I was contacted by Daniel Tucker in January of this year to participate in his map archive. I thought it was a great idea so I offered my Pentagon Quilt #3 map. I received notification this week that the map archive starts its tour for the next two years with the exhibit called Experimental Geography. Here’s the blurb from the website:
EXPERIMENTAL GEOGRAPHY
Geography benefits from the study of specific histories, sites, and memories. Every estuary, land fill, and cul-de-sac has a story to tell. The task of the geographer is to alert us to what is directly in front of us, while the task of the experimental geographer, an amalgam of scientist, artist, and explorer, is to do so in a manner that deploys aesthetics, ambiguity, poetry, and a dash of empiricism. This exhibition explores the distinctions between geographical study and artistic experience of the earth, as well as the juncture where the two realms collide (and possibly make a new field altogether).
The manifestations of “experimental geography” (a term coined by geographer Trevor Paglen in 2002) run the gamut of contemporary art practice today: sewn cloth cities that spill out of suitcases, bus tours through water-treatment centers, performers climbing up the sides of buildings, and sound works capturing the buzz of electric waves on the power grid. In the hands of contemporary artists, the study of humanity’s engagement with the earth’s surface becomes a riddle best solved in experimental fashion. The exhibition presents a panoptic view of this new practice, through a wide range of mediums including interactive computer kiosks, sound and video installations, photography, sculpture, and experimental cartography.
The approaches used by the artists featured in Experimental Geography range from a poetic conflation of humanity and the earth to more empirical studies of our planet. For example, Ilana Halperin explores the intersection of personal, historic, and geologic time, as may be seen in the photograph of her stooping at the edge of natural hot springs to boil a small cup of milk. Creating projects that are more empirically minded, the Center for Land Use Interpretation (CLUI), a research organization, examines the nature and extent of human interaction with the earth’s surface, embracing a multidisciplinary approach to fulfilling its mission. Using pragmatic skill sets culled from the toolbox of geography, CLUI forces a reading of the American landscape (which includes traffic in Los Angeles, submerged cities, and the broadcast towers in the San Gabriel Mountains) that refamiliarizes the viewer with the overlooked details of their everyday experience.
Experimental Geography is curated by Nato Thompson, curator and producer at Creative Time in New York, and is accompanied by an illustrated catalogue.
Featuring:
Francis Al
AREA Chicago
The Center for Land Use Interpretation (CLUI)
the Center for Urban Pedagogy (CUP)
kanarinka (Catherine D’lgnazio)
e-Xplo
Ilana Halperin
Lize Mogel
Multiplicity
Trevor Paglen
Raqs Media Collective
Ellen Rothenberg
Julia Meltzer and David Thorne
Spurse
Deborah Stratman
Daniel Tucker, Organizer, The We are Here Map Archive < --- Hi!
Alex Villar
Yin Xiuzhen
Featured in Daniel Tucker’s We are Here Map Archive:
1. Bill Rankin “My cities” 1978-2004
2. Bill Rankin “The United States” 2003-2007
3. Counter Cartography Collective “Disorientation Guide” 2006
4. Nikolas R. Schiller “Pentagon Quilt #3” 2007
5. Ashley Hunt “Prison Map” 2003
6. Friends of William Blake “The People’s Guide to the RNC” 2004
7. Subrosa “Biopower Unlimited” 2002
8. Ecotrust Canada “Statement of Intent Boundaries” 2008
9. NYC Indypendent “Threat to Peace”
10. Repohistory “Circulation” 2000
11. Lize Mogel and Dario Azzellini “The Privatization of War: Colombia as Laboratory and Iraq as Large-Scale Application” 2007/2008
12. Beehive Design Collective “FTAA” 2003
13. Jeffrey Warren “Armsflow” 2006
14. Center for Urban Pedagogy “Cargo Chain” 2008
15. Temporary Travel Office “Contaminating the Preserve” 2008
16. Hackitectura (Pablo de Soto, Jose Perez de Lama osfa, Marta Paz sweena), Indymedia Estrecho and collaborators “Tactical Cartography of the Straits” 2004
17. Ayreen Anastas and Rene Gabri “Fear is Somehow Our For Whom? For What? and Proximity to Everything Far Away” 2006
18. The Los Angeles Urban Rangers “Malibu Public Beaches” 2007
19. The Los Angeles Urban Rangers “Los Angeles Urban Rangers Official Map and Guide” 2004
20. The Los Angeles Urban Rangers “LA County Fair” 2006
21. The Institute for Infinitely Small Things “City Formerly Known As Cambridge”
22. Amy Franceschini “Silicon Valley Superfund Sites” 2006
23. Amy Franceschini “Intentional Communities in Silicon Valley” 2008
24. Adriane Colburn “Whose On Top (race to the pole, part two)” 2008
25. Bureau d’études “World Government” 2005
26. Grupo de Arte Callejero “Aqui Viven Genocidas”
There will be a catalog for the exhibition that will be published by Melville House Books. I look forward to getting a copy when it comes out.
The tour starts next month and has dates that are still available. I would like for it to come to Washington, DC! :-)
Exhibition Itinerary
Richard E. Peeler Art Center , DePauw University, Greencastle, Indiana
September 19 – December 2, 2008
Rochester Art Center, Rochester, Minnesota
February 7 – April 18, 2009
The Albuquerque Museum, Albuquerque, New Mexico
June 28 – September 20, 2009
AVAILABLE
October 2009 – January 2010
Colby College Museum of Art, Waterville, Maine
February 21 – May 30, 2010
AVAILABLE
June – August 2010
Click on the detail of Pentagon Quilt #3 below to view the rest of the map:
Related Virginia Entries:
+ MORE
Pentagon Bans Google Map-Makers
|| 3/17/2008 || 2:01 pm || Comments Off on Pentagon Bans Google Map-Makers || ||
What a poorly written lead by the BBC. It should say something like “Pentagon Bans Google Street View from Military Bases.” Saying “Google map-makers” are banned implies that people who use the service of Google Maps are also banned. But that is not the case; I can zoom into many military bases, but what I cannot do, and the point of the story, is to use the Street View feature within a military base.
Of course they shouldn’t be making a Streetview dataset of any military bases in the first place. Call this a very stupid mistake on behalf of Google. How is this helpful? Knowing where the F-14’s are housed is not information that can be used by the general public. Just like I don’t need to know how DC’s steam pipe network is laid out (a dataset that is withheld from the public last time I checked). Basically, its one thing to do Street View on public streets in innocuous cities, but its an entirely different story when they map out the inside of a military base.
I’ve had quite a few military personnel visit my Street View Improvised Explosive Device animation since I put it on-line last year in June (it was created about a week after Street View was released to the public). I would like to believe that the military is aware of how people can exploit Street View, but nearly 9 months later it doesn’t look like some of the military brass has taken any warnings seriously.
Also, I truly wonder if and when Google will release Street View for Washington, DC. With Google and National Geospatial Intelligence Agency already censoring downtown DC, I doubt that they would release DC’s Streetview imagery without some significant modifications (aka redactions). However, if Google does release DC Street View I already know exactly where I plan on making the next digital IED…. [you will just have to wait & see]