My maps are reviewed in this week’s issue of the Philadelphia City Paper:
Maps are composed of signs. In addition to text, they include linear patterns and coded colors; a sense of rhythm and predictability is part of their visual appeal. Issues of scale and modularity, either organic or mechanically imposed, are contemporary art concerns, as well. Digital kaleidoscopic repetition of aerial photographs is blogger Nikolas Schiller’s shtick. He calls his quilt-like pieces “geospatial art.” Four of his works in this show are based on the Gershman Y seen from above, and a fifth is a Star of David configuration made of fragments of disputed territories of Israel and Palestine. Appealing lacy patterns in muted greens, brick reds and white evoke myriad references from Victorian decoration to Islamic mosaics to cellular division. On the other hand, like the similarly attractive fractal patterns, they end up being more decorative than profound.
Read the rest of the review by Robin Rice: