Below is the text of an e-mail I sent out today:
One year ago today my ugly mug was on the front page of the Washington Post’s style section in David Montgomery’s article “Here Be Dragons.” To celebrate the one year anniversary of this 15 minutes of fame I did something I’ve been waiting a VERY long time to do– I removed the Robots Exclusion Protocols from my website. This means that in a few weeks you will be able to find the contents of my website with a simple search string from your favorite search engine.
Before 12:01am today, you could only search the contents of my website on my website. By preventing my website from being crawled by spiders (or robots as they are technically called) I also prevented anyone [strangers] from freely accessing the hundreds of maps that I’ve made over the last 4 years. Thus the paradox of making maps without being able to be found is now over, and in that respect I am liberating myself from the self-censorship experiment that I’ve been conducting these last few years.
Frankly, dear reader, its a very nice feeling. I am unaware of any website that has opened itself up to the robots with over a 1,000 different pages to index at once. I sincerely wonder what search words will bring people to my website from this day forward. Currently postmodern art is my number one search string (I am currently listed at #5)– and that was only possible because of the article that was published one year ago today. So with that said, today marks the beginning of a new phase in my life, and maybe yours– if you search for the right words.
My Artomatic 2008 Opening Night Exhibit Dissected on Flickr
|| 5/27/2008 || 2:50 pm || Comments Off on My Artomatic 2008 Opening Night Exhibit Dissected on Flickr || ||
I’ve never been a fan of Flickr. I dislike how photos are lifted from Flickr all the time without proper citation. One of my biggest annoyances regarding my artwork or other people’s work is when it’s posted on-line with no link back or extra information regarding the artist or the circumstances regarding the image’s origin. Instead you get “neat huh?” “Cool photo!” “Look at this!” etc and while it’s great that more eyes are seeing the image, it undermines the artist’s visibility because the citation is not always accurately presented. A good example of this lack of information can be seen at the social image bookmarking website FFFFOUND!. This lack of citation is not the case 100% of the time, but its the main reason why I don’t upload my artwork to Flickr. Since I have ample server space and nearly unlimited bandwidth I’ve never needed another repository for my images.
I also don’t like the stalker ability that comes with having all of your photographs on-line for strangers to look at and download. I won’t name names, but I’ve looked through some Flickr photostreams of some of my friends and have found that the photos offer far too much information about their lives, activities, and friends. You can look through someone’s photos and see their exes, the interior of their homes, and basically just about anything the person decided to place out there for strangers to view. Worse is that you cannot access the information regarding where your photographs are viewed from. Since I have access to my website’s server logs I can find exactly how many times a photograph has been looked at and by what IP addresses. This information is shielded from the Flickr user and dumbed down to a lowly view counter.
With those reservations aside, I decided to play nice and upload one photograph of my Artomatic 2008 exhibit taken on May 9th. I went through and tagged the photograph twelve times showcasing the content that has been placed on top of the Base Map. Since I embedded quite a few links into the notes, I’ll be able to track exactly who clicks on the image and know with a certain amount of certainty how many times the photograph has been looked at and where the photograph is being looked at from– if they click.
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