I am not posting all of them, but this set shows about 75% of what has been put on-line. I’m going to do another post later this month when I find more videos.
Jolene Goes Artsy: Gregory Ferrand: Artomatic 2008
A sampling of Artomatic 2008 YouTube Videos
|| 5/20/2008 || 6:25 pm || Comments Off on A sampling of Artomatic 2008 YouTube Videos || ||
Swampoodle Quilt #3
|| 5/14/2008 || 6:12 pm || Comments Off on Swampoodle Quilt #3 || ||
After making this map I conceived an alternative procedural route to constructing future derivative maps. Those of you that have read this blog for awhile know that I do sequential maps, where you can literally see the visual process of what part of the previous map was used to construct the next map. However, this recursive process shows all the intermediate maps, when sometimes I just want to get to the final map. So the idea is to make smaller maps, like 12,000 x 12,000 (square not 3:2) and sample these maps first and not publish the intermediate maps. For example, I make a map of a new location and after processing that map, I sample it and render another map, sample that map, and render that map as the final map of the geography. The difference here is that I would not publish the intermediate maps as [City] Quilt #2, #3, etc. but just the final map. I’m going to try that next.
Swampoodle Quilt #2
|| 5/13/2008 || 4:43 pm || Comments Off on Swampoodle Quilt #2 || ||
Using this portion of Swampoodle Quilt, I constructed this derivative Dodecagon Quilt Projection map of the area around the Artomatic 2008 venue in the Swampoodle neighborhood in Washington, DC. Up next is second derivative map that samples a portion of this map.
Exhibit Fly-Through in Reverse Slow-Motion @ Artomatic 2008
|| 5/12/2008 || 12:25 pm || Comments Off on Exhibit Fly-Through in Reverse Slow-Motion @ Artomatic 2008 || ||
Last night I took a 42 second fly-through of my Artomatic 2008 exhibit that I recorded on Friday afternoon and stretched & reversed the footage into a 3 minute and 30 second abstract animation. The video starts at the RECORD book, then pans & zooms into Freedom Plaza on Federal Triangle Quilt #4, pans across Nova et Accvratissima Totivs Terravm Oribis Tabvla , zooms up close to Charlotte Spheres, and pans back over to Nova et Accvratissima Totivs Terravm Oribis Tabvla  and ends.
Audio is from two tracks on disc one of Cold Krush Cuts by DJ Food & Coldcut (Ninja Tune 1997). It features a sermon I believe to be from Rev. Billy Graham about the Bug’s eye view versus the God’s eye view.
::::::::::Text of the sermon::::::::::
People who fly have a different view of the world than those who spend their lives on the ground. A very wise man once wrote a poem while he was flying, and he called this poem “The God’s Eye View,” and he said that this view was entirely different than the view he always had on the ground, which he called “The Bug’s Eye View.”
Out there, somewhere, in the air we fly through, exists an old Persian legend much like this poem about a bug who spent his entire life in the world’s most beautifully designed Persian rug. All the bug ever saw in his lifetime were his problems. They stood up all around him. He couldn’t see over the top of them, and he had to fight his way through these tufts of wool in the rug to find the crumbs that people had spilled on the rug. And the tragedy of the story of the bug in the rug was this: that he lived and he died in the world’s most beautifully designed rug, but he never once knew that he spent his life inside something which had a pattern. Even if he, this bug, had even once gotten above the rug so that he could have seen all of it, he would have discovered something – that the very things he called his problems were a part of the pattern.
Have you ever felt like that bug in the rug? That you are so surrounded by your problems that you can’t see any pattern to the world in which you live? Have you heard anybody say lately that the world is a total mess? That, my friends, is the Bug’s Eye View, and seeing only a little of the world, me might be inclined to think that this is true.
A better quality version of the video is viewable on Facebook.
Artomatic 2008 Opening Night
|| 5/10/2008 || 12:25 pm || Comments Off on Artomatic 2008 Opening Night || ||
Alfonso & Farrah @ my Artomatic exhibit space
Photo by Alex from There Were Ten Tigers
After working rather hard the last two weeks on getting my Artomatic space ready and operational, I was pleased that the evening went by quickly & smoothly. When I left the building at around 1:00am, the doorman had clicked just under 5,000 people and I’d say I spoke to at least 50 people (about 1% of the total) while manning my little corner space. Since my spot is in an out-of-the-way location (like how this website used to be), I received less foot traffic (aka eyes/visits) than the central spaces and my neighbor wasn’t around to show up and turn on her exhibit’s lights. Neither of those issues really bothered me as much as being harped on about not having promotional materials.
The aim was to save paper and to challenge people into thinking & remembering. Specifically, if they cannot remember my name amongst a thousand other artists, would they remember my art? Well the easy answer, or at least the one that presented itself, was that people prefer to have a token of remembrance and are disappointed when one is not offered. It’s not like the Artomatic floor map in their hands says nothing, rather, it says my name quite clearly: Nikolas R. Schiller. I even own it as a domain name: www.Nikolas R Schiller.com, so the visitors had some generic token, but it clearly was not good enough; it needed to be personalized, beyond the passive note that they could have left in the RECORD book.
Today I am going to drop off some Tacky Flyers that I printed in for North, South, East, Westminster in September of 2006. They’ve been collecting dust in my basement because I got them for free when I ordered the NSEWestminster flyers, and have always thought they were unprofessional and ugly. To subvert that issue, I am going to place a sign above the flyers noting that they are, in fact, Tacky Flyers.
In some ways by identifying them as such, it calls out anyone else who chooses to use those flyers for promoting their business or event. As noted above, they were just collecting dust in my basement and I didn’t have any intended use for them except to use as scrap materials in some future art project. And in the whole “saving paper visit website” context, the use of these flyers *is* recycling. While the 27.5 year-old Nikolas would not have made the same flyer that the 25.75 year-old Nikolas made, I am able to now offer a token of my own personal remembrance– even if it’s in the form of a Tacky Flyer.
Aside from the promotional material requests, I had a really fun time meeting and chatting with people. I have not even attempted to look through the other artwork in the building, but plan on doing a floor-by-floor analysis in the not-so-distant future. It would be interesting to make an interactive map of the entire building, but I don’t think I have the time to do it.
SloMo the Statehood Snail visits Swampoodle
|| 5/9/2008 || 1:13 pm || Comments Off on SloMo the Statehood Snail visits Swampoodle || ||
On Tuesday evening after I had finished putting the last coat of wheat paste on to my base map installation at Artomatic, I decided to venture outdoors and place one of my favorite cartopomorphic creatures on to a couple lampposts outside of the venue.
The idea was to see if anyone would recognize the SloMo the Statehood Snail when they visited my exhibit space. He’s placed about six times on the base map and on three lampposts outside of the venue.
Artomatic opens tonight and I look forward to seeing if anyone recognizes him when they visit my exhibit space. My null hypothesis is that visitors will not notice the lil bugger.
the Artomatic Artist Catalog [PWND] – with updates
|| 5/8/2008 || 6:10 pm || Comments Off on the Artomatic Artist Catalog [PWND] – with updates || ||
|| 5/7/2008 || 6:42 am || Comments Off on Swampoodle Quilt || ||
I chose this site because it’s where Artomatic is at!
Swampoodle is an old name used to describe a small section of the H Street neighborhood in Northeast Washington, DC. The area was first settled in the 1850s by immigrants fleeing the Irish potato famine. A geographic approximation of its borders would be K Street to the north, G Street to the south, 1st Street NW to the west, and 2nd Street NE to the east. Through the center of it, just east of North Capitol Street, ran the principal branch of Tiber Creek, creating the low swampy ground from which the area took its name.
A few years ago developers created the North of Massachusetts Avenue Business Improvement District, or NOMA and have tried to rebrand the neighborhood to something different.
When making the map I concluded that at the time of the aerial photography’s acquisition, it was still called Swampoodle and not NOMA. The same goes for Google Maps, which shows an even older glimpse (from spring 2002) of the changing neighborhood.
Personally, I think the name Swampoodle gives the area character in name. In contemporary identity, the area is mostly a bunch of warehouses and parking lots that are about to be developed, so I look forward to seeing a Swampoodle map in 10 years. It will look drastically different and I just hope its not called some focus group-approved abbreviation of a geographic region.
What the Artomatic 2008 venue looked like in March of 2005
|| 5/6/2008 || 4:34 pm || Comments Off on What the Artomatic 2008 venue looked like in March of 2005 || ||
My next map will feature the area around the 2008 Artomatic venue. On Google Maps, which currently shows the geography in April of 2002, the location is still a parking lot. Since the venue is located within the 12 mile perimeter of passive censorship on Google Maps you don’t see the construction or completion of the office building.