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GeoHumanities: Art, History, Text at the Edge of Place
|| 5/26/2011 || 4:25 pm || + Render A Comment || ||

My map “The Modern Geographer” graces the cover of this new book published by Routledge. This map was previously used as the cover art for the symposium program that helped lay the groundwork for this book. I received my copy and am looking forward to reading it.

GeoHumanities: Art, History, Text at the Edge of Place - The Modern Geographer by Nikolas Schiller

Publication Date: May 26, 2011

In the past decade, there has been a convergence of transdisciplinary thought characterized by geography’s engagement with the humanities, and the humanities’ integration of place and the tools of geography into its studies.

GeoHumanities maps this emerging intellectual terrain with thirty cutting edge contributions from internationally renowned scholars, architects, artists, activists, and scientists. This book explores the humanities’ rapidly expanding engagement with geography, and the multi-methodological inquiries that analyze the meanings of place, and then reconstructs those meanings to provoke new knowledge as well as the possibility of altered political practices. It is no coincidence that the geohumanities are forcefully emerging at a time of immense intellectual and social change. This book focuses on a range of topics to address urgent contemporary imperatives, such as the link between creativity and place; altered practices of spatial literacy; the increasing complexity of visual representation in art, culture, and science and the ubiquitous presence of geospatial technologies in the Information Age.

GeoHumanties is essential reading for students wishing to understand the intellectual trends and forces driving scholarship and research at the intersections of geography and the humanities disciplines. These trends hold far-reaching implications for future work in these disciplines, and for understanding the changes gripping our societies and our globalizing world.


About the Authors
Michael Dear is Professor of City and Regional Planning at the University of California Berkeley. His interests are in comparative urbanism and the US-Mexico borderlands. Recent publications include: Urban Latino Cultures; la vida latina en L.A., The Postmodern Urban Condition, and Postborder City: cultural spaces of Bajalta California.

Jim Ketchum is special projects coordinator and newsletter editor for the Association of American Geographers in Washington, D.C. A cultural geographer with interests in contemporary art and visual culture, his research examines the ways that artists use geographic perspectives and technologies in responding to war. He received his PhD from Syracuse University in 2005.

Sarah Luria is Associate Professor of English at College of the Holy Cross in Worcester, Massachusetts. She is the author of Capital Speculations: Writing and Building Washington, D.C. (University of New Hampshire Press, 2006). Her current book project is a study of land surveying and property making in the work of Thomas Jefferson, Henry David Thoreau, and Robert Moses.

Doug Richardson is Executive Director of the Association of American Geographers (AAG). He previously founded and was President of the firm GeoResearch, Inc., which invented, developed, and patented the first interactive GPS/GIS (global positioning system/geographic information system) technology, leading to major advances in the ways geographic information is collected, mapped, integrated, and used within geography and in society at large. He has worked closely with American Indian tribes for over twenty years on cultural and ecological issues, and is the Project Director of the AAG’s National Endowment for the Humanities funded Historical GIS Clearinghouse and Online Research Forum.


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The Modern Geographer is featured in Pro-Prosições vol.20 no.3 Campinas Sept./Dec. 2009
|| 2/25/2010 || 2:18 pm || + Render A Comment || ||

On April 1st, 2009 I received an e-mail the author Jorn Seemann, a graduate student at Lousiana State University, requesting to use my piece “The Modern Geographer” in an upcoming peer-reviewed article for the 10-year-anniversary issue of the Brazilian journal Pre-Posicoes (Universidade Estadual de Campinas, UNICAMP). I was expecting to have to send him a larger version of the work, but to my chagrin the on-line version was able to work for publication.


O quadro O geógrafo não é apenas um objeto perfeito para uma leitura geográfica de imagens, mas também uma fonte quase inesgotável de inspiração para discutir o passado, o presente e o futuro da geografia. A composição de cores, objetos e sombras abre espaço para interpretações múltiplas. Provavelmente nenhuma delas corresponderia ao que Vermeer tinha pensado quando pintava o quadro. O significado original pode perder-se no decorrer do tempo, mas isso não invalida as nossas ponderações. De forma semelhante às iniciativas dos geógrafos de desconstruir os mapas, as obras de arte também podem ser re-significadas como “meios de encontrar [finding] e depois criar [founding] novos projetos, efetivamente re-formando o que já existe.” (Corner, 1999, p. 224). Um exemplo do presente é o Geógrafo moderno, de Nikolas Schiller (Figura 8), que mostra clones do geógrafo cercando uma mulher cujo corpo é uma estampa de fotos aéreas de Washington, DC.


I will have an English translation on-line shortly…..





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