fixed Stars are carried forward according to the Order of the Signs 50 Seconds per Year this Analemma will readily shew the Place of any Fixed Star for any Time past present or to come if its present Place be known & Contra.




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A New & Arabesque Map of the Hirshhorn Museum & Sculpture Garden
|| 5/23/2008 || 10:43 am || Comments Off on A New & Arabesque Map of the Hirshhorn Museum & Sculpture Garden || ||


:: saved at 6,480 x 5,040 ::

To celebrate the new procedure I decided to get around to editing the Library of Congress‘ copy of Willem Janszoon Blaeu‘s Nova totius terrarum orbis geographica ac hydrographica tabula, which was published in Amsterdam in 1606. I removed the original map from the center and kept the decorative border similar to Nova et Accvratissima Totivs Terrarvm Orbis Tabvla, A New Map of the Terraqueous Globe : according to the the Ancient discoveries and most general Divisions of Geospatial Art, America as a Cloverleaf, and A New And Accurate Map of the World by John Speed. However, unlike the previous antique map mash-ups, which usually feature the earth laid out in two hemispheres, this map uses a rectangular space (Mercator?). The beauty of this open layout is that I can place any of my previously made maps inside of this 402-year-old template.

A common naming practice I’ve noticed in old map is the use of “New & Accurate” and since I like to play around with words, I changed Accurate to Arabesque to create a visual pun. The source map was about 6,500 pixels wide, I underlaid a rotated 9,000 x 6,000 copy of Hirshhorn Quilt to fit perfectly in the center of the new map. I think it would be fun to actually hand-color the engravings on this map to match other copies of this map which have the various figures colored in. The LOC’s copy is uncolored which means that its actually easier to add color to it than if it were already colored because pigment matching is not needed.



: detail of the planet Goddess Venus :

Across the top (left to right) you have the planet gods:

Drawn within each of these engravings are the signs of the Zodiac that the planets rule:

Below I dissect the rest of the border of the map:

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Astrophotography by Anthony Ayiomamitis – Analemma with the Parthenon
|| 4/1/2008 || 2:28 pm || Comments Off on Astrophotography by Anthony Ayiomamitis – Analemma with the Parthenon || ||

Following up on my antique sundials posting, I just came across this stunning photography by Anthony Ayiomamitis that shows the sun’s yearly orbit seen from a stationary points around various ancient ruins in Greece. The figure 8 design that the sun creates is called an Analemma. It’s a curve representing the angular offset of the sun from its mean position on the celestial sphere as viewed from Earth. The sun’s position in the figure 8 varies by geography and time of year, but when a series of photographs are taken from one location you can see the sun’s relative path through the seasons.

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The first glimpse of Mercury’s horizon
|| 1/17/2008 || 5:55 pm || Comments Off on The first glimpse of Mercury’s horizon || ||

As the MESSENGER spacecraft drew closer to Mercury for its historic first flyby, the spacecraft’s Narrow Angle Camera (NAC) on the Mercury Dual Imaging System (MDIS) acquired an image mosaic of the sunlit portion of the planet. This image is one of those mosaic frames and was acquired on January 14, 2008, 18:10 UTC, when the spacecraft was about 18,000 kilometers (11,000 miles) from the surface of Mercury, about 55 minutes before MESSENGER’s closest approach to the planet.

The image shows a variety of surface textures, including smooth plains at the center of the image, many impact craters (some with central peaks), and rough material that appears to have been ejected from the large crater to the lower right. This large 200-kilometer-wide (about 120 miles) crater was seen in less detail by Mariner 10 more than three decades ago and was named Sholem Aleichem for the Yiddish writer. In this MESSENGER image, it can be seen that the plains deposits filling the crater’s interior have been deformed by linear ridges. The shadowed area on the right of the image is the day-night boundary, known as the terminator. Altogether, MESSENGER acquired over 1200 images of Mercury, which the science team members are now examining in detail to learn about the history and evolution of the innermost planet.

Credit: NASA/Johns Hopkins University Applied Physics Laboratory/Carnegie Institution of Washington

As I mentioned the other day, the MESSENGER spacecraft started to document the planet Mercury. Since this is the first time in my entire life that contact has been made with the planet, I find these pictures quite intriguing.



Staring at the Sun in Stellarium
|| 1/15/2008 || 12:34 pm || Comments Off on Staring at the Sun in Stellarium || ||

Screen grab of Stellarium with the constellations art layer turned on

Two screen grabs below with the azimuthal & equatorial grids turned on:

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The Grand Design Lenz Quilt
|| 1/13/2008 || 11:20 am || Comments Off on The Grand Design Lenz Quilt || ||

: rendered at 9,000 X 6,000 :
The Grand Design Lenz Quilt

Using the elements from the Lenz Projection I was able to magnify portions of a tessellated Messier 101 Pinwheel Galaxy (a grand design galaxy) to create this fine celestial perspective.

Read more about this project here.

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Messier 101 Mandala [birth/death of a star]
|| 1/11/2008 || 6:22 pm || Comments Off on Messier 101 Mandala [birth/death of a star] || ||

: saved at 12,000 X 12,000 :
Messier 101 Mandala

It was originally rendered at the normal size (216mp), but I decided to cut the center out and use the circular Mandala layout. Being that its my first use of tessellated space I decided to use an archetype that represents rebirth.

Read more about this project here

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  • thank you,
    come again!