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“A Haircut One Year In The Making” – A time-lapse YouTube video of my long-awaited haircut
|| 3/25/2009 || 12:27 pm || + Render A Comment || ||

After growing my hair out for the last year, I decided to film the long-awaited haircut in my living room using my digital camera’s time-lapse recording function. While the haircut was taking place a couple of my housemates come home and watch the haircut unaware that there was a camera recording in the background.

The video gratuitously starts out with a couple photos I took of myself from July of 2008 until March of 2009 then transitions to the footage my Canon SD750 recorded using the one frame per second time-lapse feature. I would have included more photos from June of 2008 to March of 2008, but I couldn’t find any photos on my hard drive.

Anyways, I doubt I’ll grow my hair out like this again for awhile, but honestly, I enjoyed having it.
Up next: the sideburns!


MUSIC: Concerto for Flute and Orchestra in F Major by Antonio Vivaldi
Performed by the Gardner Chamber Orchestra. Audio directed by flutist Paula Robison.
Audio courtesy of Archive.org


Artwork Note: On the wall, behind me to my left, is my map “Washington Monument Lenz




Related YouTube Entries:

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A Thank You Note to Muntazer al-Zaidi outside Busboys & Poets
|| 12/15/2008 || 3:17 pm || 2 Comments Rendered || ||

Yesterday President George W. Bush was nearly beaned by two shoes thrown at him by Iraqi journalist Muntazer al-Zaidi (his first name is also sometimes spelled Montaser, Muntada, Muntather, or Muthathi). Before throwing his second shoe at the president who oversaw the invasion of his country and subsequent deaths of over million Iraqis, he said “This is from the widows, the orphans and those who were killed in Iraq.” In case you missed it, here’s the video:


On a very cold morning in February of 2007 I coordinated the amplified soundsystem at Code Pink‘s “Walk In Their Shoes” press conference on the National Mall. The centerpiece of the press conference was the unveiling of The Empty Shoes of War by Alison Flensburg (right). It’s a large plexiglass box filled with donated shoes from Americans from all over the country. On each shoe contains the name of an Iraqi civilian who has been killed by George W. Bush’s illegal war & occupation of Iraq.

Not soon after the Walk In Their Shoes press conference, the memorial was placed on display outside of Busboys & Poets, an independent bookstore & restaurant located on the corner of V & 14th street in Northwest, Washington, DC (about 5 blocks from my house). The placement of the memorial is significant because the owner of Busboys & Poets, Andy Shallal, is an Iraqi-American from Baghdad and has been against the war before it started.

Last night I was reminded of the shoes in the memorial and conceived the idea of putting up a small guerrilla thank you note as a way to publicly thank al-Zaidi for doing something millions of people around the world would love to do if they were given the opportunity.


#UPDATE# – 15/15/08 – 4pm
After the photos below I’ve added the text of a press release related to a demonstration taking place at the White House on Wednesday.


Below are some of the photos I took before putting up the note:


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One Third Representation Flyer Posted Outside of Busboys & Poets
|| 10/21/2008 || 11:25 am || Comments Off on One Third Representation Flyer Posted Outside of Busboys & Poets || ||

In August of this year, I posted the newest 1/3 representation graphic that had been sent my way. Last night I was at Busboys & Poets, a restaurant off U Street in Washington, DC, and I saw that someone had posted the flyer up on the electric box. Curiously, I am told that the owner of Busboys & Poets is on the board of directors of DC Vote, which is the DC-based non-profit that is behind 1/3 representation in Congress. Maybe this flyer was directed at him? I hope so. I also wonder if the flyer has been placed anywhere else in the city? Anyways, the photograph is taken in such a way that its difficult to read the flyer, so click here in case you are interested in reading the text of the flyer.


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My Artomatic 2008 Top 100 by Floor
|| 5/24/2008 || 2:06 pm || 7 Comments Rendered || ||

At around 1pm on Friday, May 23rd, 2008, I began walking through the entire Artomatic venue floor by floor with the intent of making a top 5 artist listing for each floor. After walking one quarter of the way through my first floor I decided to expand listing to the top 10 of each floor, and after doing some quick math, I decided to round up and give each of the 9 floors a top 11.

First & foremost this listing is not perfect nor am I trying to pass judgment with respect to other artists talents or styles. Any person who decides to make a Top 100 will have a completely different listing based on their own personal tastes. A few of my own personal friends are not listed here because while I like their art, its not something that I would really like to have hanging on my walls. Also some people got left out because their floor had too much other fine artwork to choose from. The method I used to construct this listing is not based on any exact science or talent threshold, but simply, I asked myself if would I pay money to have this in my house? Does this fit the aesthetics that I prefer to have displayed in my house? And with the proper supplies, can I reproduce the artwork on display? Is there some intrinsic aspect of the artwork that makes it stand out?

I tend to visually deconstruct all artwork, animations, video segments, infographics, and maps etc. that are presented to me. I have an active imagination that begins this visual interpretation process the moment I gaze upon something. Most of what I saw at Artomatic did not require much thought to decipher and generally speaking, it’s why I am not interested in a lot of contemporary art in general. Artomatic, however, provides an excellent glimpse into the Washington, DC area’s arts scene.

Surprisingly many artists do not have their own websites or did not take the time to adequately fill out their on-line Artomatic artist profile where they could link from. I did not take the lack of personal website into consideration for inclusion in the listing below. Maybe the next listing should be based strictly on Artomatic artist’s websites? In the listing below I link to the artist’s website or Artomatic artist catalog page and include the cryptic location of the artist’s exhibit space.

The following is a comprehensive listing of my favorite 100 visual artists out of the 1,000+ artists participating in Artomatic 2008:

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Exhibit Fly-Through in Reverse Slow-Motion @ Artomatic 2008
|| 5/12/2008 || 12:25 pm || Comments Off on Exhibit Fly-Through in Reverse Slow-Motion @ Artomatic 2008 || ||

Last night I took a 42 second fly-through of my Artomatic 2008 exhibit that I recorded on Friday afternoon and stretched & reversed the footage into a 3 minute and 30 second abstract animation. The video starts at the RECORD book, then pans & zooms into Freedom Plaza on Federal Triangle Quilt #4, pans across Nova et Accvratissima Totivs Terravm Oribis Tabvla [2008], zooms up close to Charlotte Spheres, and pans back over to Nova et Accvratissima Totivs Terravm Oribis Tabvla [2008] and ends.

Audio is from two tracks on disc one of Cold Krush Cuts by DJ Food & Coldcut (Ninja Tune 1997). It features a sermon I believe to be from Rev. Billy Graham about the Bug’s eye view versus the God’s eye view.

::::::::::Text of the sermon::::::::::

People who fly have a different view of the world than those who spend their lives on the ground. A very wise man once wrote a poem while he was flying, and he called this poem “The God’s Eye View,” and he said that this view was entirely different than the view he always had on the ground, which he called “The Bug’s Eye View.”

Out there, somewhere, in the air we fly through, exists an old Persian legend much like this poem about a bug who spent his entire life in the world’s most beautifully designed Persian rug. All the bug ever saw in his lifetime were his problems. They stood up all around him. He couldn’t see over the top of them, and he had to fight his way through these tufts of wool in the rug to find the crumbs that people had spilled on the rug. And the tragedy of the story of the bug in the rug was this: that he lived and he died in the world’s most beautifully designed rug, but he never once knew that he spent his life inside something which had a pattern. Even if he, this bug, had even once gotten above the rug so that he could have seen all of it, he would have discovered something – that the very things he called his problems were a part of the pattern.

Have you ever felt like that bug in the rug? That you are so surrounded by your problems that you can’t see any pattern to the world in which you live? Have you heard anybody say lately that the world is a total mess? That, my friends, is the Bug’s Eye View, and seeing only a little of the world, me might be inclined to think that this is true.

A better quality version of the video is viewable on Facebook.


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Nikolas Schiller is a second-class American citizen living in America's last colony, Washington, DC. This blog is my on-line repository of what I have created or found on-line since May of 2004. If you have any questions or comments, please contact:

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  • thank you,
    come again!