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Geospatial RSS Art & the RSS Monster
|| 7/29/2008 || 8:00 pm || Comments Off on Geospatial RSS Art & the RSS Monster || ||

Image above links to this blog’s main RSS feed

About a year ago I came up with the idea of making a large scale rendering that uses the iconic RSS logo as a texture on a very large and creepy monster. He’d be a cross between overt information consumption and the plant from Little Shop of Horrors. Below him would be the caption “FEED ME!!!.”

Instead of going that route, I’ve simply modified a large RSS graphic I found on-line and replaced the white space with one of my previously made maps. I’ve been debating on whether I should expand this concept and make a string of these graphics like I did for the randomly selected banner graphics (see banner above and/or hit reload). For now I’m going to stick with the first design I created, which uses imagery from Boston Financial District Quilt.

In homage of the to-be-created RSS Monster, here’s a YouTube clip from Little Shop of Horrors where Audrey II falls over with hunger pains and says “FEED ME SEYMOUR!”



Blue Balls [Hexcode T-Shirt Humor]
|| 5/20/2008 || 11:14 am || Comments Off on Blue Balls [Hexcode T-Shirt Humor] || ||

Blue Balls Hexcode T-Shirt Concept

Following up my use of Hexadecimal Color Codes on the #006900 Party t-shirt, which was based off of the #000000 Power t-shirt, I made another t-shirt design: #0000FF (balls)

For the last week or so I’ve been thinking about a way to use a non-color word visually and this morning I came up with balls. They are easy to draw and are easily identifiable. Embedded in the t-shirt is a phallic image that is supposed to further add to the humor of what constitutes blue balls.



#006900 Party [that’s Green Party in Hexadecimal Color Code]
|| 5/11/2008 || 10:07 pm || Comments Off on #006900 Party [that’s Green Party in Hexadecimal Color Code] || ||

Green Party in Hexadecimal Color Code

At the Artomatic opening night I spoke with someone close to Mark Jenkins about his #000000 POWER t-shirt concept that uses Hexadecimal Color Codes to reference the word’s color (aka BLACK POWER). In this geeky context I thought it would be funny to follow-up this meme by making my own HTML-based t-shirt.

After thinking through a bunch of different permutations, I came up with #006900 Party to represent the Green Party of the United States. I could have chosen from quite a few different combinations for the color Green, but I thought that the number 69 was the most widely understood numerical reference out of the possible permutations, with the exception of the number 42, a favorite number of mine that I found to be too dark.

I will be donating this design to the Green Party of the United States if they want to use it for their official merchandise.



QR Code Tessellation
|| 4/23/2008 || 10:42 pm || Comments Off on QR Code Tessellation || ||

: rendered at 18,000 x 12,000 :

While the QR-Code mistake wasn’t exactly what I was hoping to create earlier today, this design turned out exactly as I originally envisioned. The plan was to take one QR Code and plot the code as a very large tessellation. Like the Geovisual QR Code, I wanted to make the embedded code something self-evident so I chose the text to be “QR Code Tessellation by Nikolas Schiller. Created on Wednesday April 23rd, 2008 in Washington, DC.”

For this design I rotated the code 45 degrees to create a diamond shape and after the rendering was finished I cut out 4 of the squares and added an enlarged QR Code in the lower right-hand corner. In all, it’s a very simple design but at the size of a billboard it would be very interesting to see it displayed.

: QR Code Decoded :

View the rest of the details:

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another QR Code mistake
|| || 12:24 pm || Comments Off on another QR Code mistake || ||

: rendered at 9,000 x 6,000 :

The other week I attempted to hack the QR-Code to see if I could visually embed a censored aerial photograph of the Washington Monument to create “Geovisual QR Code“. While I was unsuccessful, I enjoyed the process of experimenting with this type of visual code.

Today I tried to make a second QR Code design based off a QR Code tessellation. I was able to make the tessellation without a problem and when I was finished I saved the new QR Code as a GIF. When I imported the GIF into my rendering program I noticed that something was awry. Instead of being shown in black & white I was seeing bits of color. I assume that this happened because the program does not take GIF files well. This might have happened because I saved the GIF as an interlaced file and when the program was deconstructing the GIF it created some type of visual static. Instead of casting the mistake aside, I decided to see what the final result would be, and frankly sometimes even mistakes can look quite cool.

Up next will be the intended QR Code design.

: zoom to center :

View the rest of the details:

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Geovisual QR Code
|| 4/12/2008 || 5:42 pm || Comments Off on Geovisual QR Code || ||

: saved at 6,000 x 6,000 :
Geovisual QR Code by Nikolas Schiller

QR Code is a two-dimensional bar code created by Japanese corporation Denso-Wave in 1994. The “QR” is stands for “Quick Response,” and it operates very similar to traditional bar codes, but allows for more customization. QR Codes are common in Japan where they are currently the most popular type of two dimensional code. In recent weeks I’ve read about some very interesting uses of the code and decided to make something with it.

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The first Artomatic prints have arrived
|| 4/9/2008 || 12:30 pm || Comments Off on The first Artomatic prints have arrived || ||

Federal Triangle Quilt #3 with Chinese Signature

Federal Triangle Quilt #3 with Chinese signature

Using some of the funds from my DC Commission on the Arts & Humanities 2008 Young Artist Grant, I purchased the first set of prints that will be shown at next month’s Artomatic exhibition.

One of Kodak’s newest products is their fleece blanket, which is 100% polyester, machine washable, and frankly, are a very good deal at about $45 each. I’ve been waiting a long time to print my maps on large media cost-effectively and fortunately the size of these blankets match the aspect ratio of my maps (3:2) so I can upload my 9,000 x 6,000-sized maps (one half the original rendering size) without any extra image manipulation. Or so I thought.

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Remedia Amoris / The Cure For Love by Ovid
|| 4/3/2008 || 1:28 pm || Comments Off on Remedia Amoris / The Cure For Love by Ovid || ||

Remedia Amoris (Love’s Remedy or The Cure for Love) is a 814 line poem in Latin by the Roman poet Ovid written around 5 BC. The aim of the poem is to teach young men how they can avoid idealizing the women they love and to give assistance if love brings despair and misfortune.

I discovered this poem when I was researching antique stained glass sundials and I came to the initial conclusion that Ovid’s prose is visually interpreted on Blaeu’s world map from the mid-1600s (detail above). Late last night I found both the latin and translated version of the poem, so I decided to do something I wish there was more of on the internet: a side by side layout which shows the original Latin on the left and the translated English on the right.

To add a unique visual element to the poem, I made the line number (which came from the Latin text) the color of the English translation. This involved quite a bit of manual coding, but I think it makes the latin / english comparison easier and slightly more visually engaging. By using red & white type face and numerical indention, the layout looks like a creve coeur or broken heart when scrolling. I bolded one section for emphasis related it’s discovery [hint: around line #185].

There are a few translation discrepancies that I’ve found thus far and there are many others which come across slightly convoluted and require more inquiry, but overall the poem is quite interesting. It includes topics like tree grafting (Genetic Engineering Version 1.0), having multiple lovers, travelling, and what to do and not to do when getting over a relationship. It’s interesting how much things have changed in the last 2,000 years, and as cliche as it may sound, how much our emotions have stayed the same. We all face the same relationship troubles and like Ovid, there will always be people telling you how to deal with them.



If you’ve got about 45 minutes to spare, here is Ovid’s Remedia Amoris / The Cure For Love:
(You might need to widen your browser window to view the on-line polyglot correctly — it was originally design for a previous layout on this website. Drag the lower right hand corner to make the screen wider. Some browsers you can adjust the font size to achieve a similar result.)

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Friends Don’t Let Friends Drink Starbucks
|| 3/7/2008 || 1:12 pm || Comments Off on Friends Don’t Let Friends Drink Starbucks || ||


Original PSA

Today on one of my favorite DC blogs there was a posting about the new pedestrian safety ads (above) that are now being featured on Metro buses and trains. Before I began reading the comments, I was thinking that this graphic would be fun to photoshop. Specifically, I was interested in making fun of the fact that person being hit had been drinking what looks to be a Starbucks coffee. Using the old PSA message “friends don’t let friends drive drunk,” combined with an unfortunate crash scene and a phrase on old pen of mine from an independent coffeeshop in Saint Louis, Missouri, I was able to subvert the message.

If I wanted to spend more time on this graphic, I would have downloaded the exact same font that was used in the original flyer, but I am happy with the ironic result of 25 minutes of image editing.


Modified PSA

Click the above graphic to be taken to www.delocator.net which is a website dedicated to helping you find independent coffeeshops around the world.

Related Design Entries:

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Cities & Nature is now available
|| 1/5/2008 || 1:35 pm || Comments Off on Cities & Nature is now available || ||

I look forward to seeing my copy when it arrives! The book cover uses my map of Central Park in New York City. From the screen grab above, the final design looks a bit greener than the original map, but I won’t know until I see my copy. Regardless, I genuinely look forward to reading it instead of fussing over the colors. What’s inside is what counts!





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Nikolas Schiller is a second-class American citizen living in America's last colony, Washington, DC. This blog is my on-line repository of what I have created or found on-line since May of 2004. If you have any questions or comments, please contact:

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