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This Weekend: Westminster Playground Art Exhibition
|| 10/15/2009 || 2:21 pm || 1 Comment Rendered || ||

Westminster Playground Art Exhibition

Sunday, October 18th, 2009, Noon until Sundown
913 Westminster Street NW, Washington, DC

You are invited to a special outdoor art exhibition at the Westminster Street playground. Neighborhood artists Chuck Baxter, George Smith-Shomari, and Nikolas Schiller, who all live on Westminster Street, will have their artwork display throughout the afternoon.

Crowned by the vibrantly-colored, 3 story mural titled “Community” by local artist Anne Marchand, the Westminster Playground is urban oasis that brings neighbors together and helps foster the mural’s namesake, community. The playground exhibition is free and open to everyone, is wheelchair accessible, and only two blocks from the U Street Metro station (10 Street exit). Since this exhibition is weather sensitive, please check Nikolas’s website, https://www.nikolasschiller.com/blog/ before noon o n October 18th if the weather looks bad. We hope to see you!

The Westminster Playground is located on the Northeast side of Westminster Street, a one block street between 9th & 10th and S & T Streets, NW, Washington, DC, 20001.



About The Artists:

Chuck Baxter creates found object art from materials tossed in DC’ s gutters and alleys. For the past decade Chuck has built a reputation, in his own mind, as the D.C. area’s foremost collector of gutter gifts. He’s a U.S. Department of Veterans Affairs bureaucrat, a DC artist, and minimal director of his own life. Few of Chuck’s pieces hang in DC business and government offices, and in the homes of art collectors and friends around the world. “I have always felt the pull of throw-aways, and sought to invoke the world of junk as the natural medium for the urban artist.” His fascination with the flotsam of city life and the details of trash, such as broken glass, smashed plastic, crumpled paper, and lost toys, is the starting point for most of his pieces. The underlying compositional theme of his work draw from the common shapes and forms found in the gutter. Chuck currently resides in the Shaw where he simmers in his own private studio.

Member of MidCity Artists visit: https://www.MidCityArtists.com


George Smith-Shomari is an artist, professor and artistic consultant who’s artwork focuses on the Universal African Diaspora. A native of Brooklyn, New York, Professor Smith received his Bachelor of Fine Arts degree from Howard University and his Master’s with a specialization in printmaking and art education from Pratt Institute. In addition to teaching at the University of the District of Columbia, George Smith has taught in the DC Public School System and several museums in New York City. The artistic works of George H. Smith, have appeared in numerous one man and group exhibitions in museums, galleries, schools, colleges and universities throughout the United States and abroad.

For more information visit: https://www.shomariarts.com


Nikolas Schiller is a digital artist who maps the territory between art & science. After studying geography & computer science at the George Washington University, in 2004 he began developing abstract geographic designs based on kaleidoscopic aerial photography and satellite imagery. In the years since, he has mapped nearly every major city in the United States, including each ward of Washington, DC. His unique maps have been featured on book covers, album covers, and are in the permanent map collections of the Library of Congress, British Library, New York Public Library, and the University of California, Santa Barbara. He is the two-time recipient of the DC Commission on the Arts and Humanities Young Artist Program Grant (2006 & 2008) and most recently had his artwork on display at Artomatic 2009 in Washington, DC and “Photocartopgrahies: the Tattered Fragments of the Map” in Los Angeles.

For more information visit: https://www.NikolasSchiller.com



We hope to see you!

(…and the weather is nice!)



In the classroom #5 – Iceland Academy of the Arts
|| 9/24/2009 || 1:41 pm || + Render A Comment || ||

About 5 minutes after I woke up this morning I noticed someone had entered the chat room on my website. Apparently I was discussed during the class lecture and a student decided to ask me some questions. Below is a brief snippet of the conversation:


Guest has joined.
Nikolas Schiller: hello
Guest: hello
Im an art student from Iceland
Nikolas Schiller: ahhh, cool
Guest: and I am now sitting in class listening to a lecture about you
Nikolas Schiller: really?
Guest: Yes, about is art a geological thing, differs from you place off living
it seams you live on the internet
Nikolas Schiller: well more than other people— its 9:36am in Washington, DC
I just woke up
Guest: good morning, its after one in the afternoon here
Nikolas Schiller: I am rather surprised to hear that I’m being taught about in Iceland. I don’t have any maps of Reykjavik.
Guest: this is unreal. do you think art is art if no one can see it? this is the class question?
Nikolas Schiller: art is a personal journey. if you draw something in the sand for your eyes only, you still are able to enjoy it. The question is, is art only art if it can be shared?
Guest: yeh, so if more than one persone can enyoe it, or …ok, good to hear from you
Nikolas Schiller: I think art is a personal thing— its always in the eye of the beholder. Like you can have a sketchbook full of your own art, but you are under no obligation to share it because once you do, you must face the criticism of others. If you keep it to yourself, its still your art, just only you know about it.
Nikolas Schiller: Your IP address says that you are at Iceland Academy of the Arts.
Guest: it was a class lecture for a course called Art In Translation.
Nikolas Schiller: Very cool. Have a great day!


Related Classroom Entries:



Participating in my Monthly Maps Sale in 3 Easy Steps
|| 8/26/2009 || 11:08 pm || + Render A Comment || ||

Washington Monument Quilt by Nikolas Schiller - The first Monthly Map

Starting earlier this month those who are subscribed to my listserv were given the opportunity to purchase a map at the reasonable price of $100. I felt this was a great way to cheaply obtain the different maps I have created over the years. Since I have hundreds of maps to choose from, this monthly opportunity will last for years and ultimately become a great way to collect my maps.

Previously I used to point people to my ImageKind Store, but I wasn’t pleased with some of the cheap papers the maps were printed on, and have chosen to remove the middle man, so to speak, and have all the map purchases go directly through me. This way I can control the materials the maps are printed on, personally sign each map, and ensure the quality for each map that is produced.

For the month of August, the first Monthly Map, I chose was Washington Monument Quilt (above), which I first rendered on January 31st, 2006. Since the area around the Washington Monument was redacted in the 2005 USGS aerial photography, I felt it was a worthwhile piece to start with.

After sending out my initial e-mail about the offering, I had a friend contact me about purchasing the map and decided to document some of the steps involved in the process of ordering the maps through me….



Washington Monument Quilt by Nikolas Schiller in a shipping tube

Photo of the tube the map is shipped inside of.

Step One – Payment

You can either contact me about sending cash or a check or you can quickly & easily pay the $100 by credit card on my PayPal merchant account page. After I receive the payment, I will need your mailing address if you want the map mailed to you. If you live in Washington, DC, I can either mail it to you or meet you in person and hand-deliver the map. I’ve found it easiest to go through PayPal because it’s quick and safe.



Washington Monument Quilt by Nikolas Schiller in a shipping tube

Photo of the rolled up map next to the shipping tube

Step Two – Printing

After I receive payment, I send the map to the printer. For the time being, my Monthly Map Sale is featuring 30″ x 20″ prints on Kodak PerfectTouch Paper. Throughout the last 5 years I’ve had the best results on this medium, both in quality of colors and durability of the paper. It’s also the same medium I used when I donated 8 maps to the Library of Congress in 2006. In about 3 days or less, I receive confirmation that the map has been printed and is in transit to me or you.



Washington Monument Quilt by Nikolas Schiller in a shipping tube

Photo of unrolled map of Washington Monument Quilt

Step Three – Shipping

I can have the map shipped directly to you as well (without signature, date, or label) for faster turnaround or I can have it shipped to my house. After the map arrives, I remove it from the shipping tube (above), carefully flip it over, label the name of the map, label the date it was originally rendered, label the date it was printed, and sign the map (below).

After this, I roll the map back up into the tube, add a little extra padding to ensure the map will not be damaged, then I bring it to the post office. Three days later it should be delivered to your mailbox. Or if the map is purchased locally, we can meet up and exchange the map in person.



Washington Monument Quilt by Nikolas Schiller in a shipping tube

Photo of the label, date, and partial signature

THATS IT! I think the whole process is pretty simple. In all this process takes about one or two weeks depending on the speed at which the payment is received and how long it takes for the map to be printed and shipped.

I think the hardest part of it all will be choosing which map to offer each month! Please contact me if you are interested in purchasing this month’s map or have suggestions for future Monthly Map offerings.



I am mentioned in today’s Washington Post article “Artomatic ’09: Survival Tips From an Expert”
|| 6/5/2009 || 12:51 pm || Comments Off on I am mentioned in today’s Washington Post article “Artomatic ’09: Survival Tips From an Expert” || ||

In today’s Weekend section of the Washington Post there is an article titled Artomatic ’09: Survival Tips From an Expert*. In the article staff writer Michael O’Sullivan follows around Phillip Barlow, one of the DC area’s biggest art collectors, and asks him questions about how to go about exploring the 9 floors of art at Artomatic.

Near the end of the article Michael O’Sullivan writes:

Okay, spill it: So who does the collector like? Barlow wouldn’t give a Top 10 list or even a favorite floor. But he did express interest in — or lingered longingly in front of — the work of several artists. Here’s a partial list of his favorites:

Floor 9: Jessica Van Brakle.

Floor 8: Jared Davis, Nikolas R. Schiller.

Floor 7: Jeremy Arn.

Floor 6: Jen Dixon.

Floor 5: Mark Jude, Meinir Wyn Jones, Stephen Reveley, Michael Enn Sirvet, Steve Strawn.

Floor 2: Drew Graham, Kate McGovern.

Still, Barlow cautions against using his taste alone as a guide, adding that the secret to Artomatic’s success is volume, volume, volume. “There’s just so much stuff here that I can practically guarantee that something’s going to be new or interesting,” he says. “To someone.”

Read the entire article here. I plan on stopping by Artomatic this evening around 7pm. Maybe I will see you there?


* This article’s title in the print edition is different from the on-line edition. The print edition is titled Artomatic ’09: Survival Tips From an Expert while the on-line edition is titled Annual Artomatic Show Exhibits the Works of More Than 1,000 Artists.


Related Artomatic Entries:

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My maps on display at Artomatic 2009
|| 5/29/2009 || 3:10 pm || + Render A Comment || ||

Click on the maps to view their respective blog entries


A New & Arabesque Map of the Hirshhorn Museum and Sculpture Garden

This antique map mashup is over 400 years in the making. It features the Library of Congress‘ copy of Willem Janszoon Blaeu’s Nova totius terrarum orbis geographica ac hydrographica tabula, which was published in Amsterdam in 1606. I removed the original Mercator-inspired map from the center and kept the highly decorative border similar to my other antique map mashups. The border contains allegorical drawings of the seven known planets, the four elements, the four seasons, and the seven wonders of the ancient world (copied from Dutch painter Maarten van Heemskerck [1498-1574]). This border was used on hundreds of subsequent maps for the next 50+ years by Blaeu and his son on a variety of maps. Interestingly, Washington, DC has a few modern replicas of the seven ancient wonders, but I’ll let you figure out which ones they are! (Anyone want to guess which two I can see from my rooftop?!?) The name of the map is a play on words based on the 18th century naming convention “A New and Accurate Map..” The central portion of the map features modified aerial photography (an arabesque) from the USGS (taken in the spring of 2005) of the circularly-shaped Hirshhorn Museum and Sculpture Garden on the National Mall in Washington, DC.


Israel / Palestine 1993

This map is derived from a scanned map of Israel & Palestine from the “Atlas of the Middle East,” which was published in January 1993 by the U.S. Central Intelligence Agency and obtained from the Perry-Castañeda Library Map Collection at the University of Texas at Austin. At the time of it’s creation I was working at Georgetown University’s Center for Contemporary Arab studies and my coworker’s vacation to Lebanon had to be cancelled due to an Israeli military incursion. I chose the map because of the way the occupied Palestinian territories were shaded on the map. The CIA chose to use rather ugly black diagonal lines to say “status still undetermined” and when I modified the map something interesting happened. The stripes became the points on a hexagram or Star of David, a recognized symbol of the Jewish state of Israel. To further express my feelings toward the continued occupation & military incursion, I added the iconic image of Palestinian defiance, a cartoon character by Naji Al-Ali named Handala to the lower corner of the map. Until his assassination in 1987, Ali used this character throughout his body of work as means to convey his displeasure toward the way the issue has been handled. The aim of this map is spark dialog so that peace may prevail.


Superdome Quilt – 1st Derivative #2

The day after Hurricane Katrina devastated New Orleans, the National Oceanic & Atmospheric Administration (NOAA) sent airplanes equipped with cameras to the gulf region to assess the damage. A few days later they released these high-resolution aerial photographs of New Orleans to the public and I downloaded the two tracts that contained the flooded area around the severely damaged Superdome. Shortly thereafter I made a couple maps based on this imagery and then tried out my new procedure of recursive sampling (a quasi-fractal) to make a highly detailed tessellation of the area. As you can see in the map, the blue hues are due to flooding of the streets and the little yellow blips around the map are what is left of the roof of the Superdome. A genuine question can be asked, if I were to obtain the imagery of the Superdome today, what would it look like? This map captured a moment in time that affected the lives of millions and I can only wonder what will happen when the next category 5 hurricane hits the next urban area. Sadly, the question is not if, but when….


I am located on the 8th floor of Artomatic 2009. Hope to see you!



Photos from the DC Manifest Hope Gallery Party
|| 1/19/2009 || 11:44 pm || Comments Off on Photos from the DC Manifest Hope Gallery Party || ||

My friend from Los Angeles who was in town for the inaugural festivities invited to attend the Manifest Hope Gallery party this evening. After hearing that Moby, De La Soul, and Santogold were performing and it was an invite-only party, I was quite excited. It turns out that although she had tickets, she opted to volunteer for the event, so as her guest I also volunteered for most of the party. All I did was stand next to a wall and guard the artwork and tell people not lean on the wall. It was pretty easy and I took quite a few breaks to dance, look at the art, and say hello to my friends who were also at the party. I think the highlight of the party was when one of my friends gave me an extra ticket to the swearing in ceremony tomorrow at the Capitol.

Below are a couple pictures I took of the party:

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Geospatial art created by exploiting search engine aggregation algorithms
|| 12/10/2008 || 6:22 pm || Comments Off on Geospatial art created by exploiting search engine aggregation algorithms || ||

The other day I noticed that there were literally hundreds of search engine results that contain a fictitious url to a page on my website that didn’t exist. It appears that Internet bots have exploited an issue with search engine aggregation algorithms to trick them into showing a bogus search result for a page that never existed on my website. Throughout the internet there are numerous pages that contain https://nikolasschiller.com/showthread.php?XXXXX and when people clicked on the bogus link they were brought to a 404 page. Last night I created a copy of this website’s splash page and renamed the file showthread.php. Now when people click on the fake link in the fraudulently created search engine result, they are brought to my website’s beautifully abstract splash page. Today I’ve been receiving all sorts of random visitors!



UPDATE – 12/13/08 – I’ve decided to change the page slightly and add the word FAIL to the landing page. The reason for this is because the person landing on the page failed to find what they were looking for.



Found RSS Art in the Grand Juxtaposition
|| 11/18/2008 || 4:11 pm || Comments Off on Found RSS Art in the Grand Juxtaposition || ||

Screen grab of the juxtaposition of a detail from Good Hope Quilt #2 and my RSS Art

The image above was generated by my recent creation “the Grand Juxtaposition.” I’m posting it because I have not been blogging lately and one of the best ways to stay up to date with what is being posted to my blog is through Really Simple Syndication aka RSS. Click the graphic above to subscribe.



The Grand Juxtaposition
|| 11/15/2008 || 6:38 pm || Comments Off on The Grand Juxtaposition || ||

Back in March of this year, I mentioned that I was in the process of making another interactive environment for the Lost Series. The concept behind “The Grand Juxtaposition” is to put two unrelated images originally featured in a previous blog entry together on the same page. This is achieved by giving the viewer two random pictures from somewhere on this website upon each loading of the web page. In the background of the page, the viewer is shown a random image from my posters folder (which contains over 2,000 different images) and in the foreground the viewer is being shown an image from my images folder (which contains over 500 different images). Upon clicking on the image in the foreground, the next page that loads will be the inverse, where a graphic from the posters folder is placed in the foreground and the a graphic from the image folder is used in the background. Generally speaking, most entries on this website feature images from either one of the two folders and by placing them together on one page, I’ve created a grand juxtaposition to showcase this website’s visually diverse content.



Related Interactive Entries:

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Listed in the Art & Maps Resources on the University of Colorado at Boulder’s Map Library Website
|| 11/9/2008 || 6:35 pm || Comments Off on Listed in the Art & Maps Resources on the University of Colorado at Boulder’s Map Library Website || ||

The other day I noticed a new incoming link from the University of Colorado at Boulder. I thoroughly enjoyed going through their list of links and I hope the students & educators find my Geospatial Art useful in the studies.


Related Library Entries:

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The Daily Render By
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Nikolas Schiller is a second-class American citizen living in America's last colony, Washington, DC. This blog is my on-line repository of what I have created or found on-line since May of 2004. If you have any questions or comments, please contact:

If you would like to use content found here, please consult my Fair Use page.

::THE QUILT PROJECTION::

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::OTHER PROJECTIONS::

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abstract

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  • thank you,
    come again!