This rendering marks a new stage in my artistic development. Through better understanding of my tools, I have switched from using flattened cylinders to using infinite planes. The geographic tessellation can now be projected to infinite without any degradation in spatial resolution. While the old way allowed me to do the same, I like having a new way to make new lines of symmetry.
This means the gigapixel or the terapixel(wha?) barrier can be surpassed, but my digital ceiling is limited to my iMac’s processing power- I need a G5. Some of the renderings from the Abstract Series were created at 20,000 X 15,000 (300 megapixels) but I’ve realized that it takes too long to process renderings that large. I’ve chosen to keep my current ceiling at 15,000 X 10,000 (150 megapixels), this way each rendering can fit as compressed TIFF (usually about 400-600mbs each) on a CD so I can easily back them up and make duplicates.
As for the outcome of this new development, the only drawback that I’ve found thus far is that the center tends to be darker. Due to the location of the radial light source and the artificial construct of infinity, the center appears darker and the edges appear lighter. I’m going to experiment with lighting and adding more lines of symmetry for my next rendering.
I’ve also learned that I need to make sure my modified imagery is an exact square in dimensions before I import it. In this rendering, the modified Georgetown imagery is like 4 times wide as it is tall and I noticed that there is some slight stretching of some of buildings on the ground and I want minimal distortions when possible.
Like Georgetown Lenz #2, I sincerely enjoy the way the Whitehurst Freeway and the Key Bridge make some of the most notable elements of this rendering. The lines of symmetry used were (0,60,120) and with each line of symmetry there were two more reflections from the imagery which created a total of 6 lines of radial symmetry. If you look closely you can see the bee’s wax hexagonal shape- love it!