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My maps on display at Artomatic 2009
|| 5/29/2009 || 3:10 pm || + Render A Comment || ||

Click on the maps to view their respective blog entries


A New & Arabesque Map of the Hirshhorn Museum and Sculpture Garden

This antique map mashup is over 400 years in the making. It features the Library of Congress‘ copy of Willem Janszoon Blaeu’s Nova totius terrarum orbis geographica ac hydrographica tabula, which was published in Amsterdam in 1606. I removed the original Mercator-inspired map from the center and kept the highly decorative border similar to my other antique map mashups. The border contains allegorical drawings of the seven known planets, the four elements, the four seasons, and the seven wonders of the ancient world (copied from Dutch painter Maarten van Heemskerck [1498-1574]). This border was used on hundreds of subsequent maps for the next 50+ years by Blaeu and his son on a variety of maps. Interestingly, Washington, DC has a few modern replicas of the seven ancient wonders, but I’ll let you figure out which ones they are! (Anyone want to guess which two I can see from my rooftop?!?) The name of the map is a play on words based on the 18th century naming convention “A New and Accurate Map..” The central portion of the map features modified aerial photography (an arabesque) from the USGS (taken in the spring of 2005) of the circularly-shaped Hirshhorn Museum and Sculpture Garden on the National Mall in Washington, DC.


Israel / Palestine 1993

This map is derived from a scanned map of Israel & Palestine from the “Atlas of the Middle East,” which was published in January 1993 by the U.S. Central Intelligence Agency and obtained from the Perry-Castañeda Library Map Collection at the University of Texas at Austin. At the time of it’s creation I was working at Georgetown University’s Center for Contemporary Arab studies and my coworker’s vacation to Lebanon had to be cancelled due to an Israeli military incursion. I chose the map because of the way the occupied Palestinian territories were shaded on the map. The CIA chose to use rather ugly black diagonal lines to say “status still undetermined” and when I modified the map something interesting happened. The stripes became the points on a hexagram or Star of David, a recognized symbol of the Jewish state of Israel. To further express my feelings toward the continued occupation & military incursion, I added the iconic image of Palestinian defiance, a cartoon character by Naji Al-Ali named Handala to the lower corner of the map. Until his assassination in 1987, Ali used this character throughout his body of work as means to convey his displeasure toward the way the issue has been handled. The aim of this map is spark dialog so that peace may prevail.


Superdome Quilt – 1st Derivative #2

The day after Hurricane Katrina devastated New Orleans, the National Oceanic & Atmospheric Administration (NOAA) sent airplanes equipped with cameras to the gulf region to assess the damage. A few days later they released these high-resolution aerial photographs of New Orleans to the public and I downloaded the two tracts that contained the flooded area around the severely damaged Superdome. Shortly thereafter I made a couple maps based on this imagery and then tried out my new procedure of recursive sampling (a quasi-fractal) to make a highly detailed tessellation of the area. As you can see in the map, the blue hues are due to flooding of the streets and the little yellow blips around the map are what is left of the roof of the Superdome. A genuine question can be asked, if I were to obtain the imagery of the Superdome today, what would it look like? This map captured a moment in time that affected the lives of millions and I can only wonder what will happen when the next category 5 hurricane hits the next urban area. Sadly, the question is not if, but when….


I am located on the 8th floor of Artomatic 2009. Hope to see you!



|| Upcoming Exhibition || Photocartographies: Tattered Fragments of the Map
|| 4/14/2009 || 6:14 pm || + Render A Comment || ||

Photocartographies: Tattered Fragments of the Map is a curatorial project materializing in multiple forms: an exhibition, a publication and a series of public programs.

Photography and cartography are entwined in similar processes of subject orientation that structure our experience of social, environmental and virtual landscapes. A map is not a representation so much as a system of propositions. This project reveals mapping itself as a generative process of knowledge creation, a liberatory method for re-imagining and re-imaging our world, its built and natural environments, and the relationship between space and place.

Maps are tied to a history of authority, scientific rationality and practical application, masking the underlying subjectivity and biases of their creation. Satellite-based navigation, the disciplines of geography and, more recently, urban planning, have popularized and proliferated map imagery while helping to cement an aura of unassailable cartographic objectivity. Maps have become ubiquitous tools in our daily lives, and are understandably identified in accordance with a few simple assumptions: they are graphic representations of spatial relations and their creators are technicians bound to graphic systems that reflect a physical reality. However, the true nature of maps is one of distortion, beginning with their projections of three-dimensional surfaces onto two-dimensional frames, and compounded by territorialization, a habit of identifying, naming and claiming. Maps are image-objects in which different conceptions and configurations of time and space are created, not just charted.

In 1858 Gaspard Felix Tournachon executed the first aerial photographs from a hot air balloon tethered above the Paris skyline. In turn, Baron Haussmann employed this omniscient view to redesign the city, combating its perceived disorder. Over the last 150 years, people have used zeppelins, airplanes, and satellites to photographically capture and archive every piece of our globe with increasing accuracy and frequency.

More recently, public access to maps, as well as the access to their means of production, have been greatly enabled by digital technologies—most notably tools such as Google Earth and freely accessible archives like those offered by the USGS. Borges’ story of mapping the entire Kingdom with exactitude may seem improbably complete. And yet, maps can never escape being part of the world their creators try to represent. Like the photographic image, “The map does not reproduce an unconscious closed in upon itself; it constructs the unconscious” by coding power, politics, and aesthetics. All maps are still projections, and all territories are maps.

Mapping and photography are conceptual frameworks, rather than methods, that inform this project. The exhibition features artwork from Anthony Auerbach, Katherine Bash, Charles Benton, Noah Beil, Mike Hernandez, David Horvitz, David Maisel, Adam Ryder, Oraib Toukan, Angie Waller, and Nikolas Schiller.

Exhibition Opening – May 16, 7:00-10:00
Exhibition @ Gallery 727
727 South Spring Street, downtown Los Angeles
www.TatteredFragments.info


If you are in the Los Angeles area please check out the exhibition! It will be up until July 3rd, 2009.


Click here to view photos from the gallery opening



Photos from the DC Manifest Hope Gallery Party
|| 1/19/2009 || 11:44 pm || Comments Off on Photos from the DC Manifest Hope Gallery Party || ||

My friend from Los Angeles who was in town for the inaugural festivities invited to attend the Manifest Hope Gallery party this evening. After hearing that Moby, De La Soul, and Santogold were performing and it was an invite-only party, I was quite excited. It turns out that although she had tickets, she opted to volunteer for the event, so as her guest I also volunteered for most of the party. All I did was stand next to a wall and guard the artwork and tell people not lean on the wall. It was pretty easy and I took quite a few breaks to dance, look at the art, and say hello to my friends who were also at the party. I think the highlight of the party was when one of my friends gave me an extra ticket to the swearing in ceremony tomorrow at the Capitol.

Below are a couple pictures I took of the party:

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Geospatial Art in a box – The Anticipation
|| 10/25/2008 || 2:54 pm || Comments Off on Geospatial Art in a box – The Anticipation || ||

On Friday my most recently commissioned map, Shirlington Quilt, arrived at my house. I placed it in my living room and decided to wait until the future owner arrived before I took the map out of it’s extremely large shipping box. I can’t help but be reminded of Christmas time when I was a kid. There’s that unique sense of anticipation that I feel toward what’s inside of this box. Will the map be printed nicely? Will the canvas be stretched perfectly? Are the colors nice? Will the future map owner like what they are paying for?



Well, I am pleased to say that the map turned out perfectly and the new owners are pleased :-) Hopefully, in the not too distant future, I’ll get a photograph of how the owners hung the map in their house. Everyone puts their maps up in different places and it should look great no matter where it’s hung.



Hallway view of the first edition of the New & Arabesque Map of the Hirshhorn Museum & Sculpture Garden
|| 10/14/2008 || 7:43 pm || Comments Off on Hallway view of the first edition of the New & Arabesque Map of the Hirshhorn Museum & Sculpture Garden || ||

The other day I realized that posting maps here in digital format doesn’t show perspective well. For the image above I decided to switch it up and show the newly framed map from the perspective of looking down my hallway. Click here to read the original entry on New & Arabesque Map of the Hirshhorn Museum & Sculpture Garden

Below is the original photograph of the new map:

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Video from the Art Whino Block Party @ the Adidas Store
|| 9/24/2008 || 5:34 pm || Comments Off on Video from the Art Whino Block Party @ the Adidas Store || ||

Art Whino Films presents the art of Daniel Fleres

This video was filmed on the evening that I went to the Adidas store in Georgetown. The music is the dub mix of “One Time” by DJ Thomas Blondet and I believe the vocalist is Rootz, who performs with Thievery Corporation and SEE-I . At the end of the video street artists Mark Jenkins and DECOY make appearances. I tried to see if I was in the video, but I think the editors left me on the cutting room floor.


Related YouTube Videos:

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My map of the Pentagon to be featured in the “We Are Here” Map Archive in the touring exhibition “Experimental Geography” [2008-2010]
|| 8/15/2008 || 1:39 pm || Comments Off on My map of the Pentagon to be featured in the “We Are Here” Map Archive in the touring exhibition “Experimental Geography” [2008-2010] || ||

I was contacted by Daniel Tucker in January of this year to participate in his map archive. I thought it was a great idea so I offered my Pentagon Quilt #3 map. I received notification this week that the map archive starts its tour for the next two years with the exhibit called Experimental Geography. Here’s the blurb from the website:

EXPERIMENTAL GEOGRAPHY
Geography benefits from the study of specific histories, sites, and memories. Every estuary, land fill, and cul-de-sac has a story to tell. The task of the geographer is to alert us to what is directly in front of us, while the task of the experimental geographer, an amalgam of scientist, artist, and explorer, is to do so in a manner that deploys aesthetics, ambiguity, poetry, and a dash of empiricism. This exhibition explores the distinctions between geographical study and artistic experience of the earth, as well as the juncture where the two realms collide (and possibly make a new field altogether).

The manifestations of “experimental geography” (a term coined by geographer Trevor Paglen in 2002) run the gamut of contemporary art practice today: sewn cloth cities that spill out of suitcases, bus tours through water-treatment centers, performers climbing up the sides of buildings, and sound works capturing the buzz of electric waves on the power grid. In the hands of contemporary artists, the study of humanity’s engagement with the earth’s surface becomes a riddle best solved in experimental fashion. The exhibition presents a panoptic view of this new practice, through a wide range of mediums including interactive computer kiosks, sound and video installations, photography, sculpture, and experimental cartography.

The approaches used by the artists featured in Experimental Geography range from a poetic conflation of humanity and the earth to more empirical studies of our planet. For example, Ilana Halperin explores the intersection of personal, historic, and geologic time, as may be seen in the photograph of her stooping at the edge of natural hot springs to boil a small cup of milk. Creating projects that are more empirically minded, the Center for Land Use Interpretation (CLUI), a research organization, examines the nature and extent of human interaction with the earth’s surface, embracing a multidisciplinary approach to fulfilling its mission. Using pragmatic skill sets culled from the toolbox of geography, CLUI forces a reading of the American landscape (which includes traffic in Los Angeles, submerged cities, and the broadcast towers in the San Gabriel Mountains) that refamiliarizes the viewer with the overlooked details of their everyday experience.

Experimental Geography is curated by Nato Thompson, curator and producer at Creative Time in New York, and is accompanied by an illustrated catalogue.

Featuring:
Francis Al
AREA Chicago
The Center for Land Use Interpretation (CLUI)
the Center for Urban Pedagogy (CUP)
kanarinka (Catherine D’lgnazio)
e-Xplo
Ilana Halperin
Lize Mogel
Multiplicity
Trevor Paglen
Raqs Media Collective
Ellen Rothenberg
Julia Meltzer and David Thorne
Spurse
Deborah Stratman
Daniel Tucker, Organizer, The We are Here Map Archive < --- Hi! Alex Villar
Yin Xiuzhen

Featured in Daniel Tucker’s We are Here Map Archive:

1. Bill Rankin “My cities” 1978-2004
2. Bill Rankin “The United States” 2003-2007
3. Counter Cartography Collective “Disorientation Guide” 2006
4. Nikolas R. Schiller “Pentagon Quilt #3” 2007
5. Ashley Hunt “Prison Map” 2003
6. Friends of William Blake “The People’s Guide to the RNC” 2004
7. Subrosa “Biopower Unlimited” 2002
8. Ecotrust Canada “Statement of Intent Boundaries” 2008
9. NYC Indypendent “Threat to Peace”
10. Repohistory “Circulation” 2000
11. Lize Mogel and Dario Azzellini “The Privatization of War: Colombia as Laboratory and Iraq as Large-Scale Application” 2007/2008
12. Beehive Design Collective “FTAA” 2003
13. Jeffrey Warren “Armsflow” 2006
14. Center for Urban Pedagogy “Cargo Chain” 2008
15. Temporary Travel Office “Contaminating the Preserve” 2008
16. Hackitectura (Pablo de Soto, Jose Perez de Lama osfa, Marta Paz sweena), Indymedia Estrecho and collaborators “Tactical Cartography of the Straits” 2004
17. Ayreen Anastas and Rene Gabri “Fear is Somehow Our For Whom? For What? and Proximity to Everything Far Away” 2006
18. The Los Angeles Urban Rangers “Malibu Public Beaches” 2007
19. The Los Angeles Urban Rangers “Los Angeles Urban Rangers Official Map and Guide” 2004
20. The Los Angeles Urban Rangers “LA County Fair” 2006
21. The Institute for Infinitely Small Things “City Formerly Known As Cambridge”
22. Amy Franceschini “Silicon Valley Superfund Sites” 2006
23. Amy Franceschini “Intentional Communities in Silicon Valley” 2008
24. Adriane Colburn “Whose On Top (race to the pole, part two)” 2008
25. Bureau d’études “World Government” 2005
26. Grupo de Arte Callejero “Aqui Viven Genocidas”

There will be a catalog for the exhibition that will be published by Melville House Books. I look forward to getting a copy when it comes out.

The tour starts next month and has dates that are still available. I would like for it to come to Washington, DC! :-)

Exhibition Itinerary

Richard E. Peeler Art Center , DePauw University, Greencastle, Indiana
September 19 – December 2, 2008

Rochester Art Center, Rochester, Minnesota
February 7 – April 18, 2009

The Albuquerque Museum, Albuquerque, New Mexico
June 28 – September 20, 2009

AVAILABLE
October 2009 – January 2010

Colby College Museum of Art, Waterville, Maine
February 21 – May 30, 2010

AVAILABLE
June – August 2010

Click on the detail of Pentagon Quilt #3 below to view the rest of the map:

Related Virginia Entries:

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A Ziploc Bag of Leftovers Overlooked
|| 8/9/2008 || 6:48 pm || Comments Off on A Ziploc Bag of Leftovers Overlooked || ||

The video above shows Thursday night’s dinner in a gallon Ziploc® bag with the text “You are here” left outside of the “Quart Bag” group art exhibit at the Civilian Art Projects. It was supposed to compliment my piece as locationally humorous street art. I only wish I would have taken more quality video to put this together, but I overlooked that technicality myself. Woops.

Check the photos from Friday night here, here, and here.



Photos from last night’s “Quart Bag” exhibition @ the Civilian Art Projects
|| || 12:42 pm || 3 Comments Rendered || ||


Unidentified woman looking at my piece “Without You I am Lost,”
next to Brook Halvorson’s “Stool Sample – Jeff Koons” and René Treviño’s “Cupcakes for gay Iranians

Inspired by the many things you can do with a quart bag, Civilian Art Projects and friends have invited 100 DC area artists to participate in a community art exhibition called Quart Bag. The exhibition provides an imaginative opportunity for artists to use thirty-two ounces of space within a plastic quart size bag. All works of art will be sold for $100 or less, providing an opportunity for all people to walk home with a piece of art that is FAA approved.

Below are some of the photographs I took last night at the opening reception for Quart Bag at the Civilian Art Projects. There were over 100 different pieces in the show and I managed to photograph about 1/3 of them.




Photograph of exhibition attendees


Continue:

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Tonight: Quart Bag & a selection of screen grabs featuring my bag
|| 8/8/2008 || 12:36 pm || Comments Off on Tonight: Quart Bag & a selection of screen grabs featuring my bag || ||



The Quart Bag group art show that I wrote about the other day is happening tonight. If you are in the DC area, I hope you come & check it out.





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  • thank you,
    come again!